General Information
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 Title: ...................... Trunk Music               
 Author: ..................... Michael Connelly               
 Read By: . ..................              
 Copyright: ..................             
 Audiobook Copyright: ........   
 Genre: ...................... Mystery              
 Publisher: . ................            
 Series Name: ................ Harry Bosch          
 Position in Series: ......... 05   
 Abridged: ................... Unknown             

Original Media Information
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 Source: ..................... Digital Download
 Condition: .................. Excellent            

File Information
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 Number of MP3s: ............. 50       
 Total Duration: ............. 12:15:00   
 Total MP3 Size: ............. 337 MB       
 Parity Archive: ............. Par2 files @ 15%       
 Ripped By: ..................            
 Encoded At: ................. 64kbps           
 ID3 Tags: ...................              

Book Description
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From the opening bars, when the body of Tony Aliso is pulled from the trunk of his Rolls Royce Silver Cloud on Mulholland Drive, to the final grace note on a Hawaiian beach, Connelly has crafted a jazzy, funky, roller coaster of a book. The return of maverick L.A. homicide detective Hieronymous (Harry) Bosch (from 1995's The Last Coyote) is cause for rejoicing. The Aliso murder quickly embroils Bosch and his new team (Kizmin Rider, a young black female officer on the rise in the department; veteran Jerry Edgar; and their boss, Lieutenant Grace Billets) in a Byzantine tangle of Las Vegas mob money, Hollywood filmmaking and police politics. The plot rushes headlong into deadends and deadfalls, repeatedly reorients and tears off in a new direction. Never known for tact, the single-minded Bosch is soon hotfooting through an acronymic snakepit: the LAPD's OCID (Organized Crime Investigation Division); the IAD (Internal Affairs Division); the LVPD's OCU (Las Vegas Police Department's Organized Crime Unit); the FBI. Not only does each organization claim a piece of the action, but each also wants a piece of Bosch. Connelly has it all working together here: skillful dialogue, solid plotting, nuances of race and status and a pace that will leave readers gasping to keep up. Connelly's early promise (The Black Echo earned him the 1993 Edgar for best first novel) has been borne out nicely by succeeding novels. Trunk Music is his best yet.