1
00:00:02,168 --> 00:00:04,003
THAT'S VERY GOOD.

2
00:00:08,174 --> 00:00:09,409
WELL, THAT'S
VERY NICE.

3
00:00:09,476 --> 00:00:11,344
NO, IT ISN'T.

4
00:00:11,411 --> 00:00:12,000
I JUST CAN'T GET IT RIGHT.

5
00:00:12,000 --> 00:00:14,180
I JUST CAN'T GET IT RIGHT.

6
00:00:14,247 --> 00:00:16,383
YOU THINK THE WINGS
ARE TOO BIG?

7
00:00:16,449 --> 00:00:17,250
OH, NO, NOT AT ALL.

8
00:00:17,317 --> 00:00:18,000
BIRDS HAVE WINGS OF ALL SIZES,
ERIC.

9
00:00:18,000 --> 00:00:20,086
BIRDS HAVE WINGS OF ALL SIZES,
ERIC.

10
00:00:20,153 --> 00:00:22,222
AND YOU SHOULDN'T WORRY
ABOUT MAKING IT

11
00:00:22,288 --> 00:00:23,656
LOOK PERFECT.

12
00:00:23,723 --> 00:00:24,000
BUT MRS. NARSU SAID WE SHOULD
TRY TO MAKE OUR SCULPTURES

13
00:00:24,000 --> 00:00:27,293
BUT MRS. NARSU SAID WE SHOULD
TRY TO MAKE OUR SCULPTURES

14
00:00:27,360 --> 00:00:28,762
AS REALISTIC AS POSSIBLE.

15
00:00:28,828 --> 00:00:30,000
WELL, SHE'S RIGHT.

16
00:00:30,000 --> 00:00:30,063
WELL, SHE'S RIGHT.

17
00:00:30,130 --> 00:00:32,065
IT IS IMPORTANT THAT YOU BE ABLE

18
00:00:32,132 --> 00:00:34,768
TO MAKE THE CLAY TAKE THE SHAPE
YOU WANT IT TO HAVE

19
00:00:34,834 --> 00:00:36,000
BUT YOU'RE NOT SUPPOSED
TO BE CONCENTRATING

20
00:00:36,000 --> 00:00:37,170
BUT YOU'RE NOT SUPPOSED
TO BE CONCENTRATING

21
00:00:37,237 --> 00:00:38,338
ON TECHNIQUE TODAY.

22
00:00:38,405 --> 00:00:40,106
I'M HERE
TO HELP YOU FOCUS

23
00:00:40,173 --> 00:00:42,000
ON THE FEELINGS YOU WANT
TO CONVEY WITH YOUR SCULPTURE.

24
00:00:42,000 --> 00:00:43,143
ON THE FEELINGS YOU WANT
TO CONVEY WITH YOUR SCULPTURE.

25
00:00:43,209 --> 00:00:45,478
FOR INSTANCE

26
00:00:45,545 --> 00:00:48,000
WHAT DO YOU THINK ABOUT
WHEN YOU SEE A BIRD?

27
00:00:48,000 --> 00:00:48,281
WHAT DO YOU THINK ABOUT
WHEN YOU SEE A BIRD?

28
00:00:48,348 --> 00:00:49,682
FLYING?

29
00:00:49,749 --> 00:00:51,451
FINE.

30
00:00:51,518 --> 00:00:54,000
SO MAKE YOUR SCULPTURE
MAKE ME THINK OF FLYING, TOO.

31
00:00:54,000 --> 00:00:55,522
SO MAKE YOUR SCULPTURE
MAKE ME THINK OF FLYING, TOO.

32
00:01:03,696 --> 00:01:05,331
HOW'S IT GOING, DATA?

33
00:01:05,398 --> 00:01:06,000
I HAVE FINISHED.

34
00:01:06,000 --> 00:01:07,167
I HAVE FINISHED.

35
00:01:07,233 --> 00:01:10,403
THE DIMENSIONS ARE ACCURATE
TO WITHIN 1.3%

36
00:01:10,470 --> 00:01:12,000
I'M SURE THEY ARE.

37
00:01:12,000 --> 00:01:13,173
I'M SURE THEY ARE.

38
00:01:13,239 --> 00:01:15,608
DATA, YOU OBVIOUSLY
DON'T HAVE A PROBLEM

39
00:01:15,675 --> 00:01:17,544
WITH REALISM

40
00:01:17,610 --> 00:01:18,000
BUT YOU'RE HERE TO WORK
ON YOUR IMAGINATION.

41
00:01:18,000 --> 00:01:19,612
BUT YOU'RE HERE TO WORK
ON YOUR IMAGINATION.

42
00:01:19,679 --> 00:01:21,281
MAYBE YOU SHOULD TRY

43
00:01:21,347 --> 00:01:24,000
SOMETHING A LITTLE MORE...
ABSTRACT.

44
00:01:24,000 --> 00:01:24,150
SOMETHING A LITTLE MORE...
ABSTRACT.

45
00:01:24,217 --> 00:01:25,852
HERE...

46
00:01:25,919 --> 00:01:30,000
I WANT YOU TO START
A NEW PIECE.

47
00:01:30,000 --> 00:01:30,690
I WANT YOU TO START
A NEW PIECE.

48
00:01:30,757 --> 00:01:36,000
I'D LIKE YOU
TO SCULPT... MUSIC.

49
00:01:36,000 --> 00:01:36,262
I'D LIKE YOU
TO SCULPT... MUSIC.

50
00:01:36,329 --> 00:01:40,867
COUNSELOR, MUSIC IS A COLLECTION
OF ACOUSTIC VIBRATIONS.

51
00:01:40,934 --> 00:01:42,000
HOW CAN I REPRODUCE A SOUND
WITH CLAY?

52
00:01:42,000 --> 00:01:44,304
HOW CAN I REPRODUCE A SOUND
WITH CLAY?

53
00:01:44,370 --> 00:01:48,000
WELL, THINK OF THE EFFECTS
THAT SOUNDS HAVE ON PEOPLE.

54
00:01:48,000 --> 00:01:48,208
WELL, THINK OF THE EFFECTS
THAT SOUNDS HAVE ON PEOPLE.

55
00:01:48,274 --> 00:01:51,311
THE IMAGES THAT MUSIC
BRINGS TO YOUR MIND.

56
00:01:51,377 --> 00:01:53,279
AND THEN, GIVE IT A FORM.

57
00:02:11,898 --> 00:02:12,000
IT'S A START.

58
00:02:12,000 --> 00:02:13,766
IT'S A START.

59
00:02:15,668 --> 00:02:18,000
Riker to Data,
Please report to the bridge.

60
00:02:18,000 --> 00:02:18,571
Riker to Data,
Please report to the bridge.

61
00:02:18,638 --> 00:02:19,906
ACKNOWLEDGED, SIR.

62
00:02:19,973 --> 00:02:21,474
ON MY WAY.

63
00:02:21,541 --> 00:02:24,000
CAPTAIN'S LOG,
STARDATE 47615.2.

64
00:02:24,000 --> 00:02:25,278
CAPTAIN'S LOG,
STARDATE 47615.2.

65
00:02:25,345 --> 00:02:30,000
WE HAVE ENCOUNTERED
A ROGUE COMET IN SECTOR 1156.

66
00:02:30,000 --> 00:02:30,483
WE HAVE ENCOUNTERED
A ROGUE COMET IN SECTOR 1156.

67
00:02:30,550 --> 00:02:33,453
IT IS NOT NATIVE
TO THIS REGION OF SPACE

68
00:02:33,520 --> 00:02:35,522
AND THERE IS NO PREVIOUS RECORD
OF THIS OBJECT

69
00:02:35,588 --> 00:02:36,000
ON ANY FEDERATION CHARTS.

70
00:02:36,000 --> 00:02:36,823
ON ANY FEDERATION CHARTS.

71
00:02:36,890 --> 00:02:38,858
BASED ON ITS
PRESENT TRAJECTORY

72
00:02:38,925 --> 00:02:41,261
THE COMET APPEARS
TO HAVE ORIGINATED

73
00:02:41,327 --> 00:02:42,000
IN THE D'ARSAY SYSTEM.

74
00:02:42,000 --> 00:02:42,762
IN THE D'ARSAY SYSTEM.

75
00:02:42,829 --> 00:02:44,430
THAT'S OVER TWO SECTORS AWAY.

76
00:02:44,497 --> 00:02:45,798
THAT IS CORRECT, SIR.

77
00:02:45,865 --> 00:02:48,000
THIS OBJECT HAS BEEN EN ROUTE
FOR 87 MILLION YEARS.

78
00:02:48,000 --> 00:02:49,235
THIS OBJECT HAS BEEN EN ROUTE
FOR 87 MILLION YEARS.

79
00:02:49,302 --> 00:02:52,772
THAT'S A LONG TIME
ALONE IN THE DARK.

80
00:02:52,839 --> 00:02:54,000
MMM. BEGIN A FULL SENSOR
ANALYSIS, MR. DATA

81
00:02:54,000 --> 00:02:55,608
MMM. BEGIN A FULL SENSOR
ANALYSIS, MR. DATA

82
00:02:55,675 --> 00:02:57,277
AND LOG THE FINDINGS

83
00:02:57,343 --> 00:02:59,679
WITH THE FEDERATION
ASTROPHYSICAL SURVEY.

84
00:02:59,746 --> 00:03:00,000
AYE, SIR.

85
00:03:00,000 --> 00:03:00,880
AYE, SIR.

86
00:03:00,947 --> 00:03:01,915
( console beeping )

87
00:03:01,981 --> 00:03:03,583
THE COMET'S OUTER SHELL

88
00:03:03,650 --> 00:03:06,000
IS COMPOSED PRIMARILY
OF GASEOUS HYDROGEN AND HELIUM

89
00:03:06,000 --> 00:03:06,886
IS COMPOSED PRIMARILY
OF GASEOUS HYDROGEN AND HELIUM

90
00:03:06,953 --> 00:03:09,222
SURROUNDING AN ICY MANTLE.

91
00:03:09,289 --> 00:03:12,000
THE INNER CORE CONSISTS
OF HEAVIER ELEMENTS.

92
00:03:12,000 --> 00:03:12,392
THE INNER CORE CONSISTS
OF HEAVIER ELEMENTS.

93
00:03:16,763 --> 00:03:18,000
WHAT WAS THAT?

94
00:03:18,000 --> 00:03:18,264
WHAT WAS THAT?

95
00:03:18,331 --> 00:03:21,801
THERE IS A DISTORTION
WITHIN THE COMET'S INNER CORE.

96
00:03:21,868 --> 00:03:24,000
I BELIEVE WE EXPERIENCED
AN INTENSE SENSOR ECHO.

97
00:03:24,000 --> 00:03:25,305
I BELIEVE WE EXPERIENCED
AN INTENSE SENSOR ECHO.

98
00:03:25,371 --> 00:03:27,273
CAN YOU CORRECT FOR IT?

99
00:03:27,340 --> 00:03:28,975
I AM ATTEMPTING
TO DO SO NOW, SIR.

100
00:03:29,042 --> 00:03:30,000
I HAVE COMPENSATED
FOR THE EFFECT.

101
00:03:30,000 --> 00:03:31,277
I HAVE COMPENSATED
FOR THE EFFECT.

102
00:03:31,344 --> 00:03:35,281
SENSORS ARE RECONFIGURED
FOR A LOW INTENSITY SWEEP.

103
00:03:35,348 --> 00:03:36,000
WE ARE STILL PICKING UP
SOME INTERFERENCE

104
00:03:36,000 --> 00:03:37,717
WE ARE STILL PICKING UP
SOME INTERFERENCE

105
00:03:37,784 --> 00:03:39,852
BUT THE DISTORTION
IS MANAGEABLE.

106
00:03:39,919 --> 00:03:42,000
AT THESE SETTINGS,
THE SCAN WILL BE COMPLETE

107
00:03:42,000 --> 00:03:42,722
AT THESE SETTINGS,
THE SCAN WILL BE COMPLETE

108
00:03:42,789 --> 00:03:45,491
IN 39 HOURS.

109
00:03:49,395 --> 00:03:51,464
WORF SAYS HE'S GOING TO TEACH US

110
00:03:51,531 --> 00:03:53,666
SOME MOK'BARA
THROWING TECHNIQUES TODAY.

111
00:03:53,733 --> 00:03:54,000
MORE LIKE FALLING
TECHNIQUES.

112
00:03:54,000 --> 00:03:55,535
MORE LIKE FALLING
TECHNIQUES.

113
00:03:55,602 --> 00:03:58,638
LAST TIME WE DID THAT,
I WAS SORE FOR A WEEK.

114
00:03:58,705 --> 00:04:00,000
WHAT'S THIS?

115
00:04:00,000 --> 00:04:00,340
WHAT'S THIS?

116
00:04:00,406 --> 00:04:02,008
I HAVE NO IDEA.

117
00:04:02,075 --> 00:04:04,010
I'VE NEVER SEEN
IT BEFORE.

118
00:04:04,077 --> 00:04:06,000
MAYBE WILL LEFT IT FOR YOU--
A LITTLE PRESENT.

119
00:04:06,000 --> 00:04:07,513
MAYBE WILL LEFT IT FOR YOU--
A LITTLE PRESENT.

120
00:04:07,580 --> 00:04:09,349
IT'S NOT QUITE HIS STYLE.

121
00:04:09,415 --> 00:04:11,918
THEN MAYBE
IT'S A SECRET ADMIRER.

122
00:04:11,985 --> 00:04:12,000
OOH--
THAT'S AN INTERESTING THOUGHT.

123
00:04:12,000 --> 00:04:14,387
OOH--
THAT'S AN INTERESTING THOUGHT.

124
00:04:14,454 --> 00:04:16,522
WELL, YOU'LL FIGURE
IT OUT LATER.

125
00:04:16,589 --> 00:04:18,000
COME ON, WE'RE
GOING TO BE LATE.

126
00:04:18,000 --> 00:04:19,425
COME ON, WE'RE
GOING TO BE LATE.

127
00:04:54,627 --> 00:04:58,998
SPACE, THE FINAL FRONTIER.

128
00:04:59,065 --> 00:05:00,000
THESE ARE THE VOYAGES
OF THE STARSHIP ENTERPRISE.

129
00:05:00,000 --> 00:05:02,869
THESE ARE THE VOYAGES
OF THE STARSHIP ENTERPRISE.

130
00:05:02,935 --> 00:05:04,871
ITS CONTINUING MISSION--

131
00:05:04,937 --> 00:05:06,000
TO EXPLORE
STRANGE NEW WORLDS

132
00:05:06,000 --> 00:05:08,841
TO EXPLORE
STRANGE NEW WORLDS

133
00:05:08,908 --> 00:05:12,000
TO SEEK OUT NEW LIFE
AND NEW CIVILIZATIONS

134
00:05:12,000 --> 00:05:13,513
TO SEEK OUT NEW LIFE
AND NEW CIVILIZATIONS

135
00:05:13,579 --> 00:05:18,000
TO BOLDLY GO
WHERE NO ONE HAS GONE BEFORE.

136
00:05:18,000 --> 00:05:18,418
TO BOLDLY GO
WHERE NO ONE HAS GONE BEFORE.

137
00:05:18,484 --> 00:05:22,622
[Captioning sponsored by
PARAMOUNT PICTURES]

138
00:06:22,782 --> 00:06:24,000
THAT'S NICE.

139
00:06:24,000 --> 00:06:24,550
THAT'S NICE.

140
00:06:28,187 --> 00:06:29,489
DATA...

141
00:06:29,555 --> 00:06:30,000
THIS IS AMAZING.

142
00:06:30,000 --> 00:06:30,556
THIS IS AMAZING.

143
00:06:30,623 --> 00:06:32,492
HOW DID YOU
COME UP WITH THIS?

144
00:06:32,558 --> 00:06:35,461
I FOLLOWED
YOUR ADVICE, COUNSELOR.

145
00:06:35,528 --> 00:06:36,000
I USED MY IMAGINATION.

146
00:06:36,000 --> 00:06:37,063
I USED MY IMAGINATION.

147
00:06:37,130 --> 00:06:38,898
THAT'S AN UNDERSTATEMENT.

148
00:06:38,965 --> 00:06:39,999
FOR SOME REASON

149
00:06:40,066 --> 00:06:42,000
AS I WAS SHAPING THE CLAY

150
00:06:42,000 --> 00:06:42,602
AS I WAS SHAPING THE CLAY

151
00:06:42,668 --> 00:06:44,937
THE IMAGE OF THE MASK

152
00:06:45,004 --> 00:06:47,039
WAS EXCEPTIONALLY CLEAR
IN MY MIND.

153
00:06:47,106 --> 00:06:48,000
THE DESIGN SEEMED TO FLOW
QUITE NATURALLY.

154
00:06:48,000 --> 00:06:48,841
THE DESIGN SEEMED TO FLOW
QUITE NATURALLY.

155
00:06:48,908 --> 00:06:52,545
DATA, HAVE YOU BEEN
IN MY QUARTERS?

156
00:06:53,913 --> 00:06:54,000
NO, COUNSELOR.

157
00:06:54,000 --> 00:06:55,014
NO, COUNSELOR.

158
00:06:55,081 --> 00:06:56,415
SOMEONE LEFT
AN OBJECT

159
00:06:56,482 --> 00:06:57,517
IN MY ROOM.

160
00:06:57,583 --> 00:06:59,652
SOME KIND OF ARTIFACT.

161
00:06:59,719 --> 00:07:00,000
AND IT HAS SOMETHING

162
00:07:00,000 --> 00:07:01,621
AND IT HAS SOMETHING

163
00:07:01,687 --> 00:07:02,789
VERY SIMILAR TO THIS.

164
00:07:02,855 --> 00:07:04,791
AND YOU DON'T KNOW
ANYTHING ABOUT IT?

165
00:07:04,857 --> 00:07:06,000
I DO NOT.

166
00:07:06,000 --> 00:07:06,559
I DO NOT.

167
00:07:06,626 --> 00:07:09,061
Eric:
EXCUSE ME, COUNSELOR.

168
00:07:09,128 --> 00:07:12,000
CAN YOU HELP ME
WITH MY TERMINAL?

169
00:07:12,000 --> 00:07:12,064
CAN YOU HELP ME
WITH MY TERMINAL?

170
00:07:12,131 --> 00:07:15,101
IT'S NOT WORKING RIGHT.

171
00:07:17,503 --> 00:07:18,000
PERHAPS WE SHOULD
INVESTIGATE THIS
MATTER FURTHER.

172
00:07:18,000 --> 00:07:21,174
PERHAPS WE SHOULD
INVESTIGATE THIS
MATTER FURTHER.

173
00:07:21,240 --> 00:07:23,442
Riker:
THESE SYMBOLS
DON'T MATCH ANYTHING

174
00:07:23,509 --> 00:07:24,000
IN THE FEDERATION
LINGUISTICS BANKS.

175
00:07:24,000 --> 00:07:25,478
IN THE FEDERATION
LINGUISTICS BANKS.

176
00:07:25,545 --> 00:07:26,846
SOME KIND OF
ALIEN INFORMATION

177
00:07:26,913 --> 00:07:29,715
HAS BEEN DOWNLOADED
INTO OUR COMPUTER CORE.

178
00:07:29,782 --> 00:07:30,000
I DON'T KNOW
HOW IT'S WORKING

179
00:07:30,000 --> 00:07:30,850
I DON'T KNOW
HOW IT'S WORKING

180
00:07:30,917 --> 00:07:32,685
BUT IT'S RECONFIGURING
OUR SYSTEMS.

181
00:07:32,752 --> 00:07:33,753
HOW DID IT GET IN?

182
00:07:33,820 --> 00:07:35,955
I WAS ABLE TO TRACE ITS PATH
FROM THE REPLICATORS

183
00:07:36,022 --> 00:07:37,857
TO THE SENSOR ARRAY.

184
00:07:37,924 --> 00:07:40,760
THE SENSORS?

185
00:07:40,827 --> 00:07:42,000
THEY'VE BEEN SCANNING THAT COMET
FOR THE PAST 18 HOURS.

186
00:07:42,000 --> 00:07:43,162
THEY'VE BEEN SCANNING THAT COMET
FOR THE PAST 18 HOURS.

187
00:07:43,229 --> 00:07:46,165
THOSE ENERGY READINGS
FROM THE COMET'S CORE--
THAT SENSOR ECHO--

188
00:07:46,232 --> 00:07:47,700
WE STILL DON'T KNOW
WHAT'S INSIDE THAT THING.

189
00:07:47,767 --> 00:07:48,000
MAYBE IT'S ABOUT TIME
WE FIND OUT.

190
00:07:48,000 --> 00:07:50,603
MAYBE IT'S ABOUT TIME
WE FIND OUT.

191
00:07:50,670 --> 00:07:51,904
COULD WE USE THE PHASERS

192
00:07:51,971 --> 00:07:54,000
TO MELT DOWN
THE SHELL OF THE COMET?

193
00:07:54,000 --> 00:07:54,106
TO MELT DOWN
THE SHELL OF THE COMET?

194
00:07:54,173 --> 00:07:57,810
YES. A DISPERSED
WIDE-FIELD BEAM
MIGHT DO THE TRICK.

195
00:07:57,877 --> 00:07:58,711
AND IT WOULDN'T TAKE LONG

196
00:07:58,778 --> 00:07:59,979
TO COME UP
WITH THE FIRING PARAMETERS.

197
00:08:00,046 --> 00:08:01,647
WHAT DO YOU THINK, DATA?

198
00:08:03,816 --> 00:08:05,051
DATA...

199
00:08:05,117 --> 00:08:06,000
WHAT'S WRONG?

200
00:08:06,000 --> 00:08:07,253
WHAT'S WRONG?

201
00:08:07,320 --> 00:08:09,589
I BELIEVE I RECOGNIZE
THESE SYMBOLS.

202
00:08:09,655 --> 00:08:10,957
HOW?

203
00:08:11,023 --> 00:08:12,000
I DO NOT KNOW.

204
00:08:12,000 --> 00:08:13,559
I DO NOT KNOW.

205
00:08:13,626 --> 00:08:15,895
YOU THINK MAYBE YOUR SYSTEMS
HAVE BEEN AFFECTED?

206
00:08:15,962 --> 00:08:18,000
IT IS A POSSIBILITY.

207
00:08:18,000 --> 00:08:18,130
IT IS A POSSIBILITY.

208
00:08:18,197 --> 00:08:20,666
I DO NOT BELIEVE MY SYSTEMS
ARE CURRENTLY IMPAIRED

209
00:08:20,733 --> 00:08:22,668
BUT I WILL RUN
A FULL DIAGNOSTIC

210
00:08:22,735 --> 00:08:24,000
TO MAKE CERTAIN.

211
00:08:24,000 --> 00:08:25,271
TO MAKE CERTAIN.

212
00:08:25,338 --> 00:08:27,673
WHAT DO YOU
THINK THEY MEAN?

213
00:08:27,740 --> 00:08:30,000
BOUNDARY.

214
00:08:30,000 --> 00:08:30,209
BOUNDARY.

215
00:08:30,276 --> 00:08:32,912
BORDER.

216
00:08:32,979 --> 00:08:35,781
ROAD.

217
00:08:35,848 --> 00:08:36,000
COMPANION.

218
00:08:36,000 --> 00:08:37,750
COMPANION.

219
00:08:37,817 --> 00:08:39,118
MESSAGE.

220
00:08:39,185 --> 00:08:41,254
MESSENGER.

221
00:08:41,320 --> 00:08:42,000
La Forge:
WHAT'S THAT ONE?

222
00:08:42,000 --> 00:08:43,556
La Forge:
WHAT'S THAT ONE?

223
00:08:44,991 --> 00:08:47,159
DEATH.

224
00:08:51,597 --> 00:08:53,933
CAPTAIN, PHASERS ARE
SET FOR WIDE DISPERSAL.

225
00:08:54,000 --> 00:08:54,867
TEN PERCENT
MAXIMUM POWER.

226
00:08:54,934 --> 00:08:57,169
THE BEAM WILL
AUTOMATICALLY
TERMINATE

227
00:08:57,236 --> 00:08:59,138
ONCE THE COMET'S
CORE IS REACHED.

228
00:08:59,205 --> 00:09:00,000
VERY WELL, MR. WORF.

229
00:09:00,000 --> 00:09:01,107
VERY WELL, MR. WORF.

230
00:09:01,173 --> 00:09:03,175
FIRE.

231
00:09:12,885 --> 00:09:14,754
PHASERS HAVE
TERMINATED.

232
00:09:35,308 --> 00:09:36,000
MR. DATA,
WHAT ARE WE LOOKING AT?

233
00:09:36,000 --> 00:09:37,143
MR. DATA,
WHAT ARE WE LOOKING AT?

234
00:09:37,209 --> 00:09:38,678
IS IT A SHIP?

235
00:09:38,744 --> 00:09:41,180
I DO NOT KNOW, SIR.

236
00:09:41,247 --> 00:09:42,000
THE OBJECT IS NEARLY SOLID.

237
00:09:42,000 --> 00:09:43,249
THE OBJECT IS NEARLY SOLID.

238
00:09:43,316 --> 00:09:44,951
IT IS COMPOSED PRIMARILY

239
00:09:45,017 --> 00:09:47,086
OF FORTANIUM AND SEVERAL

240
00:09:47,153 --> 00:09:48,000
UNKNOWN MATERIALS.

241
00:09:48,000 --> 00:09:48,754
UNKNOWN MATERIALS.

242
00:09:48,821 --> 00:09:51,290
IT IS OVER 87 MILLION YEARS OLD.

243
00:09:51,357 --> 00:09:53,993
THAT'S OLDER THAN THE COMET
ITSELF.

244
00:09:54,060 --> 00:09:55,895
COULD SOMEONE FROM THE D'ARSAY
SYSTEM HAVE BUILT IT?

245
00:09:55,962 --> 00:09:59,899
THERE ARE NO TECHNOLOGICALLY
ADVANCED CULTURES

246
00:09:59,966 --> 00:10:00,000
IN THAT SYSTEM NOW.

247
00:10:00,000 --> 00:10:01,901
IN THAT SYSTEM NOW.

248
00:10:01,968 --> 00:10:03,669
BUT PERHAPS...

249
00:10:03,736 --> 00:10:06,000
87 MILLION YEARS AGO,
THERE WERE.

250
00:10:06,000 --> 00:10:06,205
87 MILLION YEARS AGO,
THERE WERE.

251
00:10:06,272 --> 00:10:07,640
WHY WOULD THEY WANT TO HIDE

252
00:10:07,707 --> 00:10:08,674
SOMETHING LIKE THAT
INSIDE A COMET?

253
00:10:08,741 --> 00:10:12,000
POSSIBLY... IT ACCUMULATED
THOSE FROZEN GASSES

254
00:10:12,000 --> 00:10:14,080
POSSIBLY... IT ACCUMULATED
THOSE FROZEN GASSES

255
00:10:14,146 --> 00:10:16,382
OVER TIME, AS IT
TRAVELED THROUGH SPACE.

256
00:10:16,449 --> 00:10:17,950
IN ANY CASE

257
00:10:18,017 --> 00:10:20,252
IT'S DEFINITELY RESPONSIBLE
FOR THE SYSTEM ANOMALIES

258
00:10:20,319 --> 00:10:21,954
WE'VE BEEN EXPERIENCING.

259
00:10:22,021 --> 00:10:24,000
THEY'RE USING OUR SENSOR BEAM
AS A CARRIER WAVE

260
00:10:24,000 --> 00:10:24,256
THEY'RE USING OUR SENSOR BEAM
AS A CARRIER WAVE

261
00:10:24,323 --> 00:10:26,993
TO TRANSMIT INFORMATION INTO
OUR COMPUTERS AND REPLICATORS.

262
00:10:27,059 --> 00:10:28,294
BUT THE QUESTION REMAINS, WHY?

263
00:10:28,361 --> 00:10:30,000
WHAT IS ITS PURPOSE?

264
00:10:30,000 --> 00:10:30,096
WHAT IS ITS PURPOSE?

265
00:10:30,162 --> 00:10:35,401
CAPTAIN, I BELIEVE THIS OBJECT
IS AN INFORMATIONAL ARCHIVE.

266
00:10:35,468 --> 00:10:36,000
WHY DO YOU SAY THAT, MR. DATA?

267
00:10:36,000 --> 00:10:37,403
WHY DO YOU SAY THAT, MR. DATA?

268
00:10:37,470 --> 00:10:39,305
I DO NOT KNOW.

269
00:10:39,372 --> 00:10:40,673
HOWEVER, I SEEM TO HAVE

270
00:10:40,740 --> 00:10:42,000
AN INTUITIVE UNDERSTANDING
OF ITS FUNCTION.

271
00:10:42,000 --> 00:10:42,808
AN INTUITIVE UNDERSTANDING
OF ITS FUNCTION.

272
00:10:42,875 --> 00:10:44,944
La Forge:
DATA, THE INTERNAL STRUCTURE

273
00:10:45,011 --> 00:10:46,912
OF THAT THING
IS PRETTY COMPLEX.

274
00:10:46,979 --> 00:10:48,000
AND IT'S GOT A
REPETITIVE NODE
CONFIGURATION

275
00:10:48,000 --> 00:10:48,848
AND IT'S GOT A
REPETITIVE NODE
CONFIGURATION

276
00:10:48,914 --> 00:10:49,849
WHICH MIGHT SUGGEST

277
00:10:49,915 --> 00:10:51,217
A DATABASE
OF SOME KIND

278
00:10:51,283 --> 00:10:52,852
BUT IT COULD BE
PRACTICALLY ANYTHING.

279
00:10:52,918 --> 00:10:54,000
I DON'T SEE HOW YOU CAN KNOW
FOR SURE WHAT IT IS.

280
00:10:54,000 --> 00:10:55,254
I DON'T SEE HOW YOU CAN KNOW
FOR SURE WHAT IT IS.

281
00:10:55,321 --> 00:10:56,255
DATA, DO YOU BELIEVE

282
00:10:56,322 --> 00:10:58,657
THAT YOU'RE IN COMMUNICATION
WITH THAT OBJECT?

283
00:10:58,724 --> 00:11:00,000
IT IS A POSSIBILITY, SIR.

284
00:11:00,000 --> 00:11:00,793
IT IS A POSSIBILITY, SIR.

285
00:11:00,860 --> 00:11:03,863
I RECOMMEND WE RUN
A LEVEL-1 DIAGNOSTIC

286
00:11:03,929 --> 00:11:06,000
OF MY POSITRONIC NET TO
DETERMINE IF THAT IS THE CASE.

287
00:11:06,000 --> 00:11:07,967
OF MY POSITRONIC NET TO
DETERMINE IF THAT IS THE CASE.

288
00:11:08,034 --> 00:11:09,335
VERY WELL.

289
00:11:09,402 --> 00:11:10,436
MR. LA FORGE, GIVE HIM A HAND.

290
00:11:10,503 --> 00:11:12,000
AYE SIR.

291
00:11:12,000 --> 00:11:13,372
AYE SIR.

292
00:11:13,439 --> 00:11:14,840
YOU THINK IT'S JUST TRYING
TO MAKE CONTACT WITH US?

293
00:11:14,907 --> 00:11:17,710
YES, IT'S POSSIBLE,
BUT IF THAT IS AN ARCHIVE

294
00:11:17,777 --> 00:11:18,000
FROM SOME ANCIENT
CIVILIZATION

295
00:11:18,000 --> 00:11:19,011
FROM SOME ANCIENT
CIVILIZATION

296
00:11:19,078 --> 00:11:21,347
WE SHOULD ALLOW IT TO DO SO.

297
00:11:21,414 --> 00:11:23,015
BUT WE MUST BE CAREFUL.

298
00:11:23,082 --> 00:11:24,000
MR. WORF, WILL YOU KEEP
AN EYE ON THE SENSORS?

299
00:11:24,000 --> 00:11:25,184
MR. WORF, WILL YOU KEEP
AN EYE ON THE SENSORS?

300
00:11:25,251 --> 00:11:26,752
IF THE SHIP IS IN ANY DANGER

301
00:11:26,819 --> 00:11:28,788
I WANT YOU TO SEVER
THE CONNECTION IMMEDIATELY.

302
00:11:28,854 --> 00:11:30,000
AYE, SIR.

303
00:11:30,000 --> 00:11:30,189
AYE, SIR.

304
00:11:35,227 --> 00:11:36,000
( door chimes )

305
00:11:36,000 --> 00:11:36,162
( door chimes )

306
00:11:36,228 --> 00:11:38,864
COME.

307
00:11:38,931 --> 00:11:39,965
CAPTAIN?

308
00:11:40,032 --> 00:11:42,000
YES, COME IN, NUMBER ONE.

309
00:11:42,000 --> 00:11:42,768
YES, COME IN, NUMBER ONE.

310
00:11:42,835 --> 00:11:44,370
WE'VE CONFINED THE
SYSTEM CORRUPTION.

311
00:11:44,437 --> 00:11:46,772
IT WON'T BE SPREADING
ANY FURTHER.

312
00:11:46,839 --> 00:11:48,000
BUT WE STILL HAVE
ALIEN SYMBOLS

313
00:11:48,000 --> 00:11:48,974
BUT WE STILL HAVE
ALIEN SYMBOLS

314
00:11:49,041 --> 00:11:52,945
FLOATING AROUND
IN OUR COMPUTER.

315
00:11:53,012 --> 00:11:54,000
THIS IS QUITE A COLLECTION
YOU'VE ASSEMBLED.

316
00:11:54,000 --> 00:11:54,713
THIS IS QUITE A COLLECTION
YOU'VE ASSEMBLED.

317
00:11:54,780 --> 00:11:56,949
I'VE SEEN THESE THINGS
ALL OVER THE SHIP.

318
00:11:57,016 --> 00:11:58,150
THEY ALL LOOK THE SAME--

319
00:11:58,217 --> 00:12:00,000
PRIMITIVE
AND NONFUNCTIONAL.

320
00:12:00,000 --> 00:12:00,186
PRIMITIVE
AND NONFUNCTIONAL.

321
00:12:00,252 --> 00:12:01,353
AH, CEREMONIAL.

322
00:12:01,420 --> 00:12:04,256
AND DECEPTIVELY PRIMITIVE.

323
00:12:04,323 --> 00:12:06,000
ONLY AN ADVANCED
TECHNOLOGICAL SOCIETY

324
00:12:06,000 --> 00:12:06,192
ONLY AN ADVANCED
TECHNOLOGICAL SOCIETY

325
00:12:06,258 --> 00:12:09,795
COULD HAVE BUILT
THAT OBJECT OUT THERE.

326
00:12:09,862 --> 00:12:12,000
THESE ARTIFACTS PLAYED
A RITUALISTIC ROLE

327
00:12:12,000 --> 00:12:12,932
THESE ARTIFACTS PLAYED
A RITUALISTIC ROLE

328
00:12:12,998 --> 00:12:14,767
IN THAT SOCIETY, I THINK.

329
00:12:14,834 --> 00:12:15,367
DO YOU THINK

330
00:12:15,434 --> 00:12:17,336
DATA COULD BE RIGHT?

331
00:12:17,403 --> 00:12:18,000
COULD WE HAVE STUMBLED ACROSS
SOME SORT OF ALIEN LIBRARY?

332
00:12:18,000 --> 00:12:19,905
COULD WE HAVE STUMBLED ACROSS
SOME SORT OF ALIEN LIBRARY?

333
00:12:19,972 --> 00:12:21,140
OH, YES, IT'S POSSIBLE

334
00:12:21,207 --> 00:12:24,000
AND IF SO, IT'S A FIND OF THE
MOST ENORMOUS SIGNIFICANCE.

335
00:12:24,000 --> 00:12:24,043
AND IF SO, IT'S A FIND OF THE
MOST ENORMOUS SIGNIFICANCE.

336
00:12:24,110 --> 00:12:27,513
THAT LIBRARY SEEMS DESIGNED
TO DO SO MUCH MORE

337
00:12:27,580 --> 00:12:29,815
THAN SIMPLY STORE INFORMATION.

338
00:12:29,882 --> 00:12:30,000
WHO KNOWS WHAT WE MIGHT NOT
LEARN FROM THIS?

339
00:12:30,000 --> 00:12:31,784
WHO KNOWS WHAT WE MIGHT NOT
LEARN FROM THIS?

340
00:12:31,851 --> 00:12:33,352
I KEEP SEEING THIS DESIGN.

341
00:12:33,419 --> 00:12:36,000
YES, THIS SYMBOL SEEMS TO BE
OF PARTICULAR SIGNIFICANCE.

342
00:12:36,000 --> 00:12:36,255
YES, THIS SYMBOL SEEMS TO BE
OF PARTICULAR SIGNIFICANCE.

343
00:12:36,322 --> 00:12:37,490
WHAT DO YOU
THINK IT MEANS?

344
00:12:37,556 --> 00:12:39,859
WELL, THE CONCEPT OF THE FOUR
CARDINAL COMPASS DIRECTIONS

345
00:12:39,925 --> 00:12:42,000
ARE QUITE COMMON IN MANY
DIFFERENT CULTURES.

346
00:12:42,000 --> 00:12:42,361
ARE QUITE COMMON IN MANY
DIFFERENT CULTURES.

347
00:12:42,428 --> 00:12:44,830
THE WORDS THAT
DATA RECOGNIZED
IN THE COMPUTER--

348
00:12:44,897 --> 00:12:46,999
BOUNDARY, BORDER, ROAD--

349
00:12:47,066 --> 00:12:48,000
THEY WERE ALL ARRANGED
IN THIS DESIGN.

350
00:12:48,000 --> 00:12:48,934
THEY WERE ALL ARRANGED
IN THIS DESIGN.

351
00:12:49,001 --> 00:12:50,102
WELL, PERHAPS THE ARTIFACTS

352
00:12:50,169 --> 00:12:53,038
THAT ALL HAVE
THIS COMPASS SYMBOL

353
00:12:53,105 --> 00:12:54,000
BELONG TO THE SAME THEME--
MOVEMENT

354
00:12:54,000 --> 00:12:55,875
BELONG TO THE SAME THEME--
MOVEMENT

355
00:12:55,941 --> 00:12:57,943
FINDING A DIRECTION,
TRAVELING A PATH

356
00:12:58,010 --> 00:12:59,478
CROSSING A BOUNDARY.

357
00:12:59,545 --> 00:13:00,000
AND DEATH?

358
00:13:00,000 --> 00:13:00,479
AND DEATH?

359
00:13:00,546 --> 00:13:02,348
ONE OF THE SYMBOLS
WAS DEATH.

360
00:13:02,414 --> 00:13:05,384
WELL, THE ULTIMATE BOUNDARY.

361
00:13:05,451 --> 00:13:06,000
I'VE SEEN THIS SYMBOL
EVERYWHERE, TOO

362
00:13:06,000 --> 00:13:09,388
I'VE SEEN THIS SYMBOL
EVERYWHERE, TOO

363
00:13:09,455 --> 00:13:12,000
BUT MUCH LESS
PROMINENTLY DISPLAYED.

364
00:13:12,000 --> 00:13:12,992
BUT MUCH LESS
PROMINENTLY DISPLAYED.

365
00:13:13,058 --> 00:13:15,261
IT'S ALWAYS IN THE BACKGROUND--
MUCH SMALLER THAN THE OTHERS.

366
00:13:15,327 --> 00:13:16,428
WHAT DO YOU THINK
IT REPRESENTS?

367
00:13:17,963 --> 00:13:18,000
I HAVE NO IDEA.

368
00:13:18,000 --> 00:13:19,365
I HAVE NO IDEA.

369
00:13:20,933 --> 00:13:23,169
LOWER SYNAPTIC FUNCTIONS
ARE COMPLETELY NORMAL.

370
00:13:23,235 --> 00:13:24,000
AUTONOMOUS SYSTEMS
ALL CHECK OUT.

371
00:13:24,000 --> 00:13:26,172
AUTONOMOUS SYSTEMS
ALL CHECK OUT.

372
00:13:26,238 --> 00:13:30,000
I SUGGEST WE EXAMINE
MY MEMORY SUBSYSTEM NEXT.

373
00:13:30,000 --> 00:13:30,176
I SUGGEST WE EXAMINE
MY MEMORY SUBSYSTEM NEXT.

374
00:13:30,242 --> 00:13:31,343
ALL RIGHT.

375
00:13:33,879 --> 00:13:36,000
DATA, WHAT'S WRONG?

376
00:13:36,000 --> 00:13:36,015
DATA, WHAT'S WRONG?

377
00:13:36,081 --> 00:13:38,851
I AM NOT CERTAIN.

378
00:13:38,918 --> 00:13:41,220
I AM EXPERIENCING A...

379
00:13:41,287 --> 00:13:42,000
CURIOUS SENSATION.

380
00:13:42,000 --> 00:13:43,455
CURIOUS SENSATION.

381
00:13:43,522 --> 00:13:46,058
WELL... WHAT IS IT?

382
00:13:46,125 --> 00:13:47,960
AN IMPULSE.

383
00:13:48,027 --> 00:13:50,396
IMPULSE? WHAT KIND
OF IMPULSE?

384
00:13:50,462 --> 00:13:53,332
I... DO NOT KNOW.

385
00:13:53,399 --> 00:13:54,000
I'M GOING TO CHECK OUT
YOUR HIGHER FUNCTIONS.

386
00:13:54,000 --> 00:13:55,901
I'M GOING TO CHECK OUT
YOUR HIGHER FUNCTIONS.

387
00:13:58,137 --> 00:13:59,438
GEORDI.

388
00:14:02,541 --> 00:14:04,977
WHAT... DOES IT FEEL LIKE

389
00:14:05,044 --> 00:14:06,000
WHEN A PERSON
IS LOSING HIS MIND?

390
00:14:06,000 --> 00:14:08,180
WHEN A PERSON
IS LOSING HIS MIND?

391
00:14:10,416 --> 00:14:12,000
DATA, COME ON,
YOU'RE SCARING ME.

392
00:14:12,000 --> 00:14:12,151
DATA, COME ON,
YOU'RE SCARING ME.

393
00:14:12,218 --> 00:14:13,452
NOW, WHAT'S GOING ON?

394
00:14:13,519 --> 00:14:15,955
I DO NOT KNOW.

395
00:14:17,523 --> 00:14:18,000
I... AM DIFFERENT.

396
00:14:18,000 --> 00:14:21,026
I... AM DIFFERENT.

397
00:14:23,195 --> 00:14:24,000
WELL, YOU'RE GOING
TO BE ALL RIGHT.

398
00:14:24,000 --> 00:14:25,431
WELL, YOU'RE GOING
TO BE ALL RIGHT.

399
00:14:25,497 --> 00:14:28,000
YOU'RE WITH ME, OKAY?

400
00:14:28,067 --> 00:14:29,935
OKAY.

401
00:14:30,002 --> 00:14:33,038
LISTEN, I'M GOING
TO DISCONNECT YOU.

402
00:14:40,045 --> 00:14:41,614
( crackling electronic whir )

403
00:14:41,680 --> 00:14:42,000
WHAT'S GOING ON?

404
00:14:42,000 --> 00:14:44,083
WHAT'S GOING ON?

405
00:14:48,554 --> 00:14:50,389
DATA...

406
00:14:54,193 --> 00:14:57,062
( in high, nasal voice ):
MASAKA IS WAKING.

407
00:15:04,536 --> 00:15:05,471
CAPTAIN...

408
00:15:05,537 --> 00:15:06,000
CAPTAIN!

409
00:15:06,000 --> 00:15:06,639
CAPTAIN!

410
00:15:06,705 --> 00:15:09,375
I'VE BEEN WAITING FOR YOU.

411
00:15:09,441 --> 00:15:11,443
YOU SHOULD FEEL HONORED.

412
00:15:11,510 --> 00:15:12,000
I DON'T USUALLY WAIT
FOR ANYONE.

413
00:15:12,000 --> 00:15:13,579
I DON'T USUALLY WAIT
FOR ANYONE.

414
00:15:13,646 --> 00:15:15,381
WHAT IS IT YOU WANT?

415
00:15:15,447 --> 00:15:18,000
MASAKA IS WAKING.

416
00:15:18,000 --> 00:15:18,484
MASAKA IS WAKING.

417
00:15:18,550 --> 00:15:20,119
ARE YOU MASAKA?

418
00:15:20,185 --> 00:15:22,621
I AM NOT MASAKA!

419
00:15:22,688 --> 00:15:24,000
I AM IHAT.

420
00:15:24,000 --> 00:15:24,657
I AM IHAT.

421
00:15:26,425 --> 00:15:28,394
WHAT HAVE YOU DONE
TO COMMANDER DATA?

422
00:15:28,460 --> 00:15:30,000
COMMANDER DATA?

423
00:15:30,000 --> 00:15:30,029
COMMANDER DATA?

424
00:15:30,095 --> 00:15:32,031
YOU MEAN THE ONE
WHO WAS HERE.

425
00:15:32,097 --> 00:15:33,198
YES.

426
00:15:33,265 --> 00:15:34,333
HE'S GONE.

427
00:15:34,400 --> 00:15:36,000
WHO CAN SAY WHERE?

428
00:15:36,000 --> 00:15:36,268
WHO CAN SAY WHERE?

429
00:15:39,405 --> 00:15:41,340
PICARD TO COUNSELOR TROI.

430
00:15:41,407 --> 00:15:42,000
REPORT TO MAIN ENGINEERING
IMMEDIATELY.

431
00:15:42,000 --> 00:15:43,475
REPORT TO MAIN ENGINEERING
IMMEDIATELY.

432
00:15:43,542 --> 00:15:44,977
PICARD TO COUNSELOR TROI.

433
00:15:45,044 --> 00:15:46,478
REPORT TO MAIN ENGINEERING
IMMEDIATELY.

434
00:15:46,545 --> 00:15:48,000
IHAT, THIS PLACE YOU COME FROM

435
00:15:48,000 --> 00:15:50,082
IHAT, THIS PLACE YOU COME FROM

436
00:15:50,149 --> 00:15:54,000
IS IT A CULTURAL ARCHIVE
OF YOUR SPECIES?

437
00:15:54,000 --> 00:15:54,086
IS IT A CULTURAL ARCHIVE
OF YOUR SPECIES?

438
00:15:54,153 --> 00:15:56,522
I COME FROM MASAKA'S CITY.

439
00:15:56,588 --> 00:15:59,692
ARE THERE OTHERS LIKE YOU THERE?

440
00:16:10,069 --> 00:16:12,000
THERE ARE NO
OTHERS LIKE ME.

441
00:16:12,000 --> 00:16:13,038
THERE ARE NO
OTHERS LIKE ME.

442
00:16:13,105 --> 00:16:15,107
( cackling )

443
00:16:18,143 --> 00:16:21,213
WHO IS MASAKA?

444
00:16:21,280 --> 00:16:23,549
YOU WILL FIND OUT.

445
00:16:23,615 --> 00:16:24,000
I WOULD LIKE TO KNOW MASAKA,
SPEAK WITH HER.

446
00:16:24,000 --> 00:16:28,120
I WOULD LIKE TO KNOW MASAKA,
SPEAK WITH HER.

447
00:16:28,187 --> 00:16:30,000
DO YOU UNDERSTAND PAIN?

448
00:16:30,000 --> 00:16:30,556
DO YOU UNDERSTAND PAIN?

449
00:16:30,622 --> 00:16:32,424
DEATH?

450
00:16:32,491 --> 00:16:34,393
THAT IS ALL
YOU NEED TO KNOW

451
00:16:34,460 --> 00:16:35,694
OF MASAKA.

452
00:16:35,761 --> 00:16:36,000
IT IS WHAT SHE IS.

453
00:16:36,000 --> 00:16:38,530
IT IS WHAT SHE IS.

454
00:16:38,597 --> 00:16:40,733
GO.

455
00:16:40,799 --> 00:16:42,000
LEAVE THIS PLACE
BEFORE SHE FINDS YOU.

456
00:16:42,000 --> 00:16:44,436
LEAVE THIS PLACE
BEFORE SHE FINDS YOU.

457
00:16:44,503 --> 00:16:46,538
IT CAN BE DONE.

458
00:16:46,605 --> 00:16:48,000
I DID IT.

459
00:16:48,000 --> 00:16:49,141
I DID IT.

460
00:16:53,245 --> 00:16:54,000
MASAKA.

461
00:16:54,000 --> 00:16:55,047
MASAKA.

462
00:17:08,093 --> 00:17:10,562
( raspy voice ):
I AM YOURS.

463
00:17:10,629 --> 00:17:12,000
EVERY PART OF ME

464
00:17:12,000 --> 00:17:13,065
EVERY PART OF ME

465
00:17:13,132 --> 00:17:16,201
IS YOURS.

466
00:17:16,268 --> 00:17:18,000
WE SHOULD CONFINE HIM
TO QUARTERS.

467
00:17:18,000 --> 00:17:19,638
WE SHOULD CONFINE HIM
TO QUARTERS.

468
00:17:32,117 --> 00:17:33,552
THIS IS A MICROGRAPH

469
00:17:33,619 --> 00:17:36,000
OF WHAT'S HAPPENED
TO DATA'S POSITRONIC NET.

470
00:17:36,000 --> 00:17:36,422
OF WHAT'S HAPPENED
TO DATA'S POSITRONIC NET.

471
00:17:36,488 --> 00:17:39,458
NOW, AS NEAR AS I CAN TELL,
THESE ARE BEHAVIORAL NODES.

472
00:17:39,525 --> 00:17:41,160
I'VE COUNTED 14 SO FAR.

473
00:17:41,226 --> 00:17:42,000
I THINK THE ARCHIVE
IS USING DATA

474
00:17:42,000 --> 00:17:44,196
I THINK THE ARCHIVE
IS USING DATA

475
00:17:44,263 --> 00:17:46,498
TO CREATE DIFFERENT PEOPLE
WITHIN ITS CULTURE

476
00:17:46,565 --> 00:17:48,000
MUCH IN THE SAME WAY
IT USED OUR REPLICATORS

477
00:17:48,000 --> 00:17:49,368
MUCH IN THE SAME WAY
IT USED OUR REPLICATORS

478
00:17:49,435 --> 00:17:51,069
TO CREATE ARTIFACTS.

479
00:17:51,136 --> 00:17:52,838
AS A RESULT, DATA'S
REAL PERSONALITY

480
00:17:52,905 --> 00:17:54,000
HAS BEEN
COMPLETELY BURIED.

481
00:17:54,000 --> 00:17:55,240
HAS BEEN
COMPLETELY BURIED.

482
00:17:55,307 --> 00:17:57,342
IN A SENSE, DATA HAS
THE ANDROID EQUIVALENT

483
00:17:57,409 --> 00:17:58,677
OF MULTIPLE PERSONALITIES.

484
00:17:58,744 --> 00:18:00,000
THE ARCHIVE HASN'T STOPPED YET.

485
00:18:00,000 --> 00:18:00,712
THE ARCHIVE HASN'T STOPPED YET.

486
00:18:00,779 --> 00:18:03,715
DATA'S POSITRONIC NET
IS STILL BEING TRANSFORMED.

487
00:18:03,782 --> 00:18:05,851
THERE'S NO TELLING HOW MANY MORE

488
00:18:05,918 --> 00:18:06,000
PERSONALITIES
MIGHT EMERGE.

489
00:18:06,000 --> 00:18:08,520
PERSONALITIES
MIGHT EMERGE.

490
00:18:08,587 --> 00:18:11,089
GEORDI, I WANT YOU TO CONTINUE
TO SCAN THE ARCHIVE

491
00:18:11,156 --> 00:18:12,000
AND SEE IF YOU CAN FIND

492
00:18:12,000 --> 00:18:12,324
AND SEE IF YOU CAN FIND

493
00:18:12,391 --> 00:18:14,426
SOME WAY TO ACCESS IT

494
00:18:14,493 --> 00:18:16,261
AND IN THE MEANTIME

495
00:18:16,328 --> 00:18:18,000
I'LL SEE WHAT I CAN LEARN
FROM THESE...

496
00:18:18,000 --> 00:18:19,097
I'LL SEE WHAT I CAN LEARN
FROM THESE...

497
00:18:19,164 --> 00:18:22,134
PEOPLE INSIDE DATA.

498
00:18:30,309 --> 00:18:32,578
I'M NOT GOING TO HURT YOU.

499
00:18:32,644 --> 00:18:36,000
( raspy voice ):
ONLY MASAKA CAN HURT ME.

500
00:18:36,000 --> 00:18:37,382
( raspy voice ):
ONLY MASAKA CAN HURT ME.

501
00:18:37,449 --> 00:18:41,720
I AM FOR HER... ALONE.

502
00:18:41,787 --> 00:18:42,000
I NEED TO SPEAK WITH IHAT.

503
00:18:42,000 --> 00:18:45,824
I NEED TO SPEAK WITH IHAT.

504
00:18:45,891 --> 00:18:47,526
DO YOU UNDERSTAND?

505
00:18:47,593 --> 00:18:48,000
IHAT.

506
00:18:48,000 --> 00:18:49,161
IHAT.

507
00:18:49,228 --> 00:18:50,762
( gasps )

508
00:18:54,700 --> 00:18:57,636
( as Ihat ):
CAPTAIN.

509
00:18:57,703 --> 00:18:59,771
THAT WAS A CRUEL JOKE

510
00:18:59,838 --> 00:19:00,000
YOU PLAYED ON ME.

511
00:19:00,000 --> 00:19:01,773
YOU PLAYED ON ME.

512
00:19:01,840 --> 00:19:05,811
FOR A MOMENT-- A BRIEF MOMENT--

513
00:19:05,878 --> 00:19:06,000
I ACTUALLY THOUGHT
THAT WOMAN WAS MASAKA.

514
00:19:06,000 --> 00:19:09,314
I ACTUALLY THOUGHT
THAT WOMAN WAS MASAKA.

515
00:19:09,381 --> 00:19:12,000
WHOEVER TOOK YOUR PLACE
WASN'T AFRAID OF MASAKA.

516
00:19:12,000 --> 00:19:12,651
WHOEVER TOOK YOUR PLACE
WASN'T AFRAID OF MASAKA.

517
00:19:12,718 --> 00:19:14,386
HE SEEMED EAGER FOR HIS FATE.

518
00:19:14,453 --> 00:19:16,555
PITIFUL, ISN'T IT?

519
00:19:16,622 --> 00:19:18,000
YOU WON'T CATCH ME
HUMILIATING MYSELF

520
00:19:18,000 --> 00:19:19,191
YOU WON'T CATCH ME
HUMILIATING MYSELF

521
00:19:19,258 --> 00:19:21,727
FOR A WOMAN,
EVEN IF SHE WERE A QUEEN.

522
00:19:21,793 --> 00:19:24,000
THEN MASAKA IS YOUR QUEEN.

523
00:19:24,000 --> 00:19:25,864
THEN MASAKA IS YOUR QUEEN.

524
00:19:25,931 --> 00:19:28,267
SHE'S A LAZY CREATURE.

525
00:19:28,333 --> 00:19:30,000
SHE SPENDS MOST
OF HER TIME SLEEPING.

526
00:19:30,000 --> 00:19:32,204
SHE SPENDS MOST
OF HER TIME SLEEPING.

527
00:19:32,271 --> 00:19:36,000
PROBLEM IS WHAT SHE DOES
WHEN SHE'S AWAKE.

528
00:19:36,000 --> 00:19:36,208
PROBLEM IS WHAT SHE DOES
WHEN SHE'S AWAKE.

529
00:19:36,275 --> 00:19:38,343
THEN WE SHOULD TRY
TO KEEP HER ASLEEP?

530
00:19:41,547 --> 00:19:42,000
TRY TO STOP THE SUN
FROM CLIMBING THE SKY, HMM?

531
00:19:42,000 --> 00:19:45,584
TRY TO STOP THE SUN
FROM CLIMBING THE SKY, HMM?

532
00:19:45,651 --> 00:19:46,752
UH-UH.

533
00:19:46,818 --> 00:19:48,000
ONLY KORGANO CAN DO THAT

534
00:19:48,000 --> 00:19:48,754
ONLY KORGANO CAN DO THAT

535
00:19:48,820 --> 00:19:51,456
AND HE'S NOT HERE.

536
00:19:51,523 --> 00:19:52,925
WHERE IS HE?

537
00:19:54,793 --> 00:19:57,329
( gasps )

538
00:20:02,334 --> 00:20:04,603
( faint voice ):
HELP ME.

539
00:20:04,670 --> 00:20:06,000
PLEASE.

540
00:20:06,000 --> 00:20:06,338
PLEASE.

541
00:20:09,675 --> 00:20:11,443
WHAT'S WRONG?

542
00:20:11,510 --> 00:20:12,000
I'M AFRAID.

543
00:20:12,000 --> 00:20:12,711
I'M AFRAID.

544
00:20:12,778 --> 00:20:14,246
OF WHAT?

545
00:20:14,313 --> 00:20:15,414
HER.

546
00:20:15,480 --> 00:20:16,415
MASAKA?

547
00:20:16,481 --> 00:20:18,000
HER!

548
00:20:18,000 --> 00:20:18,383
HER!

549
00:20:20,686 --> 00:20:21,920
PICARD TO BRIDGE.

550
00:20:21,987 --> 00:20:23,622
Report.

551
00:20:23,689 --> 00:20:24,000
THE ARCHIVE JUST ACTIVATED
SOME SORT OF TRACTOR BEAM, SIR.

552
00:20:24,000 --> 00:20:25,724
THE ARCHIVE JUST ACTIVATED
SOME SORT OF TRACTOR BEAM, SIR.

553
00:20:25,791 --> 00:20:27,259
WE'RE NOT ABLE TO DISENGAGE IT.

554
00:20:27,326 --> 00:20:28,927
HAS THERE BEEN ANY
DAMAGE TO THE SHIP?

555
00:20:28,994 --> 00:20:30,000
THERE WAS AN EMERGENCY
REPORTED IN TEN-FORWARD.

556
00:20:30,000 --> 00:20:30,896
THERE WAS AN EMERGENCY
REPORTED IN TEN-FORWARD.

557
00:20:30,963 --> 00:20:31,863
MR. WORF'S ON HIS WAY.

558
00:20:31,930 --> 00:20:33,732
CAPTAIN, THERE'S SOME KIND
OF ENERGY PULSE

559
00:20:33,799 --> 00:20:35,367
COMING THROUGH THE TRACTOR BEAM.

560
00:20:35,434 --> 00:20:36,000
It's overriding
our control systems.

561
00:20:36,000 --> 00:20:36,702
It's overriding
our control systems.

562
00:20:36,768 --> 00:20:37,836
I'LL BE RIGHT THERE.

563
00:20:37,903 --> 00:20:39,004
DON'T LEAVE ME.

564
00:20:39,071 --> 00:20:40,973
( whispering ):
I WON'T LEAVE.

565
00:20:41,039 --> 00:20:42,000
PLEASE

566
00:20:42,000 --> 00:20:42,608
PLEASE

567
00:20:42,674 --> 00:20:44,810
LET GO OF ME.

568
00:20:44,876 --> 00:20:46,511
DOES IT HURT?

569
00:20:46,578 --> 00:20:48,000
YES.

570
00:20:48,000 --> 00:20:48,380
YES.

571
00:20:48,447 --> 00:20:51,016
SHE'S GOING TO HURT US ALL.

572
00:20:56,455 --> 00:20:59,958
( as Ihat ):
NOW YOU'VE DONE IT, CAPTAIN.

573
00:21:00,025 --> 00:21:03,362
MASAKA IS AWAKE.

574
00:21:11,336 --> 00:21:12,000
( alarm wailing )

575
00:21:12,000 --> 00:21:13,905
( alarm wailing )

576
00:21:40,532 --> 00:21:42,000
WHO'S THIS?

577
00:21:42,000 --> 00:21:42,334
WHO'S THIS?

578
00:21:49,141 --> 00:21:51,643
I'D SAY THAT
THAT IS MASAKA.

579
00:21:51,710 --> 00:21:54,000
HE HAD REFERRED
TO HER AS "QUEEN"

580
00:21:54,000 --> 00:21:54,312
HE HAD REFERRED
TO HER AS "QUEEN"

581
00:21:54,379 --> 00:21:56,415
AND IT'S NOT UNUSUAL
IN CEREMONIAL CULTURES

582
00:21:56,481 --> 00:21:57,416
TO FIND ROYALTY

583
00:21:57,482 --> 00:21:58,917
SYMBOLIZED BY A SUN.

584
00:21:58,984 --> 00:22:00,000
Troi:
YOU SAID THE
PERSONALITIES
INSIDE DATA

585
00:22:00,000 --> 00:22:01,987
Troi:
YOU SAID THE
PERSONALITIES
INSIDE DATA

586
00:22:02,054 --> 00:22:04,856
WERE IN AWE OF HER,
EVEN TERRIFIED?

587
00:22:04,923 --> 00:22:06,000
WELL, ACCORDING TO DATA

588
00:22:06,000 --> 00:22:06,525
WELL, ACCORDING TO DATA

589
00:22:06,591 --> 00:22:10,062
THE SUN IMAGE
IS ALSO A SYMBOL FOR DEATH.

590
00:22:12,431 --> 00:22:15,667
SEE, THERE IT IS AGAIN--
THE SAME U-SHAPED SYMBOL

591
00:22:15,734 --> 00:22:17,335
SMALL AND INSIGNIFICANT

592
00:22:17,402 --> 00:22:18,000
ALMOST AS IF
IT'S AN AFTERTHOUGHT.

593
00:22:18,000 --> 00:22:20,405
ALMOST AS IF
IT'S AN AFTERTHOUGHT.

594
00:22:20,472 --> 00:22:21,807
CAPTAIN, THIS IS INCREDIBLE.

595
00:22:21,873 --> 00:22:24,000
THESE ARTIFACTS WEREN'T BEAMED
HERE FROM THE ARCHIVES.

596
00:22:24,000 --> 00:22:24,710
THESE ARTIFACTS WEREN'T BEAMED
HERE FROM THE ARCHIVES.

597
00:22:24,776 --> 00:22:26,678
THE MATTER HERE
IN TEN-FORWARD

598
00:22:26,745 --> 00:22:27,913
HAS BEEN TRANSFORMED.

599
00:22:27,979 --> 00:22:29,414
INTO LIVING PLANTS?

600
00:22:29,481 --> 00:22:30,000
HOW IS THAT POSSIBLE?

601
00:22:30,000 --> 00:22:30,949
HOW IS THAT POSSIBLE?

602
00:22:31,016 --> 00:22:34,653
I'M NOT SURE, BUT BIT BY BIT,
THIS SHIP IS BEING TRANSFORMED.

603
00:22:34,720 --> 00:22:36,000
Worf:
WE HAVE BEEN
RECEIVING REPORTS

604
00:22:36,000 --> 00:22:36,455
Worf:
WE HAVE BEEN
RECEIVING REPORTS

605
00:22:36,521 --> 00:22:38,356
FROM THE REST
OF THE SHIP.

606
00:22:38,423 --> 00:22:41,026
PART OF DECK 12
IS NOW AN AQUEDUCT.

607
00:22:41,093 --> 00:22:42,000
WHAT ARE WE BEING
TRANSFORMED INTO?

608
00:22:42,000 --> 00:22:43,028
WHAT ARE WE BEING
TRANSFORMED INTO?

609
00:22:43,095 --> 00:22:45,397
I'M NOT SURE
I WANT TO FIND OUT.

610
00:22:45,464 --> 00:22:47,699
I DON'T THINK
WE HAVE ANY CHOICE.

611
00:22:47,766 --> 00:22:48,000
WE MUST DESTROY
THAT ARCHIVE, MR. WORF.

612
00:22:48,000 --> 00:22:50,602
WE MUST DESTROY
THAT ARCHIVE, MR. WORF.

613
00:22:50,669 --> 00:22:53,872
SIR, OUR WEAPONS CONTROL
SYSTEMS ARE INOPERATIVE.

614
00:22:53,939 --> 00:22:54,000
HOWEVER, WE COULD
RECONFIGURE

615
00:22:54,000 --> 00:22:55,907
HOWEVER, WE COULD
RECONFIGURE

616
00:22:55,974 --> 00:22:58,376
A PHOTON TORPEDO
FOR MANUAL LAUNCH.

617
00:22:58,443 --> 00:22:59,745
MAKE IT SO.

618
00:23:04,983 --> 00:23:06,000
( sighs )

619
00:23:06,000 --> 00:23:06,718
( sighs )

620
00:23:06,785 --> 00:23:09,955
THERE'S SO MUCH MORE HERE
THAT WE COULD HAVE LEARNED.

621
00:23:10,021 --> 00:23:12,000
I REALLY REGRET LOSING
THAT OPPORTUNITY.

622
00:23:12,000 --> 00:23:12,557
I REALLY REGRET LOSING
THAT OPPORTUNITY.

623
00:23:12,624 --> 00:23:15,694
OKAY, I'VE LOCKED
IN THE TARGETING PARAMETERS.

624
00:23:15,761 --> 00:23:17,763
WHAT'S THE PHASE
ALIGNMENT NOW?

625
00:23:17,829 --> 00:23:18,000
LESS THAN .7%.

626
00:23:18,000 --> 00:23:19,798
LESS THAN .7%.

627
00:23:19,865 --> 00:23:21,533
GOOD, THAT'LL DO IT.

628
00:23:21,600 --> 00:23:23,769
I'M SETTING THE YIELD
AT MAXIMUM.

629
00:23:23,835 --> 00:23:24,000
SIR, THE ONBOARD POWER SYSTEMS
ARE NOT FUNCTIONING.

630
00:23:24,000 --> 00:23:27,105
SIR, THE ONBOARD POWER SYSTEMS
ARE NOT FUNCTIONING.

631
00:23:32,978 --> 00:23:35,480
LET'S SEE WHAT'S GOING ON HERE.

632
00:23:48,560 --> 00:23:49,594
WHOA!

633
00:24:13,185 --> 00:24:16,521
SOMETHING TELLS ME
WE'D BETTER GET OUT OF HERE.

634
00:24:26,698 --> 00:24:28,133
ENGINEERING TO BRIDGE.

635
00:24:28,200 --> 00:24:30,000
EMERGENCY TRANSPORT.
TWO TO BEAM OUT.

636
00:24:30,000 --> 00:24:30,836
EMERGENCY TRANSPORT.
TWO TO BEAM OUT.

637
00:24:40,779 --> 00:24:42,000
MAYBE WE'D BETTER TALK
OUT HERE.

638
00:24:42,000 --> 00:24:42,614
MAYBE WE'D BETTER TALK
OUT HERE.

639
00:24:42,681 --> 00:24:44,950
THE OBSERVATION LOUNGE
HAS TURNED INTO A SWAMP.

640
00:24:45,016 --> 00:24:48,000
Picard:
SO... WHAT'S OUR STATUS?

641
00:24:48,000 --> 00:24:50,088
Picard:
SO... WHAT'S OUR STATUS?

642
00:24:50,155 --> 00:24:53,191
La Forge:
WELL, SO FAR THE ARCHIVE
HAS TRANSFORMED

643
00:24:53,258 --> 00:24:54,000
ABOUT 20%
OF THE SHIP.

644
00:24:54,000 --> 00:24:54,593
ABOUT 20%
OF THE SHIP.

645
00:24:54,659 --> 00:24:55,527
WE'VE LOST
MAIN PROPULSION

646
00:24:55,594 --> 00:24:57,262
AND THE WEAPONS SYSTEMS
IN THE PROCESS.

647
00:24:57,329 --> 00:24:59,598
WHAT ABOUT COMMUNICATION?
SENSORS? LIFE-SUPPORT?

648
00:24:59,664 --> 00:25:00,000
WE HAVE COMMUNICATIONS

649
00:25:00,000 --> 00:25:00,699
WE HAVE COMMUNICATIONS

650
00:25:00,765 --> 00:25:01,967
AND LIMITED SENSOR CONTROL.

651
00:25:02,033 --> 00:25:03,902
LIFE-SUPPORT
SEEMS TO BE UNAFFECTED.

652
00:25:03,969 --> 00:25:06,000
I'VE ANALYZED THE
ALIEN PLANT FORMS.

653
00:25:06,000 --> 00:25:06,071
I'VE ANALYZED THE
ALIEN PLANT FORMS.

654
00:25:06,137 --> 00:25:08,506
THEY'VE DEVELOPED
FROM BIOLOGICAL MATTER

655
00:25:08,573 --> 00:25:09,841
WE HAVE ON THE SHIP.

656
00:25:09,908 --> 00:25:11,009
THE STONE, THE ARTIFACTS

657
00:25:11,076 --> 00:25:12,000
ARE MADE
IN MUCH THE SAME WAY--

658
00:25:12,000 --> 00:25:12,711
ARE MADE
IN MUCH THE SAME WAY--

659
00:25:12,777 --> 00:25:15,680
EXTRAPOLATING FROM
THE SHIP'S OWN ALLOYS.

660
00:25:15,747 --> 00:25:17,883
Crusher:
APPARENTLY, THE ARCHIVE
CAN REORDER AND TRANSFORM

661
00:25:17,949 --> 00:25:18,000
MOLECULAR STRUCTURE--
INCLUDING DNA--

662
00:25:18,000 --> 00:25:19,584
MOLECULAR STRUCTURE--
INCLUDING DNA--

663
00:25:19,651 --> 00:25:20,819
INTO ANYTHING IT WANTS.

664
00:25:20,886 --> 00:25:24,000
SO IT'S USING OUR SHIP,
OUR ALLOYS, OUR DNA

665
00:25:24,000 --> 00:25:24,122
SO IT'S USING OUR SHIP,
OUR ALLOYS, OUR DNA

666
00:25:24,189 --> 00:25:26,658
TO CREATE ELEMENTS
OF ITS OWN CULTURE.

667
00:25:26,725 --> 00:25:27,926
BUT WHY IS THIS HAPPENING?

668
00:25:27,993 --> 00:25:29,895
WHAT DOES THE ARCHIVE
HOPE TO ACCOMPLISH?

669
00:25:29,961 --> 00:25:30,000
Picard:
WELL, WHATEVER
THE INTENT THAT LIES

670
00:25:30,000 --> 00:25:33,031
Picard:
WELL, WHATEVER
THE INTENT THAT LIES

671
00:25:33,098 --> 00:25:35,000
BEHIND ITS PROCESS

672
00:25:35,066 --> 00:25:36,000
I'M NOT GOING TO PERMIT

673
00:25:36,000 --> 00:25:36,234
I'M NOT GOING TO PERMIT

674
00:25:36,301 --> 00:25:38,670
THIS SHIP TO BE TURNED
INTO AN ALIEN CITY.

675
00:25:38,737 --> 00:25:40,872
MR. LA FORGE,
DO YOU HAVE ANY IDEAS?

676
00:25:40,939 --> 00:25:42,000
WELL, WE STILL HAVEN'T BEEN ABLE
TO CUT OFF THAT BEAM

677
00:25:42,000 --> 00:25:42,641
WELL, WE STILL HAVEN'T BEEN ABLE
TO CUT OFF THAT BEAM

678
00:25:42,707 --> 00:25:43,541
BUT I HAVE MANAGED TO ACCESS

679
00:25:43,608 --> 00:25:45,577
THE ARCHIVE BY SENDING
AN ENERGY PULSE

680
00:25:45,644 --> 00:25:46,978
BACK ALONG
THEIR SIGNAL PATH.

681
00:25:47,045 --> 00:25:48,000
IF I COULD LOCATE
THE TRANSFORMATION PROGRAM

682
00:25:48,000 --> 00:25:49,648
IF I COULD LOCATE
THE TRANSFORMATION PROGRAM

683
00:25:49,714 --> 00:25:51,216
I MIGHT BE ABLE
TO CONTROL IT.

684
00:25:51,283 --> 00:25:53,618
THAT'S A GOOD IDEA

685
00:25:53,685 --> 00:25:54,000
BUT I FEEL THAT THE ANSWER
LIES THERE...

686
00:25:54,000 --> 00:25:56,087
BUT I FEEL THAT THE ANSWER
LIES THERE...

687
00:25:56,154 --> 00:25:58,957
WITH MASAKA.

688
00:25:59,024 --> 00:26:00,000
WE MUST FIND HER...

689
00:26:00,000 --> 00:26:00,625
WE MUST FIND HER...

690
00:26:00,692 --> 00:26:03,261
ACCESS HER.

691
00:26:03,328 --> 00:26:05,630
TALK TO HER.

692
00:26:22,113 --> 00:26:23,648
HELLO.

693
00:26:26,251 --> 00:26:30,000
( as old man ):
DIFFICULT... TO STAY WARM.

694
00:26:30,000 --> 00:26:30,655
( as old man ):
DIFFICULT... TO STAY WARM.

695
00:26:30,722 --> 00:26:33,658
IT'S NOT WARM ENOUGH--

696
00:26:33,725 --> 00:26:35,827
NOT FOR AN OLD MAN.

697
00:26:35,894 --> 00:26:36,000
TELL ME ABOUT MASAKA.

698
00:26:36,000 --> 00:26:38,797
TELL ME ABOUT MASAKA.

699
00:26:41,066 --> 00:26:42,000
MY... DAUGHTER.

700
00:26:42,000 --> 00:26:44,602
MY... DAUGHTER.

701
00:26:44,669 --> 00:26:48,000
TELL ME HOW CAN I TALK TO HER.

702
00:26:48,000 --> 00:26:48,273
TELL ME HOW CAN I TALK TO HER.

703
00:26:50,408 --> 00:26:53,345
CHILDREN... GROW...

704
00:26:53,411 --> 00:26:54,000
FORGET

705
00:26:54,000 --> 00:26:55,747
FORGET

706
00:26:55,814 --> 00:26:58,783
THEIR PARENTS...

707
00:26:58,850 --> 00:27:00,000
NO...

708
00:27:00,000 --> 00:27:02,654
NO...

709
00:27:02,721 --> 00:27:05,290
ONLY KORGANO CAN TALK

710
00:27:05,357 --> 00:27:06,000
TO MASAKA.

711
00:27:06,000 --> 00:27:07,125
TO MASAKA.

712
00:27:07,192 --> 00:27:08,893
KORGANO.

713
00:27:08,960 --> 00:27:10,628
WHO IS THAT?

714
00:27:16,968 --> 00:27:18,000
( as Ihat ):
WELL, AREN'T WE
THE PERSISTENT ONE?

715
00:27:18,000 --> 00:27:21,973
( as Ihat ):
WELL, AREN'T WE
THE PERSISTENT ONE?

716
00:27:22,040 --> 00:27:23,241
IHAT?

717
00:27:23,308 --> 00:27:24,000
IS ANYONE ELSE SO CHARMING?

718
00:27:24,000 --> 00:27:25,710
IS ANYONE ELSE SO CHARMING?

719
00:27:25,777 --> 00:27:28,313
MASAKA IS TAKING OVER MY SHIP.

720
00:27:28,380 --> 00:27:30,000
I TOLD YOU SHE WOULD.

721
00:27:30,000 --> 00:27:30,181
I TOLD YOU SHE WOULD.

722
00:27:30,248 --> 00:27:32,050
I WANT TO TALK
WITH HER

723
00:27:32,117 --> 00:27:36,000
BUT I UNDERSTAND THAT KORGANO
IS THE ONLY ONE WHO CAN DO THAT.

724
00:27:36,000 --> 00:27:37,222
BUT I UNDERSTAND THAT KORGANO
IS THE ONLY ONE WHO CAN DO THAT.

725
00:27:37,288 --> 00:27:40,425
WHO TOLD YOU THAT?

726
00:27:40,492 --> 00:27:42,000
AN OLD MAN.

727
00:27:42,000 --> 00:27:42,293
AN OLD MAN.

728
00:27:42,360 --> 00:27:44,295
MASAKA'S FATHER.

729
00:27:44,362 --> 00:27:46,664
OH, YES. YES.

730
00:27:46,731 --> 00:27:48,000
LEGEND HAS IT SHE CHOPPED HIM UP

731
00:27:48,000 --> 00:27:49,000
LEGEND HAS IT SHE CHOPPED HIM UP

732
00:27:49,067 --> 00:27:51,936
AND USED HIS BONES
TO MAKE THE WORLD.

733
00:27:52,003 --> 00:27:54,000
ANY WONDER HE DOESN'T LIKE
TO TALK ABOUT HER?

734
00:27:54,000 --> 00:27:54,939
ANY WONDER HE DOESN'T LIKE
TO TALK ABOUT HER?

735
00:27:55,006 --> 00:27:56,775
HOW CAN I FIND KORGANO?

736
00:27:56,841 --> 00:27:58,276
I DON'T KNOW.

737
00:27:58,343 --> 00:28:00,000
HE'S NOT CHASING HER ANYMORE.

738
00:28:00,000 --> 00:28:00,779
HE'S NOT CHASING HER ANYMORE.

739
00:28:00,845 --> 00:28:02,213
WHERE HAS HE GONE?

740
00:28:02,280 --> 00:28:04,282
STOP ASKING ME THESE QUESTIONS.

741
00:28:04,349 --> 00:28:06,000
I WAS FAST ENOUGH
TO GET AWAY FROM HER ONCE.

742
00:28:06,000 --> 00:28:07,152
I WAS FAST ENOUGH
TO GET AWAY FROM HER ONCE.

743
00:28:07,218 --> 00:28:09,354
I DON'T WANT HER
TO FIND ME AGAIN.

744
00:28:09,421 --> 00:28:11,890
I'LL WIND UP
ON HER SACRIFICIAL SLAB.

745
00:28:11,956 --> 00:28:12,000
IHAT, IF SHE'S LOOKING
FOR A SACRIFICE

746
00:28:12,000 --> 00:28:15,160
IHAT, IF SHE'S LOOKING
FOR A SACRIFICE

747
00:28:15,226 --> 00:28:17,695
SHE CAN TAKE ME.

748
00:28:17,762 --> 00:28:18,000
PERHAPS THEN SHE'LL STOP
LOOKING FOR YOU.

749
00:28:18,000 --> 00:28:20,165
PERHAPS THEN SHE'LL STOP
LOOKING FOR YOU.

750
00:28:20,231 --> 00:28:22,367
( chuckling )

751
00:28:22,434 --> 00:28:24,000
WELL, THERE'S AN IDEA.

752
00:28:24,000 --> 00:28:25,103
WELL, THERE'S AN IDEA.

753
00:28:25,170 --> 00:28:26,704
BETTER YOU THAN ME.

754
00:28:28,206 --> 00:28:30,000
VERY WELL.

755
00:28:30,000 --> 00:28:30,041
VERY WELL.

756
00:28:30,108 --> 00:28:31,943
WHAT DO WE DO?

757
00:28:36,114 --> 00:28:38,183
YOU MUST BUILD MASAKA'S TEMPLE.

758
00:28:38,249 --> 00:28:40,351
THE QUEEN'S TEMPLE.

759
00:28:40,418 --> 00:28:42,000
THAT WILL GET HER ATTENTION.

760
00:28:42,000 --> 00:28:43,088
THAT WILL GET HER ATTENTION.

761
00:28:43,154 --> 00:28:45,290
VERY WELL.
HOW DO I DO THAT?

762
00:28:45,356 --> 00:28:47,092
YOU NEED THE SIGN.

763
00:28:47,158 --> 00:28:48,000
I COULD GIVE IT TO YOU.

764
00:28:48,000 --> 00:28:48,860
I COULD GIVE IT TO YOU.

765
00:28:48,927 --> 00:28:50,495
SO COULD THE OLD MAN.

766
00:28:50,562 --> 00:28:53,098
BUT JUST TRY GETTING IT
OUT OF HIM.

767
00:28:53,164 --> 00:28:54,000
GIVE ME THE SIGN.

768
00:28:54,000 --> 00:28:55,133
GIVE ME THE SIGN.

769
00:28:55,200 --> 00:28:58,503
IF SHE FINDS OUT...

770
00:28:58,570 --> 00:29:00,000
YOU CAN'T IMAGINE HER RAGE.

771
00:29:00,000 --> 00:29:02,140
YOU CAN'T IMAGINE HER RAGE.

772
00:29:02,207 --> 00:29:06,000
SHE LETS PEOPLE...
DIE OF THIRST.

773
00:29:06,000 --> 00:29:07,445
SHE LETS PEOPLE...
DIE OF THIRST.

774
00:29:07,512 --> 00:29:11,483
A TERRIBLE DEATH.

775
00:29:11,549 --> 00:29:12,000
SOMETIMES, SHE BURNS THEM ALIVE.

776
00:29:12,000 --> 00:29:17,355
SOMETIMES, SHE BURNS THEM ALIVE.

777
00:29:19,591 --> 00:29:22,127
SHE IS GLORIOUS.

778
00:29:22,193 --> 00:29:24,000
IHAT, THE SIGN.

779
00:29:24,000 --> 00:29:24,062
IHAT, THE SIGN.

780
00:29:24,129 --> 00:29:25,797
GIVE IT TO ME.

781
00:29:25,864 --> 00:29:28,967
IF SHE COMES,
YOU WILL TAKE MY PLACE?

782
00:29:29,033 --> 00:29:30,000
YES.

783
00:29:30,000 --> 00:29:30,869
YES.

784
00:29:30,935 --> 00:29:32,203
ALL RIGHT.

785
00:29:32,270 --> 00:29:33,371
QUICKLY, GIVE ME YOUR HAND.

786
00:29:35,206 --> 00:29:36,000
A LINE, AS THE UNENDING HORIZON.

787
00:29:36,000 --> 00:29:39,310
A LINE, AS THE UNENDING HORIZON.

788
00:29:39,377 --> 00:29:42,000
A CURVE AS...

789
00:29:42,000 --> 00:29:43,148
A CURVE AS...

790
00:29:45,250 --> 00:29:47,852
SHE HAS FOUND ME.

791
00:29:47,919 --> 00:29:48,000
MASAKA, SHOW YOURSELF.

792
00:29:48,000 --> 00:29:51,156
MASAKA, SHOW YOURSELF.

793
00:29:51,222 --> 00:29:53,158
I WILL GO WITH YOU.

794
00:29:53,224 --> 00:29:54,000
IT SEEMS...
I WAS NOT FAST ENOUGH.

795
00:29:54,000 --> 00:29:57,929
IT SEEMS...
I WAS NOT FAST ENOUGH.

796
00:30:01,065 --> 00:30:06,000
( as old man ):
SO HARD... TO STAY WARM.

797
00:30:06,000 --> 00:30:07,205
( as old man ):
SO HARD... TO STAY WARM.

798
00:30:09,407 --> 00:30:12,000
ARE YOU ONE OF MY CHILDREN?

799
00:30:12,000 --> 00:30:12,510
ARE YOU ONE OF MY CHILDREN?

800
00:30:12,577 --> 00:30:15,313
I CAN'T REMEMBER ANYMORE.

801
00:30:15,380 --> 00:30:16,915
I NEED YOUR HELP.

802
00:30:16,981 --> 00:30:18,000
I NEED THE SIGN
FOR THE TEMPLE.

803
00:30:18,000 --> 00:30:18,850
I NEED THE SIGN
FOR THE TEMPLE.

804
00:30:18,917 --> 00:30:20,285
FOR MASAKA'S TEMPLE.

805
00:30:20,351 --> 00:30:23,388
IT WON'T HELP YOU.

806
00:30:23,454 --> 00:30:24,000
KORGANO NO LONGER PURSUES HER.

807
00:30:24,000 --> 00:30:28,426
KORGANO NO LONGER PURSUES HER.

808
00:30:28,493 --> 00:30:30,000
ONLY HE CAN STOP HER.

809
00:30:30,000 --> 00:30:32,497
ONLY HE CAN STOP HER.

810
00:30:39,270 --> 00:30:40,338
A LINE

811
00:30:40,405 --> 00:30:42,000
AS THE UNENDING HORIZON.

812
00:30:42,000 --> 00:30:43,141
AS THE UNENDING HORIZON.

813
00:30:43,208 --> 00:30:46,978
A CURVE AS...

814
00:30:50,682 --> 00:30:53,384
A LINE, AS THE UNENDING HORIZON.

815
00:30:53,451 --> 00:30:54,000
A CURVE...

816
00:30:54,000 --> 00:30:56,588
A CURVE...

817
00:30:56,654 --> 00:31:00,000
AS... THE ROLLING HILLSIDE.

818
00:31:00,000 --> 00:31:01,092
AS... THE ROLLING HILLSIDE.

819
00:31:01,159 --> 00:31:03,328
A POINT...

820
00:31:03,394 --> 00:31:06,000
AS A DISTANT BIRD.

821
00:31:06,000 --> 00:31:07,232
AS A DISTANT BIRD.

822
00:31:07,298 --> 00:31:09,534
A RAY...

823
00:31:09,601 --> 00:31:11,436
AS THE RISING SUN.

824
00:31:14,005 --> 00:31:15,273
THANK YOU.

825
00:31:17,609 --> 00:31:18,000
NOW... COME SIT WITH ME.

826
00:31:18,000 --> 00:31:22,347
NOW... COME SIT WITH ME.

827
00:31:22,413 --> 00:31:24,000
TEND THE FIRE.

828
00:31:24,000 --> 00:31:25,250
TEND THE FIRE.

829
00:31:33,725 --> 00:31:36,000
( faint voice ):
I'M ALONE.

830
00:31:36,000 --> 00:31:37,528
( faint voice ):
I'M ALONE.

831
00:31:37,595 --> 00:31:40,164
NO ONE LEFT TO HELP ME.

832
00:31:40,231 --> 00:31:41,432
SHE'S COMING.

833
00:31:41,499 --> 00:31:42,000
ARE ALL THE OTHERS DEAD?

834
00:31:42,000 --> 00:31:43,568
ARE ALL THE OTHERS DEAD?

835
00:31:43,635 --> 00:31:45,670
DID MASAKA KILL THEM?

836
00:31:45,737 --> 00:31:47,305
NO.

837
00:31:47,372 --> 00:31:48,000
SHE SENT THEM AWAY.

838
00:31:48,000 --> 00:31:49,307
SHE SENT THEM AWAY.

839
00:31:49,374 --> 00:31:52,443
IT WILL TAKE THEM DAYS TO DIE.

840
00:32:27,078 --> 00:32:29,681
Picard:
ANY PROGRESS, MR. LA FORGE?

841
00:32:29,747 --> 00:32:30,000
I THINK I'VE FOUND THE ARCHIVE'S
TRANSFORMATION PROGRAM.

842
00:32:30,000 --> 00:32:32,984
I THINK I'VE FOUND THE ARCHIVE'S
TRANSFORMATION PROGRAM.

843
00:32:33,051 --> 00:32:35,453
WILL IT ACCEPT THE SYMBOL
FOR MASAKA'S TEMPLE?

844
00:32:35,520 --> 00:32:36,000
I THINK SO.

845
00:32:36,000 --> 00:32:37,221
I THINK SO.

846
00:32:37,288 --> 00:32:39,090
I'VE ISOLATED THE PROGRAM'S
INPUT PATHWAYS--

847
00:32:39,157 --> 00:32:40,491
THEIR KEY TO ACCEPT SYMBOLS.

848
00:32:40,558 --> 00:32:42,000
IF I INPUT THIS ONE

849
00:32:42,000 --> 00:32:42,427
IF I INPUT THIS ONE

850
00:32:42,493 --> 00:32:45,096
IT SHOULD INITIATE
THE TRANSFORMATION PROGRAM.

851
00:32:45,163 --> 00:32:46,364
AND CREATE THE TEMPLE?

852
00:32:46,431 --> 00:32:47,999
WELL, I HOPE SO.

853
00:32:48,066 --> 00:32:49,233
IF THIS IS THE WRONG SYMBOL

854
00:32:49,300 --> 00:32:52,337
IT MIGHT TURN THE ENTERPRISE
INTO A BIG CHUNK OF ROCK.

855
00:32:52,403 --> 00:32:53,571
NO WAY TO KNOW FOR SURE.

856
00:32:53,638 --> 00:32:54,000
THE QUESTION IS,
CAN WE TRUST A PERSONALITY

857
00:32:54,000 --> 00:32:56,307
THE QUESTION IS,
CAN WE TRUST A PERSONALITY

858
00:32:56,374 --> 00:32:58,509
FROM AN ALIEN ARCHIVE
THAT SEEMS BENT

859
00:32:58,576 --> 00:33:00,000
ON TAKING US OVER?

860
00:33:00,000 --> 00:33:00,378
ON TAKING US OVER?

861
00:33:00,445 --> 00:33:03,548
IHAT RISKED HIS LIFE
TO SHOW ME THAT SYMBOL.

862
00:33:03,614 --> 00:33:06,000
AND MASAKA KILLED HIM
FOR DOING IT.

863
00:33:06,000 --> 00:33:06,517
AND MASAKA KILLED HIM
FOR DOING IT.

864
00:33:06,584 --> 00:33:09,087
I THINK WE HAVE TO RISK IT.

865
00:33:15,159 --> 00:33:18,000
CAPTAIN, THE ENTIRE DECK
HAS BEEN CLEARED OF PERSONNEL.

866
00:33:18,000 --> 00:33:18,496
CAPTAIN, THE ENTIRE DECK
HAS BEEN CLEARED OF PERSONNEL.

867
00:33:18,563 --> 00:33:19,497
WE MAY PROCEED.

868
00:33:19,564 --> 00:33:20,732
COMMANDER RIKER,
WE'RE READY.

869
00:33:20,798 --> 00:33:22,533
Riker:
Understood.

870
00:33:22,600 --> 00:33:24,000
INITIATE TRANSFORMATION.

871
00:33:24,000 --> 00:33:25,403
INITIATE TRANSFORMATION.

872
00:33:25,470 --> 00:33:27,171
INPUTTING THE SYMBOL NOW.

873
00:33:35,346 --> 00:33:36,000
IT WOULD SEEM THAT THIS
IS MASAKA'S TEMPLE.

874
00:33:36,000 --> 00:33:38,783
IT WOULD SEEM THAT THIS
IS MASAKA'S TEMPLE.

875
00:33:38,850 --> 00:33:41,419
THERE IS
NO ONE ELSE HERE.

876
00:33:41,486 --> 00:33:42,000
Picard:
IHAT SAID THAT
IF WE CREATED THE TEMPLE

877
00:33:42,000 --> 00:33:44,756
Picard:
IHAT SAID THAT
IF WE CREATED THE TEMPLE

878
00:33:44,822 --> 00:33:47,792
THEN IT WOULD GET
HER ATTENTION.

879
00:33:47,859 --> 00:33:48,000
IT MAY BE SOME TIME
BEFORE SHE SHOWS HERSELF.

880
00:33:48,000 --> 00:33:50,561
IT MAY BE SOME TIME
BEFORE SHE SHOWS HERSELF.

881
00:33:50,628 --> 00:33:52,797
Worf:
HOW WILL SHE DO THAT?

882
00:33:52,864 --> 00:33:54,000
Picard:
I DON'T KNOW.

883
00:33:54,000 --> 00:33:54,365
Picard:
I DON'T KNOW.

884
00:33:57,769 --> 00:33:59,670
CAPTAIN?

885
00:33:59,737 --> 00:34:00,000
TAKE A LOOK AT THIS.

886
00:34:00,000 --> 00:34:02,206
TAKE A LOOK AT THIS.

887
00:34:12,150 --> 00:34:13,818
THIS IS THE FIRST TIME

888
00:34:13,885 --> 00:34:15,720
I'VE SEEN THESE
TWO SYMBOLS PAIRED.

889
00:34:15,787 --> 00:34:17,321
THAT COULD BE SIGNIFICANT.

890
00:34:19,490 --> 00:34:22,727
LOOK, THERE IT IS AGAIN.

891
00:34:22,794 --> 00:34:24,000
AND AGAIN.

892
00:34:24,000 --> 00:34:25,163
AND AGAIN.

893
00:34:25,229 --> 00:34:26,597
AND THERE, AGAIN.

894
00:34:27,865 --> 00:34:30,000
THIS IS OBVIOUSLY
AN IMPORTANT PAIRING.

895
00:34:30,000 --> 00:34:30,435
THIS IS OBVIOUSLY
AN IMPORTANT PAIRING.

896
00:34:35,673 --> 00:34:36,000
HE ISN'T CHASING
HER ANYMORE.

897
00:34:36,000 --> 00:34:38,576
HE ISN'T CHASING
HER ANYMORE.

898
00:34:38,643 --> 00:34:40,344
SIR?

899
00:34:40,411 --> 00:34:42,000
IHAT SAID THAT SOMEONE
CALLED KORGANO

900
00:34:42,000 --> 00:34:43,214
IHAT SAID THAT SOMEONE
CALLED KORGANO

901
00:34:43,281 --> 00:34:46,317
ISN'T CHASING MASAKA ANYMORE.

902
00:34:46,384 --> 00:34:48,000
AND THE OLD MAN SAID,
"HE PURSUES HER NO LONGER."

903
00:34:48,000 --> 00:34:51,255
AND THE OLD MAN SAID,
"HE PURSUES HER NO LONGER."

904
00:34:51,322 --> 00:34:54,000
IN A SENSE,
THE SMALL SYMBOL MIGHT BE SEEN

905
00:34:54,000 --> 00:34:55,660
IN A SENSE,
THE SMALL SYMBOL MIGHT BE SEEN

906
00:34:55,726 --> 00:34:58,663
TO BE CHASING MASAKA.

907
00:34:58,729 --> 00:35:00,000
THE SYMBOL
SUGGESTS ANTLERS

908
00:35:00,000 --> 00:35:01,365
THE SYMBOL
SUGGESTS ANTLERS

909
00:35:01,432 --> 00:35:03,734
OF SOME KIND,
UH, HORNS.

910
00:35:03,801 --> 00:35:06,000
MAYBE IT IS MEANT
TO REPRESENT AN ANIMAL?

911
00:35:06,000 --> 00:35:07,104
MAYBE IT IS MEANT
TO REPRESENT AN ANIMAL?

912
00:35:07,171 --> 00:35:10,241
ANIMALS ARE WORSHIPPED
IN MANY CULTURES.

913
00:35:10,308 --> 00:35:12,000
THAT SMALLER SYMBOL
COULD REPRESENT KORGANO.

914
00:35:12,000 --> 00:35:14,412
THAT SMALLER SYMBOL
COULD REPRESENT KORGANO.

915
00:35:14,479 --> 00:35:17,415
IHAT AND THE OLD MAN
SAID THAT KORGANO

916
00:35:17,482 --> 00:35:18,000
WAS THE ONLY ONE WHO
COULD CONTROL MASAKA.

917
00:35:18,000 --> 00:35:19,884
WAS THE ONLY ONE WHO
COULD CONTROL MASAKA.

918
00:35:19,951 --> 00:35:23,454
MANY RITUALISTIC CULTURES

919
00:35:23,521 --> 00:35:24,000
INCORPORATE THE IDEA OF BALANCE
INTO THEIR BELIEF SYSTEMS.

920
00:35:24,000 --> 00:35:27,792
INCORPORATE THE IDEA OF BALANCE
INTO THEIR BELIEF SYSTEMS.

921
00:35:27,859 --> 00:35:30,000
NOW, MASAKA IS A... QUEEN,
A POWERFUL GODLIKE FIGURE.

922
00:35:30,000 --> 00:35:35,299
NOW, MASAKA IS A... QUEEN,
A POWERFUL GODLIKE FIGURE.

923
00:35:36,734 --> 00:35:39,770
IT'S NOT UNREALISTIC

924
00:35:39,837 --> 00:35:42,000
TO BELIEVE THAT SHE
MIGHT HAVE A COUNTERPART

925
00:35:42,000 --> 00:35:42,640
TO BELIEVE THAT SHE
MIGHT HAVE A COUNTERPART

926
00:35:42,707 --> 00:35:44,609
A CONSORT.

927
00:35:44,675 --> 00:35:45,109
LOOK AROUND.

928
00:35:45,176 --> 00:35:45,977
SEE IF YOU CAN SEE

929
00:35:46,043 --> 00:35:48,000
THAT HORN-LIKE SYMBOL
ANYWHERE ELSE.

930
00:35:48,000 --> 00:35:49,847
THAT HORN-LIKE SYMBOL
ANYWHERE ELSE.

931
00:36:42,900 --> 00:36:46,304
Troi:
THIS IS THE MOST PROMINENT
INSTANCE OF THE HORN SYMBOL

932
00:36:46,370 --> 00:36:47,572
WE'VE SEEN YET.

933
00:36:47,638 --> 00:36:48,000
Worf:
BUT NOW IT APPEARS AS THOUGH

934
00:36:48,000 --> 00:36:49,206
Worf:
BUT NOW IT APPEARS AS THOUGH

935
00:36:49,273 --> 00:36:50,575
MASAKA'S SUN IS CHASING IT.

936
00:36:50,641 --> 00:36:52,577
THE SUN CHASING
AN ANIMAL?

937
00:36:52,643 --> 00:36:54,000
Picard:
MAYBE IT'S SIMPLER THAN THAT.

938
00:36:54,000 --> 00:36:55,346
Picard:
MAYBE IT'S SIMPLER THAN THAT.

939
00:36:55,413 --> 00:36:58,416
MAYBE THEIR RELATIONSHIP
IS MORE LIKE...

940
00:36:58,482 --> 00:37:00,000
THE SUN AND THE MOON.

941
00:37:00,000 --> 00:37:00,217
THE SUN AND THE MOON.

942
00:37:00,284 --> 00:37:01,819
I SEE.

943
00:37:01,886 --> 00:37:05,289
MASAKA AND KORGANO
SWITCHING POSITIONS.

944
00:37:05,356 --> 00:37:06,000
THE SUN SETTING,
AND THE MOON RISING.

945
00:37:06,000 --> 00:37:07,925
THE SUN SETTING,
AND THE MOON RISING.

946
00:37:07,992 --> 00:37:09,894
EXACTLY. LIKE TWO
POWERFUL RULERS

947
00:37:09,961 --> 00:37:11,963
CHANGING PLACES
IN A CONTINUAL CYCLE.

948
00:37:12,029 --> 00:37:14,532
AND LIKE THE SUN
AND THE MOON

949
00:37:14,599 --> 00:37:16,801
ONLY ONE OF THEM CAN BE
IN ASCENDANCE

950
00:37:16,867 --> 00:37:18,000
AT ANY GIVEN TIME.

951
00:37:18,000 --> 00:37:19,303
AT ANY GIVEN TIME.

952
00:37:19,370 --> 00:37:23,774
IF WE CAN FIND KORGANO
IN THE ARCHIVE AND BRING HIM OUT

953
00:37:23,841 --> 00:37:24,000
THEN PERHAPS HE COULD FORCE
MASAKA TO LEAVE.

954
00:37:24,000 --> 00:37:28,512
THEN PERHAPS HE COULD FORCE
MASAKA TO LEAVE.

955
00:37:28,579 --> 00:37:30,000
BUT WOULD WE BE
BETTER OFF WITH HIM?

956
00:37:30,000 --> 00:37:31,882
BUT WOULD WE BE
BETTER OFF WITH HIM?

957
00:37:31,949 --> 00:37:34,652
HMM. IHAT AND THE OTHERS

958
00:37:34,719 --> 00:37:36,000
DIDN'T SEEM TO BE
FRIGHTENED OF KORGANO.

959
00:37:36,000 --> 00:37:37,755
DIDN'T SEEM TO BE
FRIGHTENED OF KORGANO.

960
00:37:40,658 --> 00:37:42,000
SIR?

961
00:37:42,000 --> 00:37:42,360
SIR?

962
00:37:43,561 --> 00:37:45,029
MASAKA.

963
00:37:51,902 --> 00:37:54,000
MASAKA, I'M CAPTAIN
JEAN-LUC PICARD

964
00:37:54,000 --> 00:37:54,939
MASAKA, I'M CAPTAIN
JEAN-LUC PICARD

965
00:37:55,006 --> 00:37:57,408
OF THE FEDERATION
STARSHIP...

966
00:37:57,475 --> 00:37:58,876
GO AWAY!

967
00:38:00,544 --> 00:38:01,912
PLEASE HEAR US.

968
00:38:03,714 --> 00:38:06,000
YOUR ARCHIVE
IS DESTROYING...

969
00:38:06,000 --> 00:38:06,017
YOUR ARCHIVE
IS DESTROYING...

970
00:38:06,083 --> 00:38:08,653
I DO NOT HEAR YOU!

971
00:38:08,719 --> 00:38:10,955
SHE WILL NOT EVEN
LISTEN TO US.

972
00:38:11,022 --> 00:38:12,000
THEN WE WILL HAVE
TO FIND SOMEONE

973
00:38:12,000 --> 00:38:13,424
THEN WE WILL HAVE
TO FIND SOMEONE

974
00:38:13,491 --> 00:38:15,292
TO WHOM SHE WILL LISTEN.

975
00:38:19,997 --> 00:38:21,766
I FOUND IT, CAPTAIN.

976
00:38:21,832 --> 00:38:24,000
THIS IS THE ONLY PLACE
IN THE ARCHIVE

977
00:38:24,000 --> 00:38:24,669
THIS IS THE ONLY PLACE
IN THE ARCHIVE

978
00:38:24,735 --> 00:38:26,504
WHERE KORGANO'S
MOON SYMBOL

979
00:38:26,570 --> 00:38:29,473
APPEARS BY ITSELF,
NOT LINKED WITH MASAKA'S.

980
00:38:29,540 --> 00:38:30,000
ALL RIGHT, MR. LA FORGE

981
00:38:30,000 --> 00:38:30,508
ALL RIGHT, MR. LA FORGE

982
00:38:30,574 --> 00:38:33,044
I WANT YOU TO ACCESS
THE TRANSFORMATION PROGRAM

983
00:38:33,110 --> 00:38:35,312
AND, WHEN YOU'RE READY,
INPUT THE SYMBOL.

984
00:38:35,379 --> 00:38:36,000
ISN'T THAT
A LITTLE RISKY?

985
00:38:36,000 --> 00:38:36,647
ISN'T THAT
A LITTLE RISKY?

986
00:38:36,714 --> 00:38:38,382
Troi:
WE HAVE NO IDEA WHAT
THE RESULT WOULD BE.

987
00:38:38,449 --> 00:38:40,518
THE SYMBOL MIGHT
GENERATE ANYTHING

988
00:38:40,584 --> 00:38:42,000
FROM KORGANO'S TEMPLE
TO KORGANO HIMSELF.

989
00:38:42,000 --> 00:38:43,320
FROM KORGANO'S TEMPLE
TO KORGANO HIMSELF.

990
00:38:43,387 --> 00:38:46,090
IN ONE SENSE,
KORGANO IS MASAKA'S NEMESIS.

991
00:38:46,157 --> 00:38:48,000
AND WHATEVER
THIS SYMBOL REPRESENTS

992
00:38:48,000 --> 00:38:48,559
AND WHATEVER
THIS SYMBOL REPRESENTS

993
00:38:48,626 --> 00:38:51,028
IT COULD BE, FOR US,
A MEANS TO CONTROL HER.

994
00:38:51,095 --> 00:38:53,064
NOW, IF ANYONE
HAS A BETTER IDEA

995
00:38:53,130 --> 00:38:54,000
I'M VERY HAPPY
TO ENTERTAIN IT.

996
00:38:54,000 --> 00:38:55,566
I'M VERY HAPPY
TO ENTERTAIN IT.

997
00:38:55,633 --> 00:38:58,069
I'VE ACCESSED
THE PROGRAM, CAPTAIN.

998
00:38:58,135 --> 00:38:59,837
INITIATE THE TRANSFORMATION.

999
00:39:10,081 --> 00:39:11,982
ANOTHER MASK.

1000
00:39:16,887 --> 00:39:18,000
YOU KNOW, WE COULD BE GOING
ABOUT THIS ALL THE WRONG WAY.

1001
00:39:18,000 --> 00:39:20,658
YOU KNOW, WE COULD BE GOING
ABOUT THIS ALL THE WRONG WAY.

1002
00:39:20,725 --> 00:39:23,427
THIS IS A VERY
RITUALISTIC CULTURE

1003
00:39:23,494 --> 00:39:24,000
ONE BASED ON SYMBOL
AND MYTH.

1004
00:39:24,000 --> 00:39:25,529
ONE BASED ON SYMBOL
AND MYTH.

1005
00:39:25,596 --> 00:39:28,666
PERHAPS WE SHOULD
TRY TO CONFRONT THEM

1006
00:39:28,733 --> 00:39:30,000
ON THOSE TERMS.

1007
00:39:30,000 --> 00:39:30,901
ON THOSE TERMS.

1008
00:39:30,968 --> 00:39:35,573
IF I COULD SOMEHOW INCORPORATE
MYSELF IN THEIR RITUAL

1009
00:39:35,639 --> 00:39:36,000
THEN PERHAPS MASAKA
WOULD LISTEN TO ME.

1010
00:39:36,000 --> 00:39:38,743
THEN PERHAPS MASAKA
WOULD LISTEN TO ME.

1011
00:39:38,809 --> 00:39:42,000
YOU'RE GOING TO TRY
TO POSE AS KORGANO?

1012
00:39:42,000 --> 00:39:42,413
YOU'RE GOING TO TRY
TO POSE AS KORGANO?

1013
00:39:42,480 --> 00:39:44,582
CAPTAIN, WE KNOW SO LITTLE
ABOUT THIS CULTURE

1014
00:39:44,648 --> 00:39:46,050
AND EVEN LESS
ABOUT KORGANO.

1015
00:39:46,117 --> 00:39:47,585
HOW WOULD YOU
CONVINCE MASAKA

1016
00:39:47,651 --> 00:39:48,000
THAT YOU'RE HIM?

1017
00:39:48,000 --> 00:39:49,053
THAT YOU'RE HIM?

1018
00:39:49,120 --> 00:39:50,888
WELL, I'M REALLY NOT CERTAIN

1019
00:39:50,955 --> 00:39:53,791
BUT THERE ARE SIMILARITIES
BETWEEN THIS CULTURE

1020
00:39:53,858 --> 00:39:54,000
AND OTHERS THAT I'VE STUDIED.

1021
00:39:54,000 --> 00:39:55,092
AND OTHERS THAT I'VE STUDIED.

1022
00:39:55,159 --> 00:39:57,061
I WOULD IMAGINE
I'M JUST GOING TO IMPROVISE.

1023
00:39:57,128 --> 00:39:58,462
MR. WORF, WHAT'S OUR STATUS?

1024
00:39:58,529 --> 00:40:00,000
I ESTIMATE WE HAVE LESS
THAN TWO HOURS

1025
00:40:00,000 --> 00:40:00,898
I ESTIMATE WE HAVE LESS
THAN TWO HOURS

1026
00:40:00,965 --> 00:40:04,034
BEFORE THERE IS
NOTHING LEFT OF THE SHIP

1027
00:40:04,101 --> 00:40:06,000
AT LEAST NOTHING
WE CAN RECOGNIZE.

1028
00:40:06,000 --> 00:40:07,404
AT LEAST NOTHING
WE CAN RECOGNIZE.

1029
00:40:21,786 --> 00:40:23,020
MASAKA?

1030
00:40:37,568 --> 00:40:39,136
KORGANO.

1031
00:40:39,203 --> 00:40:41,172
ARE YOU SURPRISED TO SEE ME?

1032
00:40:41,238 --> 00:40:42,000
I THOUGHT I HAD ESCAPED YOU.

1033
00:40:42,000 --> 00:40:43,440
I THOUGHT I HAD ESCAPED YOU.

1034
00:40:43,507 --> 00:40:45,743
YOU SHOULD KNOW
THAT IS IMPOSSIBLE.

1035
00:40:45,810 --> 00:40:48,000
YOU ARE A FINE HUNTER,
BUT I AM A POWERFUL PREY.

1036
00:40:48,000 --> 00:40:51,649
YOU ARE A FINE HUNTER,
BUT I AM A POWERFUL PREY.

1037
00:40:51,715 --> 00:40:53,984
YOU WILL NEVER CATCH ME.

1038
00:40:54,051 --> 00:40:55,920
DO YOU WANT TO BE

1039
00:40:55,986 --> 00:40:58,022
THE PREY FOREVER?

1040
00:41:02,226 --> 00:41:04,895
I THOUGHT I WAS ALONE.

1041
00:41:06,931 --> 00:41:11,502
I THOUGHT I WOULD NOT HAVE
TO SHARE THE SKY WITH YOU.

1042
00:41:11,569 --> 00:41:12,000
BUT WITHOUT ME,
YOU ARE NOT COMPLETE.

1043
00:41:12,000 --> 00:41:17,508
BUT WITHOUT ME,
YOU ARE NOT COMPLETE.

1044
00:41:17,575 --> 00:41:18,000
I KNOW YOU SO WELL.

1045
00:41:18,000 --> 00:41:19,210
I KNOW YOU SO WELL.

1046
00:41:19,276 --> 00:41:22,713
YOU LIVE FOR THE
CHASE, AS DO I.

1047
00:41:22,780 --> 00:41:24,000
WILL YOU NOT MISS
BEING THE HUNTER?

1048
00:41:24,000 --> 00:41:26,584
WILL YOU NOT MISS
BEING THE HUNTER?

1049
00:41:26,650 --> 00:41:27,952
PURSUING ME?

1050
00:41:28,018 --> 00:41:30,000
FORCING ME
FROM THE SKY

1051
00:41:30,000 --> 00:41:30,888
FORCING ME
FROM THE SKY

1052
00:41:30,955 --> 00:41:33,524
SO THAT YOU
CAN RISE AGAIN?

1053
00:41:33,591 --> 00:41:35,693
YOU KNOW ME WELL, KORGANO.

1054
00:41:35,759 --> 00:41:36,000
I THINK...

1055
00:41:36,000 --> 00:41:38,262
I THINK...

1056
00:41:38,329 --> 00:41:40,164
THAT YOU ARE BEGINNING
TO TIRE.

1057
00:41:40,231 --> 00:41:42,000
IT IS DIFFICULT

1058
00:41:42,000 --> 00:41:43,033
IT IS DIFFICULT

1059
00:41:43,100 --> 00:41:45,769
BRIGHTENING
THE SKY FOREVER.

1060
00:41:45,836 --> 00:41:48,000
HMM.

1061
00:41:48,000 --> 00:41:48,005
HMM.

1062
00:41:48,072 --> 00:41:50,074
I AM GETTING SLEEPY.

1063
00:41:52,743 --> 00:41:54,000
YOU ALWAYS DO THAT TO ME.

1064
00:41:54,000 --> 00:41:55,212
YOU ALWAYS DO THAT TO ME.

1065
00:41:55,279 --> 00:41:59,917
SO THAT YOU CAN WAKE
WITH THE DAWN.

1066
00:42:02,152 --> 00:42:04,622
AND BEGIN THE HUNT AGAIN.

1067
00:42:04,688 --> 00:42:06,000
LET THE HUNT BEGIN AGAIN.

1068
00:42:06,000 --> 00:42:07,558
LET THE HUNT BEGIN AGAIN.

1069
00:42:11,195 --> 00:42:12,000
I AM EAGER FOR THAT.

1070
00:42:12,000 --> 00:42:13,597
I AM EAGER FOR THAT.

1071
00:42:28,279 --> 00:42:30,000
AS AM I.

1072
00:42:30,000 --> 00:42:30,014
AS AM I.

1073
00:42:32,983 --> 00:42:34,318
Riker to Picard.

1074
00:42:34,385 --> 00:42:35,753
I don't know what you did, sir

1075
00:42:35,819 --> 00:42:36,000
but it looks like
everything's back to normal.

1076
00:42:36,000 --> 00:42:37,621
but it looks like
everything's back to normal.

1077
00:42:37,688 --> 00:42:38,822
ACKNOWLEDGED.

1078
00:42:42,159 --> 00:42:43,827
MR. DATA,
YOU ALL RIGHT?

1079
00:42:43,894 --> 00:42:45,796
I BELIEVE SO, SIR.

1080
00:42:45,863 --> 00:42:48,000
I AM NOT ENTIRELY CERTAIN
WHAT HAS HAPPENED.

1081
00:42:48,000 --> 00:42:48,098
I AM NOT ENTIRELY CERTAIN
WHAT HAS HAPPENED.

1082
00:42:48,165 --> 00:42:50,000
HAVE I BEEN
DREAMING AGAIN?

1083
00:42:50,067 --> 00:42:52,603
I'M AFRAID THAT WILL TAKE
SOME TIME TO EXPLAIN.

1084
00:42:55,706 --> 00:42:58,709
CAPTAIN'S LOG,
STARDATE 47618.4.

1085
00:42:58,776 --> 00:43:00,000
COMMANDER LA FORGE HAS MANAGED
TO DISABLE

1086
00:43:00,000 --> 00:43:01,312
COMMANDER LA FORGE HAS MANAGED
TO DISABLE

1087
00:43:01,378 --> 00:43:03,647
THE ALIEN
TRANSFORMATION PROGRAM.

1088
00:43:03,714 --> 00:43:06,000
STARFLEET HAS DISPATCHED
AN ARCHEOLOGICAL TEAM

1089
00:43:06,000 --> 00:43:06,250
STARFLEET HAS DISPATCHED
AN ARCHEOLOGICAL TEAM

1090
00:43:06,317 --> 00:43:08,719
TO STUDY THE ARCHIVE FURTHER.

1091
00:43:08,786 --> 00:43:10,254
Picard:
BUT I DON'T
UNDERSTAND.

1092
00:43:10,321 --> 00:43:12,000
I THOUGHT ALL OF
THE ALIEN ARTIFACTS

1093
00:43:12,000 --> 00:43:12,056
I THOUGHT ALL OF
THE ALIEN ARTIFACTS

1094
00:43:12,122 --> 00:43:13,857
HAD DISAPPEARED
FROM THE ENTERPRISE.

1095
00:43:13,924 --> 00:43:16,193
THAT ONE WAS NOT CREATED
BY THE ARCHIVE, SIR.

1096
00:43:16,260 --> 00:43:18,000
THAT IS THE CLAY MASK
I ORIGINALLY MADE.

1097
00:43:18,000 --> 00:43:18,696
THAT IS THE CLAY MASK
I ORIGINALLY MADE.

1098
00:43:18,762 --> 00:43:20,331
I HAVE SINCE
PAINTED IT.

1099
00:43:20,397 --> 00:43:21,966
A MEMENTO?

1100
00:43:22,032 --> 00:43:23,701
YES, SIR.

1101
00:43:23,767 --> 00:43:24,000
ALTHOUGH I AM...

1102
00:43:24,000 --> 00:43:25,135
ALTHOUGH I AM...

1103
00:43:25,202 --> 00:43:28,906
RELIEVED TO BE RID
OF THOSE ALIEN PERSONALITIES

1104
00:43:28,973 --> 00:43:30,000
IN A SENSE, I AM NOW... EMPTY.

1105
00:43:30,000 --> 00:43:31,342
IN A SENSE, I AM NOW... EMPTY.

1106
00:43:31,408 --> 00:43:33,143
HMM. I CAN IMAGINE.

1107
00:43:33,210 --> 00:43:35,145
DR. CRUSHER TOLD ME

1108
00:43:35,212 --> 00:43:36,000
THAT THERE WERE
POSSIBLY DOZENS OF PERSONALITIES

1109
00:43:36,000 --> 00:43:38,015
THAT THERE WERE
POSSIBLY DOZENS OF PERSONALITIES

1110
00:43:38,082 --> 00:43:39,650
INSIDE YOU.

1111
00:43:39,717 --> 00:43:41,952
I SUSPECT THE NUMBER
WAS MUCH GREATER.

1112
00:43:42,019 --> 00:43:44,288
MY IMPRESSION IS
THAT THERE WERE THOUSANDS

1113
00:43:44,355 --> 00:43:46,857
OF ALL AGES AND WALKS OF LIFE.

1114
00:43:46,924 --> 00:43:48,000
IT WAS
A REMARKABLE EXPERIENCE.

1115
00:43:48,000 --> 00:43:49,193
IT WAS
A REMARKABLE EXPERIENCE.

1116
00:43:49,259 --> 00:43:53,230
WELL, DATA, YOU NEVER
MAY BECOME FULLY HUMAN

1117
00:43:53,297 --> 00:43:54,000
BUT YOU'VE HAD AN EXPERIENCE

1118
00:43:54,000 --> 00:43:56,066
BUT YOU'VE HAD AN EXPERIENCE

1119
00:43:56,133 --> 00:43:58,702
THAT TRANSCENDS
THE HUMAN CONDITION.

1120
00:43:58,769 --> 00:44:00,000
YOU'VE BEEN AN
ENTIRE CIVILIZATION.

1121
00:44:00,000 --> 00:44:01,705
YOU'VE BEEN AN
ENTIRE CIVILIZATION.

1122
00:44:07,177 --> 00:44:11,648
[Captioning sponsored by
PARAMOUNT PICTURES

1123
00:44:11,715 --> 00:44:12,000
Captioned by
The Caption Center
WGBH Educational Foundation]

1124
00:44:12,000 --> 00:44:15,652
Captioned by
The Caption Center
WGBH Educational Foundation]