1
00:00:01,801 --> 00:00:05,338
CAPTAIN'S LOG,
STARDATE 46271.5.

2
00:00:05,405 --> 00:00:06,000
THE ENTERPRISE HAS ENTERED
ORBIT OF DEINONYCHUS VII

3
00:00:06,000 --> 00:00:08,541
THE ENTERPRISE HAS ENTERED
ORBIT OF DEINONYCHUS VII

4
00:00:08,608 --> 00:00:11,478
BUT OUR SCHEDULED RENDEZVOUS
WITH THE SUPPLY SHIP BIKO

5
00:00:11,544 --> 00:00:12,000
HAS BEEN DELAYED
FOR ANOTHER 48 HOURS.

6
00:00:12,000 --> 00:00:13,747
HAS BEEN DELAYED
FOR ANOTHER 48 HOURS.

7
00:00:13,813 --> 00:00:16,082
IN THE MEANTIME,
MANY MEMBERS OF THE CREW

8
00:00:16,149 --> 00:00:17,751
ARE TAKING ADVANTAGE
OF THE DELAY

9
00:00:17,817 --> 00:00:18,000
TO PURSUE THEIR OWN PROJECTS,
MYSELF INCLUDED.

10
00:00:18,000 --> 00:00:21,187
TO PURSUE THEIR OWN PROJECTS,
MYSELF INCLUDED.

11
00:00:21,254 --> 00:00:24,000
( playing mozart trio
with clarinet and cello )

12
00:00:24,000 --> 00:00:26,659
( playing mozart trio
with clarinet and cello )

13
00:00:34,300 --> 00:00:35,769
COMPUTER, STOP PLAYBACK.

14
00:00:35,835 --> 00:00:36,000
CHANGE THE CLARINET TO AN OBOE.

15
00:00:36,000 --> 00:00:38,638
CHANGE THE CLARINET TO AN OBOE.

16
00:00:38,705 --> 00:00:40,440
CONTINUE RECORDING.

17
00:00:47,547 --> 00:00:48,000
( door chimes )

18
00:00:48,000 --> 00:00:49,082
( door chimes )

19
00:00:49,149 --> 00:00:51,184
COMPUTER, PAUSE PLAYBACK.

20
00:00:51,251 --> 00:00:53,486
COME.

21
00:00:53,553 --> 00:00:54,000
YES, GENTLEMEN?

22
00:00:54,000 --> 00:00:54,788
YES, GENTLEMEN?

23
00:00:54,854 --> 00:00:56,523
CAPTAIN, WE'D LIKE
YOUR PERMISSION

24
00:00:56,589 --> 00:00:58,658
TO TAKE THE
ENGINEERING
COMPUTER

25
00:00:58,725 --> 00:01:00,000
OFF-LINE FOR A
COUPLE OF HOURS.

26
00:01:00,000 --> 00:01:00,794
OFF-LINE FOR A
COUPLE OF HOURS.

27
00:01:00,860 --> 00:01:01,895
WE'RE WORKING ON
A NEW INTERFACE

28
00:01:01,961 --> 00:01:04,097
THAT WOULD ALLOW
DATA TO ACT AS AN
EMERGENCY BACKUP

29
00:01:04,164 --> 00:01:06,000
IN THE EVENT
OF A SHIP-WIDE
SYSTEMS FAILURE.

30
00:01:06,000 --> 00:01:06,633
IN THE EVENT
OF A SHIP-WIDE
SYSTEMS FAILURE.

31
00:01:06,699 --> 00:01:08,134
IN THEORY,
MY NEURAL NETWORK

32
00:01:08,201 --> 00:01:10,069
SHOULD BE ABLE
TO SUSTAIN KEY SYSTEMS

33
00:01:10,136 --> 00:01:12,000
UNTIL PRIMARY CONTROL
IS RESTORED.

34
00:01:12,000 --> 00:01:12,272
UNTIL PRIMARY CONTROL
IS RESTORED.

35
00:01:12,338 --> 00:01:14,140
HMM, IT SOUNDS LIKE
AN INTRIGUING EXPERIMENT.

36
00:01:14,207 --> 00:01:15,608
I'LL BE INTERESTED
TO SEE THE RESULTS.

37
00:01:15,675 --> 00:01:17,110
PERMISSION GRANTED.

38
00:01:17,177 --> 00:01:18,000
IT'S POSSIBLE WE MIGHT
EVEN BE ABLE TO RUN

39
00:01:18,000 --> 00:01:18,812
IT'S POSSIBLE WE MIGHT
EVEN BE ABLE TO RUN

40
00:01:18,878 --> 00:01:20,280
SOME SECONDARY
SYSTEMS THROUGH DATA--

41
00:01:20,346 --> 00:01:21,548
WEAPONS CONTROL,
SENSOR...

42
00:01:21,614 --> 00:01:23,316
YES, I GET THE IDEA,
MR. LA FORGE.

43
00:01:23,383 --> 00:01:24,000
THANK YOU.
PLEASE PROCEED.

44
00:01:24,000 --> 00:01:25,485
THANK YOU.
PLEASE PROCEED.

45
00:01:29,222 --> 00:01:30,000
COMPUTER, BEGIN PLAYBACK
FROM THE FIRST MEASURE.

46
00:01:30,000 --> 00:01:31,858
COMPUTER, BEGIN PLAYBACK
FROM THE FIRST MEASURE.

47
00:01:38,898 --> 00:01:40,433
( door chimes )

48
00:01:40,500 --> 00:01:42,000
COMPUTER, PAUSE RECORDING.

49
00:01:42,000 --> 00:01:42,335
COMPUTER, PAUSE RECORDING.

50
00:01:42,402 --> 00:01:43,470
COME.

51
00:01:46,239 --> 00:01:48,000
JEAN-LUC, I NEED
TO TALK TO YOU

52
00:01:48,000 --> 00:01:48,341
JEAN-LUC, I NEED
TO TALK TO YOU

53
00:01:48,408 --> 00:01:50,443
ABOUT SOMETHING
FOR BREAKFAST.

54
00:01:50,510 --> 00:01:51,444
BREAKFAST?

55
00:01:51,511 --> 00:01:53,346
THE PLAY.

56
00:01:53,413 --> 00:01:54,000
AH, YES, WELL,
IT'S A VERY INTRIGUING DRAMA

57
00:01:54,000 --> 00:01:56,249
AH, YES, WELL,
IT'S A VERY INTRIGUING DRAMA

58
00:01:56,316 --> 00:02:00,000
BUT I REALLY DON'T HAVE THE TIME
IT WOULD TAKE TO LEARN A PART.

59
00:02:00,000 --> 00:02:01,321
BUT I REALLY DON'T HAVE THE TIME
IT WOULD TAKE TO LEARN A PART.

60
00:02:01,387 --> 00:02:04,591
AND, UH, ANYWAY,
I'M NOT MUCH OF AN ACTOR.

61
00:02:04,657 --> 00:02:06,000
THAT'S NO PROBLEM.

62
00:02:06,000 --> 00:02:06,326
THAT'S NO PROBLEM.

63
00:02:06,392 --> 00:02:08,194
OH?

64
00:02:08,261 --> 00:02:10,129
WELL, YOU WOULDN'T
BE PLAYING ONE
OF THE LEADS.

65
00:02:10,196 --> 00:02:11,731
OH.

66
00:02:11,798 --> 00:02:12,000
IT'S A VERY SMALL PART--
ONLY TWO LINES.

67
00:02:12,000 --> 00:02:14,367
IT'S A VERY SMALL PART--
ONLY TWO LINES.

68
00:02:14,434 --> 00:02:15,602
REALLY?

69
00:02:15,668 --> 00:02:18,000
IT'S THE ROLE OF THE BUTLER.

70
00:02:18,000 --> 00:02:18,204
IT'S THE ROLE OF THE BUTLER.

71
00:02:18,271 --> 00:02:18,905
WELL, I'LL THINK ABOUT IT
AND LET YOU KNOW.

72
00:02:21,908 --> 00:02:24,000
YOU WOULD BE
WONDERFUL, JEAN-LUC.

73
00:02:24,000 --> 00:02:24,911
YOU WOULD BE
WONDERFUL, JEAN-LUC.

74
00:02:27,814 --> 00:02:30,000
WE'RE REHEARSING
TODAY AT 1:30.

75
00:02:30,000 --> 00:02:30,416
WE'RE REHEARSING
TODAY AT 1:30.

76
00:02:35,388 --> 00:02:36,000
COMPUTER, BEGIN PLAYBACK
FROM THE FIRST MEASURE.

77
00:02:36,000 --> 00:02:38,825
COMPUTER, BEGIN PLAYBACK
FROM THE FIRST MEASURE.

78
00:02:40,627 --> 00:02:41,895
( door chimes )

79
00:02:41,961 --> 00:02:42,000
COMPUTER, PAUSE RECORDING.

80
00:02:42,000 --> 00:02:43,897
COMPUTER, PAUSE RECORDING.

81
00:02:43,963 --> 00:02:45,899
YES!

82
00:02:45,965 --> 00:02:48,000
CAPTAIN, I
AM SORRY TO
INTERRUPT...

83
00:02:48,000 --> 00:02:48,401
CAPTAIN, I
AM SORRY TO
INTERRUPT...

84
00:02:48,468 --> 00:02:49,903
NO. PLEASE, MR. WORF,
COME IN.

85
00:02:49,969 --> 00:02:51,871
I WAS HOPING
TO TAKE ADVANTAGE

86
00:02:51,938 --> 00:02:53,473
OF THE BIKO'S DELAY

87
00:02:53,540 --> 00:02:54,000
BY STAGING SHIP-WIDE
SECURITY DRILLS.

88
00:02:54,000 --> 00:02:55,642
BY STAGING SHIP-WIDE
SECURITY DRILLS.

89
00:02:55,708 --> 00:02:58,177
I HAVE PLANNED A
TENTATIVE SCHEDULE.

90
00:02:58,244 --> 00:03:00,000
OH, YES, THIS IS
VERY IMPRESSIVE, MR. WORF.

91
00:03:00,000 --> 00:03:00,914
OH, YES, THIS IS
VERY IMPRESSIVE, MR. WORF.

92
00:03:00,980 --> 00:03:02,815
BUT WE'LL BE TAKING ON
NEW PERSONNEL

93
00:03:02,882 --> 00:03:04,884
AT STARBASE 118
IN A FEW WEEKS.

94
00:03:04,951 --> 00:03:06,000
SURELY, THE DRILLS
CAN WAIT UNTIL THEN.

95
00:03:06,000 --> 00:03:07,320
SURELY, THE DRILLS
CAN WAIT UNTIL THEN.

96
00:03:07,387 --> 00:03:09,722
IN THAT CASE, I WILL USE
THE TIME TO PERFORM

97
00:03:09,789 --> 00:03:12,000
MAINTENANCE CHECKS ON
THE FORWARD PHASER ARRAY.

98
00:03:12,000 --> 00:03:12,425
MAINTENANCE CHECKS ON
THE FORWARD PHASER ARRAY.

99
00:03:12,492 --> 00:03:15,929
MR. WORF, IS THERE SOME REASON

100
00:03:15,995 --> 00:03:18,000
WHY YOU ARE TRYING
TO GIVE YOURSELF MORE WORK?

101
00:03:18,000 --> 00:03:19,265
WHY YOU ARE TRYING
TO GIVE YOURSELF MORE WORK?

102
00:03:19,332 --> 00:03:22,435
NO, SIR. I SIMPLY WISH
TO USE THE EXTRA TIME...

103
00:03:22,502 --> 00:03:23,736
ENJOY YOURSELF.

104
00:03:23,803 --> 00:03:24,000
YOU HAVE THE FREE TIME.

105
00:03:24,000 --> 00:03:26,406
YOU HAVE THE FREE TIME.

106
00:03:26,472 --> 00:03:27,540
USE IT.

107
00:03:27,607 --> 00:03:29,642
YES, SIR.

108
00:03:29,709 --> 00:03:30,000
THANK YOU, SIR.

109
00:03:30,000 --> 00:03:31,477
THANK YOU, SIR.

110
00:03:42,021 --> 00:03:47,260
COMPUTER, CONTINUE RECORDING
AND PLAYBACK ONCE MORE...

111
00:03:47,327 --> 00:03:47,994
FROM THE TOP.

112
00:03:55,835 --> 00:03:58,638
( electronic zaps and whirs )

113
00:03:58,705 --> 00:03:59,672
( door opening )

114
00:03:59,739 --> 00:04:00,000
FATHER!

115
00:04:00,000 --> 00:04:01,808
FATHER!

116
00:04:01,874 --> 00:04:03,910
WHAT DID HE SAY?

117
00:04:12,385 --> 00:04:15,455
THE CAPTAIN SAW FIT
TO RELEASE ME FROM MY DUTIES.

118
00:04:15,521 --> 00:04:17,390
YOU MEAN YOU CAN GO?

119
00:04:17,457 --> 00:04:18,000
I CAN GO.

120
00:04:18,000 --> 00:04:19,659
I CAN GO.

121
00:04:22,929 --> 00:04:24,000
SADDLE UP, FATHER.

122
00:04:24,000 --> 00:04:25,498
SADDLE UP, FATHER.

123
00:05:00,967 --> 00:05:05,638
SPACE, THE FINAL FRONTIER.

124
00:05:05,705 --> 00:05:06,000
THESE ARE THE VOYAGES
OF THE STARSHIP ENTERPRISE.

125
00:05:06,000 --> 00:05:09,308
THESE ARE THE VOYAGES
OF THE STARSHIP ENTERPRISE.

126
00:05:09,375 --> 00:05:11,310
ITS CONTINUING MISSION--

127
00:05:11,377 --> 00:05:12,000
TO EXPLORE
STRANGE NEW WORLDS

128
00:05:12,000 --> 00:05:15,481
TO EXPLORE
STRANGE NEW WORLDS

129
00:05:15,548 --> 00:05:18,000
TO SEEK OUT NEW LIFE
AND NEW CIVILIZATIONS

130
00:05:18,000 --> 00:05:19,752
TO SEEK OUT NEW LIFE
AND NEW CIVILIZATIONS

131
00:05:19,819 --> 00:05:24,000
TO BOLDLY GO
WHERE NO ONE HAS GONE BEFORE.

132
00:05:24,000 --> 00:05:24,457
TO BOLDLY GO
WHERE NO ONE HAS GONE BEFORE.

133
00:05:24,524 --> 00:05:28,094
[CAPTIONING SPONSORED BY
PARAMOUNT PICTURES]

134
00:06:22,982 --> 00:06:24,000
(birds cawing )

135
00:06:24,000 --> 00:06:24,917
(birds cawing )

136
00:06:27,153 --> 00:06:29,388
( dog barking distantly )

137
00:06:30,823 --> 00:06:33,626
( creaking )

138
00:06:36,529 --> 00:06:39,932
( jangling footsteps
approaching )

139
00:06:43,536 --> 00:06:45,538
( barking continues )

140
00:07:00,520 --> 00:07:01,754
WHERE ARE WE?

141
00:07:01,821 --> 00:07:03,856
DEADWOOD.

142
00:07:03,923 --> 00:07:06,000
19TH-CENTURY EARTH.

143
00:07:06,000 --> 00:07:06,592
19TH-CENTURY EARTH.

144
00:07:06,659 --> 00:07:09,862
THE ANCIENT WEST.

145
00:07:09,929 --> 00:07:12,000
WHAT IS OUR FUNCTION HERE?

146
00:07:12,000 --> 00:07:13,633
WHAT IS OUR FUNCTION HERE?

147
00:07:13,699 --> 00:07:16,869
YOU ARE THE SHERIFF,
AND I'M THE DEPUTY.

148
00:07:16,936 --> 00:07:18,000
SO...

149
00:07:18,000 --> 00:07:20,173
SO...

150
00:07:20,239 --> 00:07:21,874
WE ARE IN LAW ENFORCEMENT.

151
00:07:21,941 --> 00:07:23,476
RIGHT.

152
00:07:40,893 --> 00:07:41,794
GEORDI?

153
00:07:41,861 --> 00:07:42,000
MM-HMM?

154
00:07:42,000 --> 00:07:43,129
MM-HMM?

155
00:07:43,196 --> 00:07:45,131
I HAVE NOTICED THAT
YOU HAVE NOT SHAVED.

156
00:07:45,198 --> 00:07:47,166
ARE YOU ATTEMPTING
TO GROW ANOTHER BEARD?

157
00:07:47,233 --> 00:07:48,000
MATTER OF FACT,
I AM, DATA.

158
00:07:48,000 --> 00:07:49,936
MATTER OF FACT,
I AM, DATA.

159
00:07:50,002 --> 00:07:51,671
WHAT DO YOU THINK?

160
00:07:51,737 --> 00:07:54,000
AS IS THE CASE WITH MANY
NATURAL GROWTH PROCESSES

161
00:07:54,000 --> 00:07:54,740
AS IS THE CASE WITH MANY
NATURAL GROWTH PROCESSES

162
00:07:54,807 --> 00:07:56,742
IT IS DIFFICULT
TO ENVISION THE
END PRODUCT

163
00:07:56,809 --> 00:07:58,911
BASED ON AN
INTERMEDIATE STAGE.

164
00:07:58,978 --> 00:08:00,000
YOU'RE RIGHT.

165
00:08:00,000 --> 00:08:00,079
YOU'RE RIGHT.

166
00:08:00,146 --> 00:08:02,548
GIVE IT
A FEW MORE DAYS.

167
00:08:02,615 --> 00:08:05,151
OKAY, I'M GOING
TO NEED TO ACCESS

168
00:08:05,218 --> 00:08:06,000
YOUR AUXILIARY INPUTS.

169
00:08:06,000 --> 00:08:07,553
YOUR AUXILIARY INPUTS.

170
00:08:07,620 --> 00:08:08,921
ONE MOMENT.

171
00:08:12,725 --> 00:08:13,960
I MUST ADMIT, DATA.

172
00:08:14,026 --> 00:08:15,561
I NEVER GET USED

173
00:08:15,628 --> 00:08:17,663
TO SEEING YOU LIKE THIS.

174
00:08:17,730 --> 00:08:18,000
I DO NOT UNDERSTAND.

175
00:08:18,000 --> 00:08:19,565
I DO NOT UNDERSTAND.

176
00:08:19,632 --> 00:08:23,102
YOU ARE CONSTANTLY WORKING
ON SIMILAR ELECTRONIC SYSTEMS

177
00:08:23,169 --> 00:08:24,000
YET THEIR APPEARANCES
DO NOT DISTURB YOU.

178
00:08:24,000 --> 00:08:25,972
YET THEIR APPEARANCES
DO NOT DISTURB YOU.

179
00:08:26,038 --> 00:08:29,642
YEAH, BUT YOU'RE NOT JUST
ANOTHER ELECTRONIC SYSTEM.

180
00:08:29,709 --> 00:08:30,000
THANK YOU, GEORDI.

181
00:08:30,000 --> 00:08:31,110
THANK YOU, GEORDI.

182
00:08:31,177 --> 00:08:34,680
NOR ARE YOU JUST ANOTHER
BIOLOGICAL ORGANISM.

183
00:08:34,747 --> 00:08:36,000
ALL RIGHT, THAT SHOULD DO IT.

184
00:08:36,000 --> 00:08:36,983
ALL RIGHT, THAT SHOULD DO IT.

185
00:08:37,049 --> 00:08:38,117
YOU READY?

186
00:08:38,184 --> 00:08:39,585
YES.

187
00:08:39,652 --> 00:08:42,000
ESTABLISHING
COMPUTER LINKUP.

188
00:08:42,000 --> 00:08:42,255
ESTABLISHING
COMPUTER LINKUP.

189
00:08:46,125 --> 00:08:48,000
INTERFACE COMPLETE.

190
00:08:48,000 --> 00:08:48,227
INTERFACE COMPLETE.

191
00:08:48,294 --> 00:08:51,264
ALL RIGHT,
LET'S SEE WHAT YOU CAN DO.

192
00:08:57,336 --> 00:08:58,971
( whistle )

193
00:09:06,946 --> 00:09:09,682
YOU WROTE
THIS HOLODECK PROGRAM YOURSELF?

194
00:09:09,749 --> 00:09:12,000
WELL, MR. BARCLAY HELPED
A LITTLE.

195
00:09:12,000 --> 00:09:12,818
WELL, MR. BARCLAY HELPED
A LITTLE.

196
00:09:16,088 --> 00:09:18,000
I MUST HAVE A LITTLE TALK
WITH MR. BARCLAY.

197
00:09:18,000 --> 00:09:19,125
I MUST HAVE A LITTLE TALK
WITH MR. BARCLAY.

198
00:09:19,191 --> 00:09:21,027
( gunshot )

199
00:09:21,093 --> 00:09:22,695
( dog barking )

200
00:09:22,762 --> 00:09:24,000
( playing jaunty melody )

201
00:09:24,000 --> 00:09:24,297
( playing jaunty melody )

202
00:09:24,363 --> 00:09:25,698
( indistinct conversation )

203
00:09:30,703 --> 00:09:33,306
IF EVER I FIND THE VARMINT
THAT DREW THIS

204
00:09:33,372 --> 00:09:36,000
HE'LL BE SORRY
HE EVER PUT PEN TO PAPER.

205
00:09:36,000 --> 00:09:36,275
HE'LL BE SORRY
HE EVER PUT PEN TO PAPER.

206
00:09:36,342 --> 00:09:39,045
I'M TEN TIMES UGLIER
THAN THAT, AIN'T I?

207
00:09:39,111 --> 00:09:40,780
( laughing loudly )

208
00:09:40,846 --> 00:09:42,000
SHUT UP.

209
00:09:42,000 --> 00:09:42,248
SHUT UP.

210
00:09:42,315 --> 00:09:44,617
YOU LAUGH SO MUCH, IT'S A WONDER

211
00:09:44,684 --> 00:09:47,053
YOU AIN'T GOT
FLIES IN YOUR MOUTH.

212
00:09:47,119 --> 00:09:48,000
( laughing )

213
00:09:48,000 --> 00:09:48,587
( laughing )

214
00:09:51,424 --> 00:09:54,000
YOU'RE A VERY FUNNY MAN,
SEÑOR ELI.

215
00:09:54,000 --> 00:09:54,694
YOU'RE A VERY FUNNY MAN,
SEÑOR ELI.

216
00:09:57,730 --> 00:09:59,332
THAT'S THE BAD GUY.

217
00:09:59,398 --> 00:10:00,000
HIS NAME'S
ELI HOLLANDER.

218
00:10:00,000 --> 00:10:01,200
HIS NAME'S
ELI HOLLANDER.

219
00:10:01,267 --> 00:10:03,336
THEY CALL HIM
"THE BUTCHER OF BOZEMAN."

220
00:10:03,402 --> 00:10:05,204
HE'S KILLED 23 MEN.

221
00:10:05,271 --> 00:10:06,000
HE'S THE MEANEST AND
THE TOUGHEST GUNSLINGER

222
00:10:06,000 --> 00:10:08,140
HE'S THE MEANEST AND
THE TOUGHEST GUNSLINGER

223
00:10:08,207 --> 00:10:09,809
IN THE WEST.

224
00:10:09,875 --> 00:10:11,811
YOU HAVE TO WATCH
HIM-- HE'S FAST.

225
00:10:11,877 --> 00:10:12,000
SO I AM HERE
TO APPREHEND HIM?

226
00:10:12,000 --> 00:10:14,080
SO I AM HERE
TO APPREHEND HIM?

227
00:10:14,146 --> 00:10:16,215
IF YOU CAN.

228
00:10:16,282 --> 00:10:18,000
( piano music continues )

229
00:10:18,000 --> 00:10:18,384
( piano music continues )

230
00:10:24,423 --> 00:10:25,958
YOU ARE UNDER ARREST.

231
00:10:27,159 --> 00:10:28,828
IS THAT SO?

232
00:10:33,866 --> 00:10:36,000
woman:
Sakes alive!
Did you see that?

233
00:10:36,000 --> 00:10:36,268
woman:
Sakes alive!
Did you see that?

234
00:10:40,306 --> 00:10:42,000
YOU WILL COME WITH ME.

235
00:10:42,000 --> 00:10:42,975
YOU WILL COME WITH ME.

236
00:10:43,042 --> 00:10:45,845
NO, NO, NO.

237
00:10:45,911 --> 00:10:48,000
COMPUTER, FREEZE PROGRAM.

238
00:10:48,000 --> 00:10:48,814
COMPUTER, FREEZE PROGRAM.

239
00:10:48,881 --> 00:10:51,117
WHAT IS WRONG?

240
00:10:51,183 --> 00:10:53,319
THAT WAS TOO EASY.

241
00:10:53,386 --> 00:10:54,000
IT HAS TO BE
HARDER TO BEAT
THE BAD GUYS.

242
00:10:54,000 --> 00:10:56,255
IT HAS TO BE
HARDER TO BEAT
THE BAD GUYS.

243
00:10:56,322 --> 00:10:58,024
OTHERWISE,
IT'S NO FUN.

244
00:10:58,090 --> 00:11:00,000
COMPUTER, INCREASE PROGRAM
DIFFICULTY TO LEVEL FOUR.

245
00:11:00,000 --> 00:11:02,128
COMPUTER, INCREASE PROGRAM
DIFFICULTY TO LEVEL FOUR.

246
00:11:02,194 --> 00:11:05,364
GO BACK TO WHERE MY FATHER
AND I FIRST WALKED

247
00:11:05,431 --> 00:11:06,000
INTO THE SALOON.

248
00:11:06,000 --> 00:11:06,932
INTO THE SALOON.

249
00:11:08,868 --> 00:11:10,703
COME ON, FATHER.

250
00:11:17,043 --> 00:11:18,000
( plays piano flourish )

251
00:11:18,000 --> 00:11:20,246
( plays piano flourish )

252
00:11:20,312 --> 00:11:23,282
( same melody plays )

253
00:11:26,118 --> 00:11:29,121
IF EVER I FIND THE VARMINT
THAT DREW THIS

254
00:11:29,188 --> 00:11:30,000
HE'LL BE SORRY
HE EVER PUT PEN TO PAPER.

255
00:11:30,000 --> 00:11:31,824
HE'LL BE SORRY
HE EVER PUT PEN TO PAPER.

256
00:11:31,891 --> 00:11:34,393
I'M TEN TIMES UGLIER
THAN THAT, AIN'T I?

257
00:11:34,460 --> 00:11:35,895
( laughing loudly )

258
00:11:35,961 --> 00:11:36,000
SHUT UP.

259
00:11:36,000 --> 00:11:37,763
SHUT UP.

260
00:11:37,830 --> 00:11:39,298
YOU LAUGH SO MUCH,
IT'S A WONDER

261
00:11:39,365 --> 00:11:41,233
YOU AIN'T GOT FLIES
IN YOUR MOUTH.

262
00:11:41,300 --> 00:11:42,000
( laughing )

263
00:11:42,000 --> 00:11:43,335
( laughing )

264
00:11:46,806 --> 00:11:48,000
YOU'RE A VERY FUNNY MAN,
SEÑOR ELI.

265
00:11:48,000 --> 00:11:49,375
YOU'RE A VERY FUNNY MAN,
SEÑOR ELI.

266
00:12:01,120 --> 00:12:02,755
WHERE ARE THEY GOING?

267
00:12:02,822 --> 00:12:05,257
THEY DON'T WANT TO GET
HIT BY THE BULLETS.

268
00:12:14,133 --> 00:12:17,470
YOU... ARE UNDER ARREST.

269
00:12:17,536 --> 00:12:18,000
WELL...

270
00:12:18,000 --> 00:12:19,738
WELL...

271
00:12:21,407 --> 00:12:24,000
LOOKS LIKE SHERIFF WORF'S
HERE TO ARREST ME.

272
00:12:24,000 --> 00:12:24,243
LOOKS LIKE SHERIFF WORF'S
HERE TO ARREST ME.

273
00:12:38,491 --> 00:12:41,360
THAT DON'T SOUND LIKE
A BRIGHT IDEA...

274
00:12:51,504 --> 00:12:53,472
...DO IT?

275
00:12:53,539 --> 00:12:54,000
( cocking rifle )

276
00:12:54,000 --> 00:12:54,540
( cocking rifle )

277
00:12:56,575 --> 00:13:00,000
YOU HAVE BEEN ACCUSED
OF COMMITTING A HOMICIDE.

278
00:13:00,000 --> 00:13:00,045
YOU HAVE BEEN ACCUSED
OF COMMITTING A HOMICIDE.

279
00:13:00,112 --> 00:13:02,548
IF YOU MEAN MURDER

280
00:13:02,615 --> 00:13:05,918
THEN I GUESS I'M GUILTY.

281
00:13:05,985 --> 00:13:06,000
I'VE KILLED 23 MEN, SHERIFF.

282
00:13:06,000 --> 00:13:08,554
I'VE KILLED 23 MEN, SHERIFF.

283
00:13:10,523 --> 00:13:12,000
ONE MORE AIN'T GOING TO MAKE
MUCH OF A DIFFERENCE.

284
00:13:12,000 --> 00:13:14,126
ONE MORE AIN'T GOING TO MAKE
MUCH OF A DIFFERENCE.

285
00:13:14,193 --> 00:13:17,863
OF COURSE, SHOOTING SOMEONE
AS UGLY AS YOU

286
00:13:17,930 --> 00:13:18,000
COULDN'T BE CONSIDERED
A CRIME, COULD IT?

287
00:13:18,000 --> 00:13:20,566
COULDN'T BE CONSIDERED
A CRIME, COULD IT?

288
00:13:20,633 --> 00:13:23,269
WAS YOU BORN THAT WAY

289
00:13:23,335 --> 00:13:24,000
OR DID YOUR MAMA MARRY
AN ARMADILLO?

290
00:13:24,000 --> 00:13:25,237
OR DID YOUR MAMA MARRY
AN ARMADILLO?

291
00:13:25,304 --> 00:13:26,805
( laughing loudly )

292
00:13:28,240 --> 00:13:30,000
SHERIFF, LOOK OUT!

293
00:13:30,000 --> 00:13:30,075
SHERIFF, LOOK OUT!

294
00:13:43,222 --> 00:13:46,025
I'M BEGINNING TO SEE THE APPEAL
OF THIS PROGRAM.

295
00:13:46,091 --> 00:13:47,593
DON'T TWITCH
A WHISKER, SHERIFF

296
00:13:47,660 --> 00:13:48,000
'LESS YOU WANT A SHAVE.

297
00:13:48,000 --> 00:13:50,262
'LESS YOU WANT A SHAVE.

298
00:13:54,233 --> 00:13:56,302
OKAY, BOYS.

299
00:13:56,368 --> 00:13:57,903
SADDLE UP!

300
00:13:57,970 --> 00:14:00,000
BUT FIRST...

301
00:14:00,000 --> 00:14:00,105
BUT FIRST...

302
00:14:00,172 --> 00:14:02,408
GET THEIR MONEY AND JEWELRY.

303
00:14:02,474 --> 00:14:05,277
YOU ARE A MURDERER AND A THIEF.

304
00:14:08,180 --> 00:14:10,616
A MAN'S GOT TO MAKE A LIVING.

305
00:14:10,683 --> 00:14:12,000
( gunshot )

306
00:14:12,000 --> 00:14:12,885
( gunshot )

307
00:14:12,952 --> 00:14:16,388
( drawls ):
I SUGGEST YOU FIND
A NEW LINE OF WORK.

308
00:14:18,691 --> 00:14:21,594
I ASKED COUNSELOR
TROI TO JOIN US.

309
00:14:21,660 --> 00:14:23,929
SHE LOVES WESTERN STORIES.

310
00:14:23,996 --> 00:14:24,000
YOU'LL REGRET THIS,
STRANGER.

311
00:14:24,000 --> 00:14:26,632
YOU'LL REGRET THIS,
STRANGER.

312
00:14:35,274 --> 00:14:36,000
I AM NOW ATTEMPTING TO ACCESS
THE LONG-RANGE SENSOR ARRAY.

313
00:14:36,000 --> 00:14:39,245
I AM NOW ATTEMPTING TO ACCESS
THE LONG-RANGE SENSOR ARRAY.

314
00:14:41,380 --> 00:14:42,000
FORWARD SENSOR ARRAY
COMING ON LINE.

315
00:14:42,000 --> 00:14:44,483
FORWARD SENSOR ARRAY
COMING ON LINE.

316
00:14:44,550 --> 00:14:46,352
WE'RE GETTING
A CLEAR SCAN.

317
00:14:46,418 --> 00:14:48,000
I WILL PERFORM
A ROUTINE MAINTENANCE CHECK

318
00:14:48,000 --> 00:14:49,355
I WILL PERFORM
A ROUTINE MAINTENANCE CHECK

319
00:14:49,421 --> 00:14:52,458
ON THE STARBOARD INERTIAL
DAMPING SYSTEM.

320
00:14:52,524 --> 00:14:54,000
DAMPERS ON LINE.

321
00:14:54,000 --> 00:14:54,593
DAMPERS ON LINE.

322
00:14:54,660 --> 00:14:56,428
MAINTENANCE CHECK
IN PROGRESS.

323
00:14:56,495 --> 00:14:59,064
DATA, I THINK WE'RE
ONTO SOMETHING HERE.

324
00:14:59,131 --> 00:15:00,000
LET'S SEE WHAT
YOU CAN DO

325
00:15:00,000 --> 00:15:00,499
LET'S SEE WHAT
YOU CAN DO

326
00:15:00,566 --> 00:15:03,068
WITH THE SECONDARY SYSTEMS.

327
00:15:03,135 --> 00:15:04,203
TRY GRAVITATIONAL CONTROL.

328
00:15:04,270 --> 00:15:06,000
INITIATING GRAVIT...

329
00:15:06,000 --> 00:15:06,171
INITIATING GRAVIT...

330
00:15:07,539 --> 00:15:09,575
WHAT'S WRONG?

331
00:15:09,642 --> 00:15:12,000
THERE APPEARS TO BE
AN ENERGY FLUCTUATION

332
00:15:12,000 --> 00:15:12,378
THERE APPEARS TO BE
AN ENERGY FLUCTUATION

333
00:15:12,444 --> 00:15:14,113
IN MY NEURAL NET.

334
00:15:14,179 --> 00:15:17,650
I AM DISCONNECTING
MY INTERFACE TO THE COMPUTER.

335
00:15:20,152 --> 00:15:22,321
INTERFACE DEACTIVATED.

336
00:15:25,724 --> 00:15:27,526
YOU ALL RIGHT?

337
00:15:27,593 --> 00:15:30,000
I HAVE EXPERIENCED
A BRIEF POWER SURGE

338
00:15:30,000 --> 00:15:31,063
I HAVE EXPERIENCED
A BRIEF POWER SURGE

339
00:15:31,130 --> 00:15:33,565
IN MY POSITRONIC SUBPROCESSOR,
BUT I AM FINE.

340
00:15:35,267 --> 00:15:36,000
MAYBE THE
INTERFACE
CODING

341
00:15:36,000 --> 00:15:37,269
MAYBE THE
INTERFACE
CODING

342
00:15:37,336 --> 00:15:40,072
ISN'T AS STABLE
AS WE THOUGHT.

343
00:15:42,141 --> 00:15:43,275
LOOKS LIKE WE'VE GOT

344
00:15:43,342 --> 00:15:45,110
A COUPLE OF HOURS
OF SYSTEMS ANALYSIS

345
00:15:45,177 --> 00:15:46,412
BEFORE WE CAN
TRY THIS AGAIN.

346
00:15:46,478 --> 00:15:48,000
LET'S CHECK
THE INTERFACE PROGRAMMING.

347
00:15:48,000 --> 00:15:49,315
LET'S CHECK
THE INTERFACE PROGRAMMING.

348
00:16:14,239 --> 00:16:16,442
WHAT ARE HIS RIGHTS
IN THIS CENTURY?

349
00:16:16,508 --> 00:16:18,000
IS THERE A TRIAL,
OR SHALL I EXECUTE HIM?

350
00:16:18,000 --> 00:16:19,745
IS THERE A TRIAL,
OR SHALL I EXECUTE HIM?

351
00:16:19,812 --> 00:16:23,716
WE'RE SUPPOSED TO
HOLD HIM TILL THE
U.S. MARSHAL COMES.

352
00:16:23,782 --> 00:16:24,000
AND THEN WE'LL
TAKE HIM TO RAPID
CITY FOR A TRIAL.

353
00:16:24,000 --> 00:16:28,120
AND THEN WE'LL
TAKE HIM TO RAPID
CITY FOR A TRIAL.

354
00:16:28,187 --> 00:16:29,555
FRANKLY, I DON'T THINK

355
00:16:29,621 --> 00:16:30,000
I'LL BE AROUND HERE THAT LONG.

356
00:16:30,000 --> 00:16:32,057
I'LL BE AROUND HERE THAT LONG.

357
00:16:32,124 --> 00:16:35,027
NOT AFTER MY OLD MAN
HEARS ABOUT THIS.

358
00:16:35,094 --> 00:16:36,000
WHAT "OLD MAN" ARE YOU
REFERRING TO?

359
00:16:36,000 --> 00:16:38,664
WHAT "OLD MAN" ARE YOU
REFERRING TO?

360
00:16:40,532 --> 00:16:42,000
MY PA.

361
00:16:42,000 --> 00:16:42,267
MY PA.

362
00:16:42,334 --> 00:16:45,604
WHEN HE BREAKS ME OUT
OF THIS TIN CAN

363
00:16:45,671 --> 00:16:48,000
GRAVEDIGGER WILL BE WORKING
OVERTIME.

364
00:16:48,000 --> 00:16:48,340
GRAVEDIGGER WILL BE WORKING
OVERTIME.

365
00:16:48,407 --> 00:16:51,210
YOUR PA IS NO MATCH
FOR SHERIFF WORF.

366
00:16:51,276 --> 00:16:54,000
YES, WHEN YOUR "PA" COMES,
WE WILL BE READY FOR HIM.

367
00:16:54,000 --> 00:16:54,680
YES, WHEN YOUR "PA" COMES,
WE WILL BE READY FOR HIM.

368
00:16:56,248 --> 00:16:58,751
( CHUCKLES ):
YEAH.

369
00:16:58,817 --> 00:17:00,000
Troi:
He's right.

370
00:17:00,000 --> 00:17:00,219
Troi:
He's right.

371
00:17:03,622 --> 00:17:06,000
YOU'RE NO MATCH
FOR THE HOLLANDERS.

372
00:17:06,000 --> 00:17:06,358
YOU'RE NO MATCH
FOR THE HOLLANDERS.

373
00:17:08,127 --> 00:17:12,000
I'M SURE THAT THE THREE OF US
CAN HANDLE ANY PROBLEMS.

374
00:17:12,000 --> 00:17:12,464
I'M SURE THAT THE THREE OF US
CAN HANDLE ANY PROBLEMS.

375
00:17:12,531 --> 00:17:14,366
HOLD ON.

376
00:17:14,433 --> 00:17:17,035
I WAS JUST PASSING THROUGH TOWN,
SAW A LITTLE TROUBLE

377
00:17:17,102 --> 00:17:18,000
AND THOUGHT I'D LEND A HAND.

378
00:17:18,000 --> 00:17:18,704
AND THOUGHT I'D LEND A HAND.

379
00:17:18,771 --> 00:17:22,074
BUT I AIN'T ONE OF
YOUR DEPUTIES, SHERIFF.

380
00:17:24,243 --> 00:17:27,312
COUNSELOR, I WOULD APPRECIATE
SOME SUPPORT IN THIS MATTER.

381
00:17:27,379 --> 00:17:29,181
DURANGO!

382
00:17:29,248 --> 00:17:30,000
I'M CALLED DURANGO.

383
00:17:30,000 --> 00:17:30,816
I'M CALLED DURANGO.

384
00:17:30,883 --> 00:17:32,551
YES, UH, COUNSELOR DURANGO.

385
00:17:32,618 --> 00:17:34,319
PERHAPS
YOU WOULD CONSIDER

386
00:17:34,386 --> 00:17:36,000
BECOMING A TEMPORARY DEPUTY.

387
00:17:36,000 --> 00:17:36,355
BECOMING A TEMPORARY DEPUTY.

388
00:17:39,792 --> 00:17:41,560
FOR A PRICE.

389
00:17:44,730 --> 00:17:48,000
$500.

390
00:17:48,000 --> 00:17:48,667
$500.

391
00:17:50,469 --> 00:17:53,205
ALEXANDER, WE REQUIRE
LARGE AMOUNTS OF CURRENCY.

392
00:17:53,272 --> 00:17:54,000
YES, SIR.

393
00:17:54,000 --> 00:17:54,706
YES, SIR.

394
00:17:54,773 --> 00:17:57,109
I'LL GO TO THE BANK
AND MAKE A WITHDRAWAL.

395
00:18:00,646 --> 00:18:04,416
DEANNA, HOW DO YOU KNOW
SO MUCH ABOUT THIS PERIOD

396
00:18:04,483 --> 00:18:05,751
IN EARTH'S HISTORY?

397
00:18:05,818 --> 00:18:06,000
MY FATHER USED TO
READ ME STORIES

398
00:18:06,000 --> 00:18:08,420
MY FATHER USED TO
READ ME STORIES

399
00:18:08,487 --> 00:18:11,824
FROM THE ANCIENT WEST
WHEN I WAS A LITTLE GIRL.

400
00:18:11,890 --> 00:18:12,000
I MUST ADMIT, I
ALWAYS WANTED
TO PLAY THE PART

401
00:18:12,000 --> 00:18:15,360
I MUST ADMIT, I
ALWAYS WANTED
TO PLAY THE PART

402
00:18:15,427 --> 00:18:17,563
OF THE "MYSTERIOUS STRANGER."

403
00:18:25,170 --> 00:18:26,538
OH!

404
00:18:27,673 --> 00:18:29,374
YOU ARE SO BRAVE.

405
00:18:29,441 --> 00:18:30,000
FACING DOWN
THAT EVIL MAN

406
00:18:30,000 --> 00:18:31,243
FACING DOWN
THAT EVIL MAN

407
00:18:31,310 --> 00:18:33,846
LIKE YOU DID.

408
00:18:33,912 --> 00:18:36,000
WHY, THANK YOU, MS...?

409
00:18:36,000 --> 00:18:36,215
WHY, THANK YOU, MS...?

410
00:18:36,281 --> 00:18:37,483
ANNIE, YOU BIG GALOOT!

411
00:18:37,549 --> 00:18:40,385
YOU BEST NOT FORGET
THAT TONIGHT

412
00:18:40,452 --> 00:18:42,000
'CAUSE I'M GOING TO
MAKE YOU A BEEFSTEAK

413
00:18:42,000 --> 00:18:43,388
'CAUSE I'M GOING TO
MAKE YOU A BEEFSTEAK

414
00:18:43,455 --> 00:18:45,624
AND SOME GOOSEBERRY
COBBLER FOR DESSERT.

415
00:18:45,691 --> 00:18:47,493
SOUNDS DELICIOUS.

416
00:18:47,559 --> 00:18:48,000
AND I BOUGHT
SOME SPECIAL CANDLES

417
00:18:48,000 --> 00:18:50,162
AND I BOUGHT
SOME SPECIAL CANDLES

418
00:18:50,229 --> 00:18:54,000
FOR THE TABLE SETTING--
PURE BEESWAX.

419
00:18:54,000 --> 00:18:55,267
FOR THE TABLE SETTING--
PURE BEESWAX.

420
00:18:55,334 --> 00:18:58,670
I WILL NOT BE ABLE TO COME
THIS EVENING.

421
00:18:58,737 --> 00:19:00,000
I HAVE A PRISONER.

422
00:19:00,000 --> 00:19:00,472
I HAVE A PRISONER.

423
00:19:00,539 --> 00:19:02,407
I'LL KEEP AN EYE ON HIM
FOR YOU, SHERIFF.

424
00:19:02,474 --> 00:19:04,409
YOU TWO GO HAVE
A GOOD TIME.

425
00:19:04,476 --> 00:19:05,878
THAT'S VERY
CONSIDERATE OF YOU

426
00:19:05,944 --> 00:19:06,000
BUT I WOULD BE NEGLIGENT
IN MY DUTIES IF I DID NOT STAY.

427
00:19:06,000 --> 00:19:09,381
BUT I WOULD BE NEGLIGENT
IN MY DUTIES IF I DID NOT STAY.

428
00:19:09,448 --> 00:19:10,816
I AM SORRY, MS. ANNIE.

429
00:19:10,883 --> 00:19:12,000
IT'S ANOTHER WOMAN, AIN'T IT?

430
00:19:12,000 --> 00:19:12,818
IT'S ANOTHER WOMAN, AIN'T IT?

431
00:19:12,885 --> 00:19:14,686
IT'S THAT FLOOZY DOWN THERE

432
00:19:14,753 --> 00:19:17,189
AT MISS LANGFORD'S
HOUSE OF PLEASURE!

433
00:19:17,256 --> 00:19:18,000
WHO?

434
00:19:18,000 --> 00:19:18,423
WHO?

435
00:19:25,631 --> 00:19:28,233
YOU SURE GOT A WAY
WITH WOMEN, SHERIFF.

436
00:19:29,735 --> 00:19:30,000
( coughs )

437
00:19:30,000 --> 00:19:31,603
( coughs )

438
00:19:41,246 --> 00:19:42,000
COMPUTER, ACTIVATE PICARD
MOZART TRIO, PROGRAM 1.

439
00:19:42,000 --> 00:19:44,616
COMPUTER, ACTIVATE PICARD
MOZART TRIO, PROGRAM 1.

440
00:19:44,683 --> 00:19:48,000
PLAY BACK TRACKS ONE,
TWO AND THREE.

441
00:19:48,000 --> 00:19:48,687
PLAY BACK TRACKS ONE,
TWO AND THREE.

442
00:19:48,754 --> 00:19:51,590
TEMPO ALLEGRO.

443
00:19:51,657 --> 00:19:54,000
( music begins )

444
00:19:54,000 --> 00:19:54,393
( music begins )

445
00:20:01,266 --> 00:20:02,401
( sound glitches )

446
00:20:02,467 --> 00:20:04,736
( tape fast-forwarding )

447
00:20:04,803 --> 00:20:06,000
( "the slavonic dances"
plays loudly )

448
00:20:06,000 --> 00:20:07,606
( "the slavonic dances"
plays loudly )

449
00:20:10,409 --> 00:20:12,000
COMPUTER, STOP PLAYBACK.

450
00:20:12,000 --> 00:20:12,511
COMPUTER, STOP PLAYBACK.

451
00:20:15,414 --> 00:20:17,316
COMPUTER, IDENTIFY
MUSICAL COMPOSITION.

452
00:20:17,382 --> 00:20:18,000
PICARD MOZART TRIO, PROGRAM 1.

453
00:20:18,000 --> 00:20:20,552
PICARD MOZART TRIO, PROGRAM 1.

454
00:20:26,892 --> 00:20:29,394
OKAY.

455
00:20:33,332 --> 00:20:36,000
LET'S WORK THROUGH ACT TWO
FROM THE BEGINNING.

456
00:20:36,000 --> 00:20:37,569
LET'S WORK THROUGH ACT TWO
FROM THE BEGINNING.

457
00:20:45,844 --> 00:20:48,000
WHENEVER YOU'RE READY.

458
00:20:48,000 --> 00:20:48,647
WHENEVER YOU'RE READY.

459
00:20:48,714 --> 00:20:50,983
( clearing throat )

460
00:20:53,986 --> 00:20:54,000
"FELIS CATUS IS YOUR
TAXONOMIC NOMENCLATURE.

461
00:20:54,000 --> 00:20:57,856
"FELIS CATUS IS YOUR
TAXONOMIC NOMENCLATURE.

462
00:20:57,923 --> 00:21:00,000
"AN ENDOTHERMIC QUADRUPED

463
00:21:00,000 --> 00:21:00,292
"AN ENDOTHERMIC QUADRUPED

464
00:21:00,359 --> 00:21:00,926
CARNIVOROUS
BY NATURE..."

465
00:21:00,993 --> 00:21:01,994
HOLD IT.

466
00:21:02,060 --> 00:21:04,396
WILL, WHAT ARE YOU READING?

467
00:21:04,463 --> 00:21:05,998
THE LINES. WHY?

468
00:21:06,064 --> 00:21:07,966
THAT'S NOT THE RIGHT DIALOGUE.

469
00:21:11,737 --> 00:21:12,000
"YOUR VISUAL, OLFACTORY,
AND AUDITORY SENSES

470
00:21:12,000 --> 00:21:13,705
"YOUR VISUAL, OLFACTORY,
AND AUDITORY SENSES

471
00:21:13,772 --> 00:21:14,673
CONTRIBUTE TO YOUR..."

472
00:21:14,740 --> 00:21:15,240
I RECOGNIZE IT.

473
00:21:15,307 --> 00:21:16,708
THIS IS DATA'S POETRY.

474
00:21:21,980 --> 00:21:23,915
THE PLAY'S GONE.

475
00:21:23,982 --> 00:21:24,000
I JUST KEEP GETTING
MORE POETRY.

476
00:21:24,000 --> 00:21:26,885
I JUST KEEP GETTING
MORE POETRY.

477
00:21:34,893 --> 00:21:36,000
WELL, THE PADDS
ARE FUNCTIONING NORMALLY.

478
00:21:36,000 --> 00:21:38,930
WELL, THE PADDS
ARE FUNCTIONING NORMALLY.

479
00:21:38,997 --> 00:21:40,532
IT SEEMS TO BE A PROBLEM

480
00:21:40,599 --> 00:21:42,000
WITH THE INFORMATION
RETRIEVAL NET.

481
00:21:42,000 --> 00:21:42,434
WITH THE INFORMATION
RETRIEVAL NET.

482
00:21:42,501 --> 00:21:44,569
SOMEHOW, WHEN YOU TRIED
TO CALL UP YOUR PLAY

483
00:21:44,636 --> 00:21:46,438
THE COMPUTER ACCESSED
DATA'S LITERARY FILES.

484
00:21:46,505 --> 00:21:47,839
GEORDI, PERHAPS
THIS PROBLEM

485
00:21:47,906 --> 00:21:48,000
IS RELATED TO
OUR INTERFACE EXPERIMENT.

486
00:21:48,000 --> 00:21:49,808
IS RELATED TO
OUR INTERFACE EXPERIMENT.

487
00:21:49,875 --> 00:21:51,677
HMM. WE'D BETTER RUN
A LEVEL-2 DIAGNOSTIC

488
00:21:51,743 --> 00:21:53,345
ON THE COMPUTER
TO SEE IF THIS PROBLEM

489
00:21:53,412 --> 00:21:54,000
HAS SPREAD
TO ANY OTHER SYSTEMS.

490
00:21:54,000 --> 00:21:54,579
HAS SPREAD
TO ANY OTHER SYSTEMS.

491
00:21:54,646 --> 00:21:56,314
AND I WILL PERFORM
A SELF-DIAGNOSTIC.

492
00:21:56,381 --> 00:21:57,382
THAT'S A GOOD IDEA.

493
00:22:04,389 --> 00:22:06,000
YOU WILL LET ME KNOW
IF YOU FIND THE PLAY?

494
00:22:06,000 --> 00:22:06,324
YOU WILL LET ME KNOW
IF YOU FIND THE PLAY?

495
00:22:06,391 --> 00:22:07,325
OH, YEAH, DON'T WORRY.

496
00:22:07,392 --> 00:22:08,927
IT'S IN HERE SOMEWHERE.

497
00:22:23,675 --> 00:22:24,000
( MUFFLED MOANING )

498
00:22:24,000 --> 00:22:26,378
( MUFFLED MOANING )

499
00:22:40,425 --> 00:22:42,000
( muffled gasp )

500
00:22:42,000 --> 00:22:42,494
( muffled gasp )

501
00:22:42,561 --> 00:22:44,830
WE GOT HIM, JEFE.

502
00:22:49,167 --> 00:22:51,703
WHERE'S MY BOY?

503
00:22:51,770 --> 00:22:54,000
I'M NOT SUPPOSED
TO BE KIDNAPPED NOW.

504
00:22:54,000 --> 00:22:55,040
I'M NOT SUPPOSED
TO BE KIDNAPPED NOW.

505
00:22:55,107 --> 00:22:57,075
COMPUTER, FREEZE PROGRAM.

506
00:22:59,711 --> 00:23:00,000
HEY!

507
00:23:00,000 --> 00:23:01,012
HEY!

508
00:23:01,079 --> 00:23:03,081
COMPUTER,
FREEZE PROGRAM.

509
00:23:04,483 --> 00:23:06,000
YOU WANT US TO KILL HIM,
SEÑOR FRANK?

510
00:23:06,000 --> 00:23:07,519
YOU WANT US TO KILL HIM,
SEÑOR FRANK?

511
00:23:07,586 --> 00:23:09,020
NO.

512
00:23:09,087 --> 00:23:11,556
HE'S MORE VALUABLE TO US...

513
00:23:11,623 --> 00:23:12,000
ALIVE.

514
00:23:12,000 --> 00:23:13,091
ALIVE.

515
00:23:23,602 --> 00:23:24,000
FELINE SUPPLEMENT 127.

516
00:23:24,000 --> 00:23:26,138
FELINE SUPPLEMENT 127.

517
00:23:31,777 --> 00:23:35,580
SPOT, I HAVE FORMULATED
A NEW MIXTURE OF FOODS

518
00:23:35,647 --> 00:23:36,000
SPECIFICALLY DESIGNED FOR
YOUR HIGHLY-SELECTIVE TASTES.

519
00:23:36,000 --> 00:23:38,917
SPECIFICALLY DESIGNED FOR
YOUR HIGHLY-SELECTIVE TASTES.

520
00:23:43,488 --> 00:23:45,123
( meowing )

521
00:23:48,994 --> 00:23:50,462
I FIND IT EXTREMELY DIFFICULT

522
00:23:50,529 --> 00:23:53,732
TO PREDICT WHAT YOU
WILL FIND ACCEPTABLE.

523
00:23:53,799 --> 00:23:54,000
PERHAPS HUNGER WILL COMPEL YOU
TO TRY IT AGAIN.

524
00:23:54,000 --> 00:23:56,668
PERHAPS HUNGER WILL COMPEL YOU
TO TRY IT AGAIN.

525
00:24:06,812 --> 00:24:08,680
( meowing )

526
00:24:08,747 --> 00:24:12,000
SPOT, YOU ARE DISRUPTING
MY ABILITY TO WORK.

527
00:24:12,000 --> 00:24:12,851
SPOT, YOU ARE DISRUPTING
MY ABILITY TO WORK.

528
00:24:15,854 --> 00:24:18,000
( meowing )

529
00:24:18,000 --> 00:24:18,490
( meowing )

530
00:24:18,557 --> 00:24:21,960
( thick texas drawl ):
VAMOOSE, YA LITTLE VARMINT!

531
00:24:26,832 --> 00:24:29,568
( plays tinkling melody )

532
00:24:55,694 --> 00:24:57,796
WHAT'LL IT BE?

533
00:24:57,863 --> 00:24:59,931
I WAS LOOKING
FOR MY DEPUTY.

534
00:24:59,998 --> 00:25:00,000
PERHAPS YOU HAVE SEEN HIM.

535
00:25:00,000 --> 00:25:01,800
PERHAPS YOU HAVE SEEN HIM.

536
00:25:01,867 --> 00:25:04,202
NOPE.

537
00:25:04,269 --> 00:25:05,604
WHAT'LL YOU HAVE?

538
00:25:06,838 --> 00:25:08,840
UM...

539
00:25:08,907 --> 00:25:11,509
KLINGON FIRE WINE.

540
00:25:11,576 --> 00:25:12,000
( laughing )

541
00:25:12,000 --> 00:25:13,678
( laughing )

542
00:25:13,745 --> 00:25:15,513
THIS AIN'T KANSAS CITY.

543
00:25:15,580 --> 00:25:18,000
WE AIN'T GOT NONE OF THAT
FANCY EUROPEAN STUFF HERE.

544
00:25:18,000 --> 00:25:19,784
WE AIN'T GOT NONE OF THAT
FANCY EUROPEAN STUFF HERE.

545
00:25:19,851 --> 00:25:23,054
MAYBE I SHOULD
GET YOU A SHERRY.

546
00:25:23,121 --> 00:25:24,000
AIN'T THAT WHAT
THEY SERVE AT
MISS LANGFORD'S?

547
00:25:24,000 --> 00:25:25,223
AIN'T THAT WHAT
THEY SERVE AT
MISS LANGFORD'S?

548
00:25:25,290 --> 00:25:27,092
IT IS, AIN'T IT?

549
00:25:27,158 --> 00:25:28,560
AIN'T IT?

550
00:25:28,627 --> 00:25:30,000
HUMPH.

551
00:25:30,000 --> 00:25:30,161
HUMPH.

552
00:25:32,597 --> 00:25:35,300
( footsteps approaching )

553
00:25:36,768 --> 00:25:39,170
( dog barking )

554
00:25:39,237 --> 00:25:41,539
( music stops )

555
00:25:48,780 --> 00:25:50,282
HOWDY, SHERIFF.

556
00:25:50,348 --> 00:25:53,051
COMMANDER.
WHAT ARE YOU DOING HERE?

557
00:25:53,118 --> 00:25:54,000
THE NAME IS
FRANK HOLLANDER.

558
00:25:54,000 --> 00:25:54,953
THE NAME IS
FRANK HOLLANDER.

559
00:25:57,188 --> 00:25:58,723
WHAT ARE YOU LOOKING AT?

560
00:26:00,158 --> 00:26:01,126
NOTHING.

561
00:26:01,192 --> 00:26:03,194
NOTHING AT ALL, MR. HOLLANDER.

562
00:26:07,632 --> 00:26:09,834
WHAT DO YOU WANT?

563
00:26:09,901 --> 00:26:11,636
MY BOY.

564
00:26:17,909 --> 00:26:18,000
THAT IS IMPOSSIBLE.

565
00:26:18,000 --> 00:26:19,678
THAT IS IMPOSSIBLE.

566
00:26:19,744 --> 00:26:22,747
YOUR SON IS TO STAND TRIAL
FOR MURDER.

567
00:26:22,814 --> 00:26:24,000
WELL, THEN

568
00:26:24,000 --> 00:26:24,015
WELL, THEN

569
00:26:24,082 --> 00:26:27,152
WE'LL JUST HAVE
TO WORK SOMETHING OUT.

570
00:26:27,218 --> 00:26:30,000
IS THERE ANYTHING YOU... WANT

571
00:26:30,000 --> 00:26:30,889
IS THERE ANYTHING YOU... WANT

572
00:26:30,956 --> 00:26:33,992
IN EXCHANGE
FOR MY BOY?

573
00:26:34,059 --> 00:26:36,000
YOU HAVE NOTHING I WANT.

574
00:26:36,000 --> 00:26:37,329
YOU HAVE NOTHING I WANT.

575
00:26:37,395 --> 00:26:39,664
IS THAT SO?

576
00:26:41,333 --> 00:26:42,000
IS THAT SO?

577
00:26:42,000 --> 00:26:44,102
IS THAT SO?

578
00:26:45,971 --> 00:26:48,000
WHAT ABOUT YOUR... DEPUTY?

579
00:26:48,000 --> 00:26:49,107
WHAT ABOUT YOUR... DEPUTY?

580
00:26:52,243 --> 00:26:53,712
WHAT ABOUT HIM?

581
00:26:57,415 --> 00:26:58,216
WHERE IS HE?

582
00:27:01,386 --> 00:27:04,222
I DO NOT NEGOTIATE
WITH CRIMINALS.

583
00:27:07,092 --> 00:27:09,894
YOUR SON
WILL STAND TRIAL.

584
00:27:09,961 --> 00:27:10,929
NOT SO FAST.

585
00:27:10,996 --> 00:27:12,000
( YELPS )

586
00:27:12,000 --> 00:27:13,298
( YELPS )

587
00:27:13,365 --> 00:27:15,300
COMMANDER, WHAT
ARE YOU DOING?

588
00:27:15,367 --> 00:27:17,402
I AIN'T IN THE MOOD
FOR GAMES, SHERIFF.

589
00:27:20,271 --> 00:27:22,007
COMMANDER?

590
00:27:24,042 --> 00:27:25,810
COMPUTER, FREEZE PROGRAM.

591
00:27:33,251 --> 00:27:36,000
I WOULDN'T WALK OUT THAT DOOR
IF I WAS YOU, SHERIFF.

592
00:27:36,000 --> 00:27:36,654
I WOULDN'T WALK OUT THAT DOOR
IF I WAS YOU, SHERIFF.

593
00:27:55,774 --> 00:27:56,941
( door opening )

594
00:27:57,008 --> 00:27:58,009
WHAT'S WRONG?

595
00:28:00,912 --> 00:28:05,116
THE HOLODECK SAFEGUARDS
ARE NOT FUNCTIONING.

596
00:28:05,183 --> 00:28:06,000
ALEXANDER'S IN TROUBLE.

597
00:28:06,000 --> 00:28:08,686
ALEXANDER'S IN TROUBLE.

598
00:28:08,753 --> 00:28:10,922
MY GOD!
YOU'VE BEEN SHOT.

599
00:28:13,158 --> 00:28:15,326
COMPUTER, END PROGRAM.

600
00:28:17,996 --> 00:28:18,000
TROI TO CAPTAIN PICARD.

601
00:28:18,000 --> 00:28:20,865
TROI TO CAPTAIN PICARD.

602
00:28:20,932 --> 00:28:24,000
TROI TO SECURITY.

603
00:28:24,000 --> 00:28:24,436
TROI TO SECURITY.

604
00:28:24,502 --> 00:28:27,272
THERE'S ANOTHER
CHARACTER IN
THE PROGRAM--

605
00:28:27,338 --> 00:28:28,740
HOLLANDER'S FATHER.

606
00:28:28,807 --> 00:28:30,000
AND HE LOOKS LIKE
COMMANDER DATA.

607
00:28:30,000 --> 00:28:30,041
AND HE LOOKS LIKE
COMMANDER DATA.

608
00:28:30,108 --> 00:28:31,743
DATA?!

609
00:28:31,810 --> 00:28:33,044
BUT IT IS NOT DATA.

610
00:28:33,111 --> 00:28:36,000
I-I CANNOT EXPLAIN.

611
00:28:36,000 --> 00:28:36,047
I-I CANNOT EXPLAIN.

612
00:28:36,114 --> 00:28:40,418
I BELIEVE HE HAS
TAKEN ALEXANDER.

613
00:28:40,485 --> 00:28:42,000
Eli:
Aw, now, isn't
that a shame?

614
00:28:42,000 --> 00:28:44,155
Eli:
Aw, now, isn't
that a shame?

615
00:28:44,222 --> 00:28:46,991
Poor sheriff's
been injured.

616
00:28:47,058 --> 00:28:48,000
WHAT'S THE MATTER?

617
00:28:48,000 --> 00:28:48,993
WHAT'S THE MATTER?

618
00:28:49,060 --> 00:28:51,996
WAS MY PA
A LITTLE TOO ROUGH ON YA?

619
00:28:52,063 --> 00:28:53,364
( laughing )

620
00:29:00,138 --> 00:29:01,873
DATA?

621
00:29:01,940 --> 00:29:04,075
WHAT?

622
00:29:04,142 --> 00:29:06,000
WHY IS THE COMPUTER
CREATING CHARACTERS

623
00:29:06,000 --> 00:29:07,145
WHY IS THE COMPUTER
CREATING CHARACTERS

624
00:29:07,212 --> 00:29:09,214
THAT LOOK LIKE DATA?

625
00:29:13,318 --> 00:29:14,986
WHERE HAVE THEY TAKEN MY SON?

626
00:29:16,821 --> 00:29:18,000
WHERE IS HE?

627
00:29:18,000 --> 00:29:18,089
WHERE IS HE?

628
00:29:18,156 --> 00:29:21,159
TEMPER, TEMPER, SHERIFF.

629
00:29:21,226 --> 00:29:24,000
MY PA AIN'T GOING TO
LIKE IT IF I COME
HOME ALL BRUISED.

630
00:29:24,000 --> 00:29:24,429
MY PA AIN'T GOING TO
LIKE IT IF I COME
HOME ALL BRUISED.

631
00:29:24,496 --> 00:29:25,897
WORF, WAIT!

632
00:29:35,607 --> 00:29:36,000
WE HAVE TO REMEMBER--
EVEN THOUGH

633
00:29:36,000 --> 00:29:37,442
WE HAVE TO REMEMBER--
EVEN THOUGH

634
00:29:37,509 --> 00:29:39,310
THE HOLODECK
SAFEGUARDS
MAY BE OFF

635
00:29:39,377 --> 00:29:41,446
THIS IS STILL
A PROGRAM.

636
00:29:41,513 --> 00:29:42,000
IF WE CAN JUST
GET TO THE END
OF THIS STORY

637
00:29:42,000 --> 00:29:43,448
IF WE CAN JUST
GET TO THE END
OF THIS STORY

638
00:29:43,515 --> 00:29:45,450
THE WAY IT
WAS DESIGNED
TO PLAY OUT

639
00:29:45,517 --> 00:29:48,000
THE PROGRAM WILL
AUTOMATICALLY
TERMINATE.

640
00:29:48,000 --> 00:29:48,720
THE PROGRAM WILL
AUTOMATICALLY
TERMINATE.

641
00:29:52,590 --> 00:29:54,000
YOU ARE RIGHT.

642
00:29:54,000 --> 00:29:54,058
YOU ARE RIGHT.

643
00:29:54,125 --> 00:29:58,196
I WILL BEGIN BY SPEAKING
TO THE PEOPLE OF THIS TOWN.

644
00:29:58,263 --> 00:30:00,000
PERHAPS SOMEBODY WITNESSED
ALEXANDER'S ABDUCTION.

645
00:30:00,000 --> 00:30:02,100
PERHAPS SOMEBODY WITNESSED
ALEXANDER'S ABDUCTION.

646
00:30:07,872 --> 00:30:09,941
CAPTAIN'S LOG, SUPPLEMENTAL.

647
00:30:10,008 --> 00:30:12,000
COMMANDER LA FORGE AND MR. DATA
BELIEVE THEY HAVE FOUND

648
00:30:12,000 --> 00:30:13,211
COMMANDER LA FORGE AND MR. DATA
BELIEVE THEY HAVE FOUND

649
00:30:13,278 --> 00:30:15,580
THE CAUSE
OF THE MYSTERIOUS MALFUNCTIONS

650
00:30:15,647 --> 00:30:17,582
WHICH HAVE BEEN PLAGUING
THE SHIP.

651
00:30:17,649 --> 00:30:18,000
WE THINK OUR INTERFACE
EXPERIMENT MAY HAVE CAUSED

652
00:30:18,000 --> 00:30:20,585
WE THINK OUR INTERFACE
EXPERIMENT MAY HAVE CAUSED

653
00:30:20,652 --> 00:30:23,221
ONE OF THE COMPUTER'S
CORE SUBROUTINES
TO BE ALTERED.

654
00:30:23,288 --> 00:30:24,000
WHEN THE INTERFACE
MALFUNCTION OCCURRED

655
00:30:24,000 --> 00:30:24,956
WHEN THE INTERFACE
MALFUNCTION OCCURRED

656
00:30:25,023 --> 00:30:26,224
SUBROUTINE C-47
WAS REPLACED

657
00:30:26,291 --> 00:30:29,227
BY ELEMENTS
FROM MY PERSONAL PROGRAMMING.

658
00:30:29,294 --> 00:30:30,000
WHAT DOES C-47 CONTROL?

659
00:30:30,000 --> 00:30:31,229
WHAT DOES C-47 CONTROL?

660
00:30:31,296 --> 00:30:34,065
LIBRARY COMPUTER ACCESS,
REPLICATOR SELECTION

661
00:30:34,132 --> 00:30:36,000
RECREATIONAL PROGRAMMING.
NO CRITICAL SYSTEMS.

662
00:30:36,000 --> 00:30:36,568
RECREATIONAL PROGRAMMING.
NO CRITICAL SYSTEMS.

663
00:30:36,634 --> 00:30:39,304
THAT WOULD EXPLAIN WHY
YOUR MUSIC COMPOSITION PROGRAM

664
00:30:39,370 --> 00:30:41,372
BEGAN PLAYING "THE
SLAVONIC DANCES."

665
00:30:41,439 --> 00:30:42,000
I HAVE BEEN ANALYZING

666
00:30:42,000 --> 00:30:42,574
I HAVE BEEN ANALYZING

667
00:30:42,640 --> 00:30:44,108
THE COLLECTED WORKS
OF ANTON DVORAK.

668
00:30:44,175 --> 00:30:46,244
IT'S THE SAME WITH
DR. CRUSHER'S PLAY

669
00:30:46,311 --> 00:30:47,946
AND WITH THE FOOD
REPLICATORS.

670
00:30:48,012 --> 00:30:49,113
THE REPLICATORS
ON DECKS FOUR THROUGH NINE

671
00:30:49,180 --> 00:30:52,116
ARE PRODUCING NOTHING
BUT CAT FOOD.

672
00:30:52,183 --> 00:30:53,518
CAT FOOD?

673
00:30:53,585 --> 00:30:54,000
I HAVE BEEN FORMULATING

674
00:30:54,000 --> 00:30:54,852
I HAVE BEEN FORMULATING

675
00:30:54,919 --> 00:30:57,855
NUTRITIONAL SUPPLEMENTS
FOR SPOT.

676
00:30:57,922 --> 00:30:59,490
OH... WHEN CAN YOU
CORRECT THE PROBLEM?

677
00:30:59,557 --> 00:31:00,000
WE ARE CURRENTLY ATTEMPTING
TO ISOLATE

678
00:31:00,000 --> 00:31:00,959
WE ARE CURRENTLY ATTEMPTING
TO ISOLATE

679
00:31:01,025 --> 00:31:03,361
THE CORRUPTED CIRCUIT PATHWAYS.

680
00:31:03,428 --> 00:31:04,862
I RECKON THE PROCESS SHOULD TAKE

681
00:31:04,929 --> 00:31:06,000
LESS THAN TWO HOURS.

682
00:31:06,000 --> 00:31:06,397
LESS THAN TWO HOURS.

683
00:31:06,464 --> 00:31:08,132
WHAT DID YOU SAY?

684
00:31:08,199 --> 00:31:11,202
I SAID THE PROCESS SHOULD TAKE
LESS THAN TWO HOURS.

685
00:31:11,269 --> 00:31:12,000
NO. YOU SAID, "I RECKON."

686
00:31:12,000 --> 00:31:15,373
NO. YOU SAID, "I RECKON."

687
00:31:15,440 --> 00:31:18,000
ACCORDING TO MY MEMORY LOGS,
I DID NOT USE THOSE WORDS.

688
00:31:18,000 --> 00:31:18,509
ACCORDING TO MY MEMORY LOGS,
I DID NOT USE THOSE WORDS.

689
00:31:18,576 --> 00:31:20,545
( drawls ):
Y'ALL MUST BE MISTAKEN.

690
00:31:20,612 --> 00:31:22,547
THERE, DATA,
YOU DID IT AGAIN.

691
00:31:22,614 --> 00:31:24,000
( drawls ):
DID WHAT?

692
00:31:24,000 --> 00:31:24,115
( drawls ):
DID WHAT?

693
00:31:24,182 --> 00:31:27,018
UH... MR. LA FORGE

694
00:31:27,085 --> 00:31:29,454
PERHAPS YOU SHOULD TAKE
MR. DATA TO ENGINEERING.

695
00:31:29,520 --> 00:31:30,000
SEE IF YOU CAN
FIND THE PROBLEM.

696
00:31:30,000 --> 00:31:30,888
SEE IF YOU CAN
FIND THE PROBLEM.

697
00:31:30,955 --> 00:31:32,357
AYE, SIR.

698
00:31:51,242 --> 00:31:52,910
( sighing )

699
00:31:57,548 --> 00:31:59,651
( cards shuffling )

700
00:31:59,717 --> 00:32:00,000
( tapping )

701
00:32:00,000 --> 00:32:01,986
( tapping )

702
00:32:20,538 --> 00:32:23,007
CAN I HELP YOU WITH SOMETHING?

703
00:32:24,409 --> 00:32:26,411
( knocking )

704
00:32:33,017 --> 00:32:34,085
I SPOKE
TO SEVERAL WITNESSES

705
00:32:34,152 --> 00:32:35,486
WHO SAW ALEXANDER
BEING ABDUCTED

706
00:32:35,553 --> 00:32:36,000
AS HE WAS LEAVING THE BANK
BY ONE OF HOLLANDER'S MEN.

707
00:32:36,000 --> 00:32:38,956
AS HE WAS LEAVING THE BANK
BY ONE OF HOLLANDER'S MEN.

708
00:32:39,023 --> 00:32:41,726
WE MUST BEGIN
A SYSTEMATIC SEARCH OF THE TOWN.

709
00:32:41,793 --> 00:32:42,000
WORF, WE'VE GOT
ANOTHER PROBLEM.

710
00:32:42,000 --> 00:32:44,095
WORF, WE'VE GOT
ANOTHER PROBLEM.

711
00:32:44,162 --> 00:32:45,630
I SAW ELI PLAYING CARDS.

712
00:32:45,697 --> 00:32:48,000
HE WAS SHUFFLING
THE WAY DATA DOES
WHEN HE PLAYS POKER.

713
00:32:48,000 --> 00:32:49,067
HE WAS SHUFFLING
THE WAY DATA DOES
WHEN HE PLAYS POKER.

714
00:32:49,133 --> 00:32:50,535
HE DOESN'T JUST
LOOK LIKE DATA.

715
00:32:50,601 --> 00:32:53,137
HE HAS DATA'S ABILITIES

716
00:32:53,204 --> 00:32:54,000
WHICH MEANS HIS FATHER
PROBABLY DOES ALSO.

717
00:32:54,000 --> 00:32:56,107
WHICH MEANS HIS FATHER
PROBABLY DOES ALSO.

718
00:32:56,174 --> 00:32:59,277
( knocking )

719
00:33:16,794 --> 00:33:18,000
I COME TO SEE MY BOY.

720
00:33:18,000 --> 00:33:18,529
I COME TO SEE MY BOY.

721
00:33:18,596 --> 00:33:21,065
REMOVE YOUR WEAPON.

722
00:33:26,604 --> 00:33:30,000
BETTER TAKE A GOOD LOOK
AT THAT GUN, SHERIFF.

723
00:33:30,000 --> 00:33:30,074
BETTER TAKE A GOOD LOOK
AT THAT GUN, SHERIFF.

724
00:33:30,141 --> 00:33:32,677
YOU MIGHT BE SEEING IT AGAIN
REAL SOON.

725
00:33:32,744 --> 00:33:34,379
PA!

726
00:33:34,445 --> 00:33:35,213
ELI!

727
00:33:40,251 --> 00:33:42,000
HOW THEY TREATING YOU, BOY?

728
00:33:42,000 --> 00:33:42,019
HOW THEY TREATING YOU, BOY?

729
00:33:42,086 --> 00:33:44,021
REAL BAD, PA.

730
00:33:44,088 --> 00:33:45,590
AIN'T FED ME
SINCE I GOT HERE

731
00:33:45,656 --> 00:33:47,024
AND THAT SHERIFF'S BEEN

732
00:33:47,091 --> 00:33:48,000
ROUGHING UP ON ME
SOMETHING FIERCE.

733
00:33:48,000 --> 00:33:48,593
ROUGHING UP ON ME
SOMETHING FIERCE.

734
00:33:48,659 --> 00:33:51,696
DON'T YOU WORRY, BOY.

735
00:33:51,763 --> 00:33:54,000
SHERIFF'S GOING TO PAY.

736
00:33:54,000 --> 00:33:54,565
SHERIFF'S GOING TO PAY.

737
00:33:54,632 --> 00:33:56,200
( whispers ):
WHO'S THE STRANGER?

738
00:33:56,267 --> 00:33:57,402
I DON'T KNOW.

739
00:33:57,468 --> 00:33:59,036
SHE AIN'T SAID HER NAME

740
00:33:59,103 --> 00:34:00,000
BUT SHE'S IN CAHOOTS
WITH THE SHERIFF

741
00:34:00,000 --> 00:34:01,572
BUT SHE'S IN CAHOOTS
WITH THE SHERIFF

742
00:34:01,639 --> 00:34:04,442
AND SHE'S MIGHTY MEAN
WITH THAT WINCHESTER.

743
00:34:04,509 --> 00:34:06,000
YOU SIT TIGHT, BOY.

744
00:34:06,000 --> 00:34:06,310
YOU SIT TIGHT, BOY.

745
00:34:06,377 --> 00:34:10,214
I'LL HAVE YOU HOME
IN TIME FOR SUPPER.

746
00:34:13,684 --> 00:34:17,455
I'M GOING TO GIVE YOU
ONE MORE OPPORTUNITY, SHERIFF

747
00:34:17,522 --> 00:34:18,000
TO AVOID A UGLY SITUATION.

748
00:34:18,000 --> 00:34:21,592
TO AVOID A UGLY SITUATION.

749
00:34:21,659 --> 00:34:23,227
RELEASE MY BOY.

750
00:34:25,797 --> 00:34:28,466
I HAVE RECONSIDERED YOUR OFFER.

751
00:34:28,533 --> 00:34:30,000
I WILL RELEASE YOUR SON
IN EXCHANGE FOR MY DEPUTY.

752
00:34:30,000 --> 00:34:32,303
I WILL RELEASE YOUR SON
IN EXCHANGE FOR MY DEPUTY.

753
00:34:32,370 --> 00:34:36,000
I THOUGHT YOU MIGHT HAVE
A CHANGE OF HEART.

754
00:34:36,000 --> 00:34:36,174
I THOUGHT YOU MIGHT HAVE
A CHANGE OF HEART.

755
00:34:36,240 --> 00:34:37,842
MEET ME IN TWO HOURS.

756
00:34:37,909 --> 00:34:40,077
YOU BE IN FRONT OF THE SALOON.

757
00:34:40,144 --> 00:34:42,000
I'LL BE IN FRONT
OF THE LIVERY STABLE.

758
00:34:42,000 --> 00:34:42,613
I'LL BE IN FRONT
OF THE LIVERY STABLE.

759
00:34:44,415 --> 00:34:46,784
STRANGERS AIN'T INVITED.

760
00:34:50,555 --> 00:34:52,256
AGREED.

761
00:35:08,940 --> 00:35:11,108
IN EVERY WESTERN
I'VE EVER READ

762
00:35:11,175 --> 00:35:12,000
THE VILLAINS ALWAYS
BREAK THEIR WORD.

763
00:35:12,000 --> 00:35:13,110
THE VILLAINS ALWAYS
BREAK THEIR WORD.

764
00:35:13,177 --> 00:35:14,612
HE CAN'T BE TRUSTED.

765
00:35:14,679 --> 00:35:16,647
BUT WE HAVE MADE
AN HONORABLE AGREEMENT.

766
00:35:16,714 --> 00:35:18,000
THEY'RE NOT CONCERNED
WITH HONOR, WORF.

767
00:35:18,000 --> 00:35:19,684
THEY'RE NOT CONCERNED
WITH HONOR, WORF.

768
00:35:19,750 --> 00:35:21,786
THIS IS THE ANCIENT WEST.

769
00:35:21,853 --> 00:35:24,000
THERE'S A GUNFIGHTER OUT THERE

770
00:35:24,000 --> 00:35:24,355
THERE'S A GUNFIGHTER OUT THERE

771
00:35:24,422 --> 00:35:27,658
WHO HAS THE SPEED AND
ACCURACY OF AN ANDROID

772
00:35:27,725 --> 00:35:30,000
AND IN TWO HOURS, HE'S
GOING TO TRY TO KILL YOU.

773
00:35:30,000 --> 00:35:31,362
AND IN TWO HOURS, HE'S
GOING TO TRY TO KILL YOU.

774
00:35:49,313 --> 00:35:50,648
MR. DATA.

775
00:35:50,715 --> 00:35:53,784
HOWDY, COMMANDER.

776
00:35:53,851 --> 00:35:54,000
GEORDI, WHAT
HAVE YOU FOUND?

777
00:35:54,000 --> 00:35:55,887
GEORDI, WHAT
HAVE YOU FOUND?

778
00:35:55,953 --> 00:35:59,524
( drawl ):
WELL, WE FIGURE PART
OF MY MEMORY STRUCTURE

779
00:35:59,590 --> 00:36:00,000
( in normal voice ):
WAS REPLACED WITH INFORMATION

780
00:36:00,000 --> 00:36:01,859
( in normal voice ):
WAS REPLACED WITH INFORMATION

781
00:36:01,926 --> 00:36:03,861
FROM THE COMPUTER'S
RECREATIONAL DATABASE.

782
00:36:03,928 --> 00:36:05,530
SPECIFICALLY,
THE FILES RELATING

783
00:36:05,596 --> 00:36:06,000
TO THE AMERICAN
19TH-CENTURY WEST.

784
00:36:06,000 --> 00:36:07,398
TO THE AMERICAN
19TH-CENTURY WEST.

785
00:36:07,465 --> 00:36:09,667
THAT WOULD EXPLAIN
THE ACCENT.

786
00:36:09,734 --> 00:36:11,669
YOU GOT IT, PARDNER.

787
00:36:11,736 --> 00:36:12,000
THIS IS A RESULT
OF THE EXPERIMENTAL INTERFACE?

788
00:36:12,000 --> 00:36:13,938
THIS IS A RESULT
OF THE EXPERIMENTAL INTERFACE?

789
00:36:14,005 --> 00:36:15,139
I'M AFRAID SO,
BUT WE'VE INITIATED

790
00:36:15,206 --> 00:36:17,875
A PROGRESSIVE MEMORY PURGE
TO RESTORE DATA'S PROGRAMMING

791
00:36:17,942 --> 00:36:18,000
TO ITS ORIGINAL STATE.

792
00:36:18,000 --> 00:36:19,544
TO ITS ORIGINAL STATE.

793
00:36:19,610 --> 00:36:21,679
HE SHOULD BE BACK TO NORMAL
IN A COUPLE OF HOURS.

794
00:36:21,746 --> 00:36:24,000
AND WHAT ABOUT THE COMPUTER'S
RECREATIONAL DATABASE?

795
00:36:24,000 --> 00:36:24,315
AND WHAT ABOUT THE COMPUTER'S
RECREATIONAL DATABASE?

796
00:36:24,382 --> 00:36:25,917
WE'VE STARTED A MEMORY PURGE
THERE, AS WELL.

797
00:36:25,983 --> 00:36:27,451
THAT SHOULD TAKE
ANOTHER HOUR, MAYBE TWO.

798
00:36:29,987 --> 00:36:30,000
COMMANDER... YOU JUST SIT TIGHT.

799
00:36:30,000 --> 00:36:33,524
COMMANDER... YOU JUST SIT TIGHT.

800
00:36:33,591 --> 00:36:36,000
WE'LL HAVE THIS ALL FIXED UP
IN TIME FOR SUPPER.

801
00:36:36,000 --> 00:36:37,562
WE'LL HAVE THIS ALL FIXED UP
IN TIME FOR SUPPER.

802
00:36:37,628 --> 00:36:38,763
GOOD.

803
00:36:42,967 --> 00:36:44,569
Worf:
I will be positioned here

804
00:36:44,635 --> 00:36:46,437
at the eastern end
of the street.

805
00:36:46,504 --> 00:36:48,000
Frank Hollander says
he will approach
from this end.

806
00:36:48,000 --> 00:36:48,739
Frank Hollander says
he will approach
from this end.

807
00:36:48,806 --> 00:36:51,275
NOW, WHEN HE REACHES THIS POINT,
HE WILL BE WITHIN RANGE.

808
00:36:51,342 --> 00:36:52,743
UNDERSTOOD.
WHAT ABOUT ALEXANDER?

809
00:36:52,810 --> 00:36:54,000
WELL, THERE'S A RAIN BARREL
IN FRONT OF THE SALOON.

810
00:36:54,000 --> 00:36:55,813
WELL, THERE'S A RAIN BARREL
IN FRONT OF THE SALOON.

811
00:36:55,880 --> 00:36:57,582
IT SHOULD BE ENOUGH
TO STOP THE BULLETS.

812
00:36:57,648 --> 00:36:59,350
( knocking )

813
00:37:08,759 --> 00:37:10,728
YOU WOULD NOT BELIEVE
WHAT I WENT THROUGH

814
00:37:10,795 --> 00:37:11,829
TO GET OLD MAN NEWSOME

815
00:37:11,896 --> 00:37:12,000
TO GIVE UP
HIS TELEGRAPH MACHINE.

816
00:37:12,000 --> 00:37:14,365
TO GIVE UP
HIS TELEGRAPH MACHINE.

817
00:37:18,603 --> 00:37:20,972
AH...

818
00:37:21,038 --> 00:37:23,474
EXCELLENT.

819
00:37:23,541 --> 00:37:24,000
LORD KNOWS WHY I KEEP RISKING
MY LIFE FOR YOU, SHERIFF.

820
00:37:24,000 --> 00:37:29,013
LORD KNOWS WHY I KEEP RISKING
MY LIFE FOR YOU, SHERIFF.

821
00:37:29,080 --> 00:37:30,000
( clearing throat )

822
00:37:30,000 --> 00:37:30,781
( clearing throat )

823
00:37:34,852 --> 00:37:36,000
OH, YES, UH, THANK
YOU, MS. ANNIE.

824
00:37:36,000 --> 00:37:37,755
OH, YES, UH, THANK
YOU, MS. ANNIE.

825
00:37:37,822 --> 00:37:41,292
I'M IN YOUR DEBT.

826
00:37:41,359 --> 00:37:42,000
( clock chimes )

827
00:37:48,000 --> 00:37:49,834
( clock chimes )

828
00:37:52,870 --> 00:37:54,000
I HAVE CONNECTED
THE COMMUNICATOR'S ENERGY CELL

829
00:37:54,000 --> 00:37:54,805
I HAVE CONNECTED
THE COMMUNICATOR'S ENERGY CELL

830
00:37:54,872 --> 00:37:58,476
TO SERVE AS THE
POWER SOURCE.

831
00:37:58,542 --> 00:38:00,000
HOW LONG
WILL THE FIELD LAST?

832
00:38:00,000 --> 00:38:00,578
HOW LONG
WILL THE FIELD LAST?

833
00:38:00,645 --> 00:38:02,813
NO MORE THAN 15 SECONDS.

834
00:38:02,880 --> 00:38:04,015
IT IS HIGHLY UNSTABLE.

835
00:38:04,081 --> 00:38:06,000
LET'S HOPE IT'S ENOUGH.

836
00:38:06,000 --> 00:38:08,352
LET'S HOPE IT'S ENOUGH.

837
00:38:08,419 --> 00:38:09,854
( bird cawing )

838
00:38:15,393 --> 00:38:17,495
( dog barking )

839
00:38:29,473 --> 00:38:30,000
( spurs jangling )

840
00:38:30,000 --> 00:38:31,742
( spurs jangling )

841
00:38:50,027 --> 00:38:52,463
( dog barking )

842
00:40:02,199 --> 00:40:04,735
ELI, GET DOWN!

843
00:40:04,802 --> 00:40:05,503
ALEXANDER!

844
00:40:20,251 --> 00:40:22,953
DON'T EVEN THINK
ABOUT IT.

845
00:40:23,020 --> 00:40:24,000
SEÑOR FRANK!

846
00:40:24,000 --> 00:40:25,556
SEÑOR FRANK!

847
00:40:53,117 --> 00:40:54,000
GO AHEAD, SHOOT ME.

848
00:40:54,000 --> 00:40:56,453
GO AHEAD, SHOOT ME.

849
00:41:05,629 --> 00:41:06,000
DO NOT SHOW YOUR FACE
IN THIS TOWN AGAIN.

850
00:41:06,000 --> 00:41:08,465
DO NOT SHOW YOUR FACE
IN THIS TOWN AGAIN.

851
00:41:12,236 --> 00:41:13,571
LET'S GO.

852
00:41:17,308 --> 00:41:18,000
( birds cawing )

853
00:41:18,000 --> 00:41:19,510
( birds cawing )

854
00:41:30,921 --> 00:41:32,523
FATHER!

855
00:41:34,058 --> 00:41:35,693
ARE YOU ALL RIGHT?

856
00:41:35,759 --> 00:41:36,000
YES.

857
00:41:36,000 --> 00:41:37,061
YES.

858
00:41:40,064 --> 00:41:42,000
END PROGRAM.

859
00:41:42,000 --> 00:41:42,700
END PROGRAM.

860
00:41:42,766 --> 00:41:45,135
I DON'T UNDERSTAND THIS.

861
00:41:45,202 --> 00:41:47,137
THE STORY
SHOULD BE OVER.

862
00:41:47,204 --> 00:41:48,000
WHAT'S LEFT?

863
00:41:48,000 --> 00:41:49,006
WHAT'S LEFT?

864
00:41:49,073 --> 00:41:52,009
COMPUTER, END PROGRAM.

865
00:41:52,076 --> 00:41:53,944
Sheriff!

866
00:42:02,086 --> 00:42:05,289
YOU'RE AS HANDY
WITH A SHOOTIN' IRON

867
00:42:05,356 --> 00:42:06,000
AS YOU ARE WITH A WOMAN'S HEART.

868
00:42:06,000 --> 00:42:08,759
AS YOU ARE WITH A WOMAN'S HEART.

869
00:42:08,826 --> 00:42:11,662
COMPUTER, END PROGRAM.

870
00:42:17,034 --> 00:42:17,801
COMPUTER!

871
00:42:17,868 --> 00:42:18,000
NOW!

872
00:42:18,000 --> 00:42:18,969
NOW!

873
00:42:33,717 --> 00:42:36,000
CAPTAIN'S LOG,
STARDATE 46278.3.

874
00:42:36,000 --> 00:42:37,054
CAPTAIN'S LOG,
STARDATE 46278.3.

875
00:42:37,121 --> 00:42:39,590
BOTH COMMANDER DATA
AND THE SHIP'S COMPUTER

876
00:42:39,657 --> 00:42:41,725
HAVE BEEN RESTORED
TO NORMAL OPERATION.

877
00:42:41,792 --> 00:42:42,000
OUR RENDEZVOUS
WITH THE SUPPLY SHIP BIKO

878
00:42:42,000 --> 00:42:43,794
OUR RENDEZVOUS
WITH THE SUPPLY SHIP BIKO

879
00:42:43,861 --> 00:42:45,829
HAS PROCEEDED AS PLANNED.

880
00:42:59,076 --> 00:43:00,000
FATHER...

881
00:43:00,000 --> 00:43:01,111
FATHER...

882
00:43:04,281 --> 00:43:05,816
AFTER WHAT HAPPENED

883
00:43:05,883 --> 00:43:06,000
I GUESS YOU'LL NEVER WANT

884
00:43:06,000 --> 00:43:07,851
I GUESS YOU'LL NEVER WANT

885
00:43:07,918 --> 00:43:10,688
TO GO BACK TO THE ANCIENT WEST.

886
00:43:16,327 --> 00:43:18,000
THE TOWN OF DEADWOOD MAY
FACE DANGER ONCE AGAIN.

887
00:43:18,000 --> 00:43:20,764
THE TOWN OF DEADWOOD MAY
FACE DANGER ONCE AGAIN.

888
00:43:20,831 --> 00:43:24,000
IF THEY DO, THEY WILL
NEED A SHERIFF...

889
00:43:24,000 --> 00:43:24,635
IF THEY DO, THEY WILL
NEED A SHERIFF...

890
00:43:27,237 --> 00:43:30,000
AND A DEPUTY.

891
00:43:30,000 --> 00:43:30,741
AND A DEPUTY.

892
00:44:21,191 --> 00:44:24,000
[Captioning sponsored by
PARAMOUNT PICTURES

893
00:44:24,000 --> 00:44:25,295
[Captioning sponsored by
PARAMOUNT PICTURES

894
00:44:25,362 --> 00:44:28,966
Captioned by
The Caption Center
WGBH Educational Foundation]