1
00:00:02,268 --> 00:00:05,038
LAST TIME ON STAR TREK:
THE NEXT GENERATION...

2
00:00:05,105 --> 00:00:06,000
THEY FOUND DATA'S HEAD A
MILE BENEATH SAN FRANCISCO.

3
00:00:06,000 --> 00:00:08,208
THEY FOUND DATA'S HEAD A
MILE BENEATH SAN FRANCISCO.

4
00:00:08,274 --> 00:00:10,410
BEEN DOWN THERE
ABOUT FIVE CENTURIES.

5
00:00:10,477 --> 00:00:12,000
AT SOME FUTURE DATE

6
00:00:12,000 --> 00:00:12,045
AT SOME FUTURE DATE

7
00:00:12,112 --> 00:00:15,215
I WILL BE TRANSPORTED BACK
TO 19TH-CENTURY EARTH

8
00:00:15,281 --> 00:00:16,616
WHERE I WILL DIE.

9
00:00:16,683 --> 00:00:18,000
IT HAS OCCURRED.

10
00:00:18,000 --> 00:00:18,017
IT HAS OCCURRED.

11
00:00:18,084 --> 00:00:19,486
IT WILL OCCUR.

12
00:00:23,323 --> 00:00:24,000
DO I KNOW YOU, MISTER...?

13
00:00:24,000 --> 00:00:26,025
DO I KNOW YOU, MISTER...?

14
00:00:26,092 --> 00:00:27,227
DATA.

15
00:00:27,293 --> 00:00:30,000
YES. WE WERE ON
A SHIP TOGETHER.

16
00:00:30,000 --> 00:00:30,397
YES. WE WERE ON
A SHIP TOGETHER.

17
00:00:30,463 --> 00:00:31,431
THE ENTERPRISE.

18
00:00:31,498 --> 00:00:33,199
IS THAT A CLIPPER SHIP?

19
00:00:33,266 --> 00:00:35,135
IT IS A STARSHIP.

20
00:00:35,201 --> 00:00:36,000
STARSHIP?

21
00:00:36,000 --> 00:00:36,503
STARSHIP?

22
00:00:48,348 --> 00:00:50,150
Riker:
My God.

23
00:00:50,216 --> 00:00:53,052
THEY'RE DELIVERING MORE OF THEM
FOR THE OTHERS TO INGEST.

24
00:00:53,119 --> 00:00:54,000
DID MY FATHER
SEND YOU HERE?

25
00:00:54,000 --> 00:00:54,421
DID MY FATHER
SEND YOU HERE?

26
00:00:54,487 --> 00:00:55,755
BECAUSE IF HE DID,
YOU MUST GO BACK

27
00:00:55,822 --> 00:00:57,257
AND TELL HIM I'M NOT
DONE LISTENING...

28
00:00:57,323 --> 00:00:59,159
I WAS NOT SENT
BY YOUR FATHER.

29
00:00:59,225 --> 00:01:00,000
OUR SHIP ENCOUNTERED
A SPECIES

30
00:01:00,000 --> 00:01:01,361
OUR SHIP ENCOUNTERED
A SPECIES

31
00:01:01,428 --> 00:01:04,631
WHO APPEARS TO BE THREATENING
19TH-CENTURY EARTH.

32
00:01:04,697 --> 00:01:06,000
I'M NOT WILLING TO ACCEPT
THAT HE'S DEAD

33
00:01:06,000 --> 00:01:06,232
I'M NOT WILLING TO ACCEPT
THAT HE'S DEAD

34
00:01:06,299 --> 00:01:07,434
AND JUST LEAVE IT AT THAT.

35
00:01:07,500 --> 00:01:09,302
WE CANNOT MAKE
MR. DATA OUR PRIORITY.

36
00:01:09,369 --> 00:01:11,371
WHAT IS MORE
IMPORTANT THAN DATA?

37
00:01:11,438 --> 00:01:12,000
DO YOU REMEMBER
THE FIRST TIME WE MET?

38
00:01:12,000 --> 00:01:13,106
DO YOU REMEMBER
THE FIRST TIME WE MET?

39
00:01:13,173 --> 00:01:14,474
OF COURSE.

40
00:01:14,541 --> 00:01:16,109
DON'T BE SO SURE.

41
00:01:16,176 --> 00:01:18,000
IF YOU DON'T GO
ON THIS MISSION

42
00:01:18,000 --> 00:01:18,178
IF YOU DON'T GO
ON THIS MISSION

43
00:01:18,244 --> 00:01:20,146
WE'LL NEVER MEET.

44
00:01:31,357 --> 00:01:33,726
AND NOW, THE CONCLUSION.

45
00:01:36,229 --> 00:01:41,301
SAMUEL CLEMENS:
I'VE LONG BEEN INTERESTED
IN THE NOTION OF TIME TRAVELERS.

46
00:01:41,367 --> 00:01:42,000
IN FACT, I WROTE A BOOK
ABOUT IT.

47
00:01:42,000 --> 00:01:43,636
IN FACT, I WROTE A BOOK
ABOUT IT.

48
00:01:43,703 --> 00:01:47,106
IT CHRONICLES THE TALE
OF A MAN OF OUR ERA

49
00:01:47,173 --> 00:01:48,000
WHO FOULS THE SIXTH CENTURY BY
INTRODUCING NEWFANGLED GADGETS

50
00:01:48,000 --> 00:01:51,511
WHO FOULS THE SIXTH CENTURY BY
INTRODUCING NEWFANGLED GADGETS

51
00:01:51,578 --> 00:01:54,000
AND WEAPONS, ALL IN
THE NAME OF PROGRESS.

52
00:01:54,000 --> 00:01:55,215
AND WEAPONS, ALL IN
THE NAME OF PROGRESS.

53
00:01:55,281 --> 00:01:56,316
BUT, UH...

54
00:01:56,382 --> 00:01:57,116
( SPITS )

55
00:01:57,183 --> 00:02:00,000
BUT THIS, UH, IDEA
OF TIME TRAVEL--

56
00:02:00,000 --> 00:02:01,354
BUT THIS, UH, IDEA
OF TIME TRAVEL--

57
00:02:01,421 --> 00:02:04,457
NOT SO FARFETCHED
AS IT MIGHT SEEM.

58
00:02:04,524 --> 00:02:06,000
IN FACT, I HAVE JUST
LEARNED THAT EVEN NOW

59
00:02:06,000 --> 00:02:07,861
IN FACT, I HAVE JUST
LEARNED THAT EVEN NOW

60
00:02:07,927 --> 00:02:10,363
THERE ARE PEOPLE
FROM THE FUTURE

61
00:02:10,430 --> 00:02:12,000
RIGHT HERE IN SAN FRANCISCO

62
00:02:12,000 --> 00:02:12,699
RIGHT HERE IN SAN FRANCISCO

63
00:02:12,765 --> 00:02:17,504
AND I HAVE NO DOUBT THAT THEIR
INTENT IS TO FOUL OUR WORLD

64
00:02:17,570 --> 00:02:18,000
JUST LIKE MY YANKEE DID
IN KING ARTHUR'S TIME.

65
00:02:18,000 --> 00:02:20,240
JUST LIKE MY YANKEE DID
IN KING ARTHUR'S TIME.

66
00:02:20,306 --> 00:02:23,443
WELL, SIR, LET ME
SERVE NOTICE.

67
00:02:23,510 --> 00:02:24,000
AS SOON AS I HAVE
THE NECESSARY EVIDENCE

68
00:02:24,000 --> 00:02:25,712
AS SOON AS I HAVE
THE NECESSARY EVIDENCE

69
00:02:25,778 --> 00:02:27,714
I INTEND TO EXPOSE THEM

70
00:02:27,780 --> 00:02:30,000
AND MAKE IT ABSOLUTELY CLEAR
THAT THEY ARE NOT WELCOME HERE.

71
00:02:30,000 --> 00:02:31,451
AND MAKE IT ABSOLUTELY CLEAR
THAT THEY ARE NOT WELCOME HERE.

72
00:02:31,518 --> 00:02:33,453
YES, SIR,
AND WILL THIS BE A SEQUEL

73
00:02:33,520 --> 00:02:35,622
TO CONNECTICUT YANKEE,
MR. TWAIN?

74
00:02:35,688 --> 00:02:36,000
NAME IS CLEMENS, BOY.

75
00:02:36,000 --> 00:02:37,390
NAME IS CLEMENS, BOY.

76
00:02:37,457 --> 00:02:38,625
SAM CLEMENS.

77
00:02:38,691 --> 00:02:40,393
THAT'S WITH AN "E."

78
00:02:40,460 --> 00:02:41,761
WITH AN "E."

79
00:02:41,828 --> 00:02:42,000
GOT IT.

80
00:02:42,000 --> 00:02:43,263
GOT IT.

81
00:02:47,567 --> 00:02:48,000
EXCUSE ME.

82
00:02:48,000 --> 00:02:48,368
EXCUSE ME.

83
00:03:40,653 --> 00:03:42,000
SPACE, THE FINAL FRONTIER.

84
00:03:42,000 --> 00:03:45,325
SPACE, THE FINAL FRONTIER.

85
00:03:45,391 --> 00:03:48,000
THESE ARE THE VOYAGES
OF THE STARSHIP ENTERPRISE.

86
00:03:48,000 --> 00:03:48,962
THESE ARE THE VOYAGES
OF THE STARSHIP ENTERPRISE.

87
00:03:49,028 --> 00:03:50,964
ITS CONTINUING MISSION--

88
00:03:51,030 --> 00:03:54,000
TO EXPLORE
STRANGE NEW WORLDS

89
00:03:54,000 --> 00:03:54,934
TO EXPLORE
STRANGE NEW WORLDS

90
00:03:55,001 --> 00:03:59,539
TO SEEK OUT NEW LIFE
AND NEW CIVILIZATIONS

91
00:03:59,606 --> 00:04:00,000
TO BOLDLY GO
WHERE NO ONE HAS GONE BEFORE.

92
00:04:00,000 --> 00:04:03,977
TO BOLDLY GO
WHERE NO ONE HAS GONE BEFORE.

93
00:04:04,043 --> 00:04:06,000
[Captioning sponsored by
PARAMOUNT PICTURES]

94
00:04:06,000 --> 00:04:08,014
[Captioning sponsored by
PARAMOUNT PICTURES]

95
00:05:02,869 --> 00:05:04,303
Riker:
The coroner said

96
00:05:04,370 --> 00:05:06,000
THIS IS WHERE THEY KEPT
ALL THE CHOLERA VICTIMS.

97
00:05:06,000 --> 00:05:07,306
THIS IS WHERE THEY KEPT
ALL THE CHOLERA VICTIMS.

98
00:05:07,373 --> 00:05:08,541
IT DOESN'T MAKE SENSE

99
00:05:08,608 --> 00:05:11,310
THAT SO MANY PEOPLE
ARE DYING OF CHOLERA.

100
00:05:11,377 --> 00:05:12,000
IT JUST ISN'T THAT VIRULENT.

101
00:05:12,000 --> 00:05:13,312
IT JUST ISN'T THAT VIRULENT.

102
00:05:13,379 --> 00:05:15,348
( TRICORDER BEEPING )

103
00:05:20,453 --> 00:05:21,788
WILL.

104
00:05:26,993 --> 00:05:28,494
THIS IS STRANGE.

105
00:05:28,561 --> 00:05:30,000
WHAT IS IT?

106
00:05:30,000 --> 00:05:30,329
WHAT IS IT?

107
00:05:31,798 --> 00:05:33,933
THE CEREBELLUM,
THE CEREBRAL CORTEX

108
00:05:34,000 --> 00:05:36,000
THE BRAIN STEM,
THE ENTIRE NERVOUS SYSTEM

109
00:05:36,000 --> 00:05:37,470
THE BRAIN STEM,
THE ENTIRE NERVOUS SYSTEM

110
00:05:37,537 --> 00:05:39,906
HAS BEEN DEPLETED
OF ELECTROCHEMICAL ENERGY.

111
00:05:49,882 --> 00:05:51,551
HERE'S ANOTHER ONE.

112
00:05:51,617 --> 00:05:53,953
SAME NEURAL DEPLETION.

113
00:05:54,020 --> 00:05:56,589
THESE PEOPLE
DID NOT DIE OF CHOLERA.

114
00:05:56,656 --> 00:05:59,959
THEY DIED BECAUSE THEIR NEURAL
ENERGY WAS DRAINED SOMEHOW.

115
00:06:00,026 --> 00:06:02,562
DRAINED?

116
00:06:02,628 --> 00:06:06,000
AND TAKEN TO DEVIDIA II
FOR THOSE ALIENS TO INGEST?

117
00:06:06,000 --> 00:06:06,799
AND TAKEN TO DEVIDIA II
FOR THOSE ALIENS TO INGEST?

118
00:06:06,866 --> 00:06:08,801
IF YOU WERE A TIME TRAVELER

119
00:06:08,868 --> 00:06:11,804
WITH A TASTE
FOR HUMAN NEURAL ENERGY

120
00:06:11,871 --> 00:06:12,000
WHERE WOULD YOU GET
YOUR SUPPLY?

121
00:06:12,000 --> 00:06:13,806
WHERE WOULD YOU GET
YOUR SUPPLY?

122
00:06:13,873 --> 00:06:16,375
I WOULD TRAVEL
BACK TO A TIME

123
00:06:16,442 --> 00:06:18,000
WHEN THERE WERE PLAGUES
AND EPIDEMICS

124
00:06:18,000 --> 00:06:19,545
WHEN THERE WERE PLAGUES
AND EPIDEMICS

125
00:06:19,612 --> 00:06:23,382
SO I COULD MURDER AND USE
THE DISEASE AS A COVER.

126
00:06:30,189 --> 00:06:31,491
OVER HALF OF THE VICTIMS

127
00:06:31,557 --> 00:06:32,959
WHOSE NEURAL ENERGY
HAVE BEEN DRAINED

128
00:06:33,025 --> 00:06:35,027
CAME FROM
THE SISTERS OF HOPE INFIRMARY.

129
00:06:35,094 --> 00:06:36,000
THE CHARITY HOSPITAL
NEAR THE WATERFRONT.

130
00:06:36,000 --> 00:06:37,830
THE CHARITY HOSPITAL
NEAR THE WATERFRONT.

131
00:06:37,897 --> 00:06:39,832
IF THE ALIENS HAVE BEEN
KILLING PEOPLE THERE

132
00:06:39,899 --> 00:06:42,000
WELL, SOMEONE MIGHT HAVE
NOTICED SOMETHING UNUSUAL.

133
00:06:42,000 --> 00:06:42,034
WELL, SOMEONE MIGHT HAVE
NOTICED SOMETHING UNUSUAL.

134
00:06:42,101 --> 00:06:43,636
AND IF THEY'RE MOVING
AMONG HUMANS

135
00:06:43,703 --> 00:06:45,538
THEN THEY MUST HAVE TAKEN ON
HUMAN FORM.

136
00:06:45,605 --> 00:06:47,907
BUT THE QUESTION IS HOW DO WE
KNOW WHO WE'RE LOOKING FOR?

137
00:06:47,974 --> 00:06:48,000
THE TRICORDER INDICATED
TRIOLIC ACTIVITY

138
00:06:48,000 --> 00:06:50,409
THE TRICORDER INDICATED
TRIOLIC ACTIVITY

139
00:06:50,476 --> 00:06:52,411
FROM MOST OF THE BODIES
WE'VE LOOKED AT.

140
00:06:52,478 --> 00:06:54,000
IF THE ALIENS LEFT
THAT SORT OF SIGNATURE

141
00:06:54,000 --> 00:06:54,013
IF THE ALIENS LEFT
THAT SORT OF SIGNATURE

142
00:06:54,080 --> 00:06:55,848
THEY'LL BE DETECTABLE.

143
00:06:55,915 --> 00:06:57,517
YOU KNOW, WE MIGHT
EVEN BE ABLE

144
00:06:57,583 --> 00:06:59,552
TO RIG SOME KIND
OF ALIEN ALARM SYSTEM.

145
00:06:59,619 --> 00:07:00,000
ANY LUCK CONTACTING DATA?

146
00:07:00,000 --> 00:07:01,888
ANY LUCK CONTACTING DATA?

147
00:07:01,954 --> 00:07:05,491
NONE. TRICORDER'S BROADCASTING
RANDOM EMISSIONS

148
00:07:05,558 --> 00:07:06,000
ON ALL FREQUENCIES
HIS SUBPROCESSORS MIGHT PICK UP

149
00:07:06,000 --> 00:07:07,426
ON ALL FREQUENCIES
HIS SUBPROCESSORS MIGHT PICK UP

150
00:07:07,493 --> 00:07:09,195
BUT THE RANGE IS LIMITED.

151
00:07:09,262 --> 00:07:11,497
ALMOST ANYTHING
COULD INTERFERE.

152
00:07:11,564 --> 00:07:12,000
( KNOCKING )

153
00:07:12,000 --> 00:07:12,431
( KNOCKING )

154
00:07:14,500 --> 00:07:15,835
SHE'S BACK.

155
00:07:15,902 --> 00:07:18,000
Mrs. Carmichael:
Mr. Picard?

156
00:07:18,000 --> 00:07:18,504
Mrs. Carmichael:
Mr. Picard?

157
00:07:23,609 --> 00:07:24,000
( KNOCKING )

158
00:07:24,000 --> 00:07:24,744
( KNOCKING )

159
00:07:24,811 --> 00:07:26,579
YES, MRS. CARMICHAEL?

160
00:07:28,781 --> 00:07:30,000
MR. PICARD

161
00:07:30,000 --> 00:07:30,016
MR. PICARD

162
00:07:30,082 --> 00:07:33,820
I'LL BE REMINDING YOU
THAT IT'S 1:00.

163
00:07:33,886 --> 00:07:35,521
YES.

164
00:07:35,588 --> 00:07:36,000
1:00 ON A THURSDAY.

165
00:07:36,000 --> 00:07:37,590
1:00 ON A THURSDAY.

166
00:07:37,657 --> 00:07:39,859
I'M SURE I MADE
IT CLEAR TO YOU

167
00:07:39,926 --> 00:07:42,000
THAT THE RENT IS ALWAYS
DUE, PAYABLE IN FULL

168
00:07:42,000 --> 00:07:43,596
THAT THE RENT IS ALWAYS
DUE, PAYABLE IN FULL

169
00:07:43,663 --> 00:07:45,531
BY 1:00 ON WEDNESDAYS.

170
00:07:45,598 --> 00:07:47,466
AH, YES.

171
00:07:47,533 --> 00:07:48,000
UH... THE RENT.

172
00:07:48,000 --> 00:07:50,536
UH... THE RENT.

173
00:07:50,603 --> 00:07:53,606
UH, MRS. CARMICHAEL...

174
00:07:53,673 --> 00:07:54,000
EVEN NOW, MY, UH...

175
00:07:54,000 --> 00:07:56,609
EVEN NOW, MY, UH...

176
00:07:56,676 --> 00:08:00,000
MY TROUPE ARE IN REHEARSALS
FOR A NEW PRODUCTION.

177
00:08:00,000 --> 00:08:00,613
MY TROUPE ARE IN REHEARSALS
FOR A NEW PRODUCTION.

178
00:08:00,680 --> 00:08:01,914
OH?

179
00:08:01,981 --> 00:08:04,550
I HAVEN'T HEARD
OF ANY NEW PRODUCTION.

180
00:08:04,617 --> 00:08:05,785
WHAT PLAY IS IT?

181
00:08:05,852 --> 00:08:06,000
THE PLAY.

182
00:08:06,000 --> 00:08:07,653
THE PLAY.

183
00:08:10,156 --> 00:08:12,000
A MIDSUMMER NIGHT'S DREAM.

184
00:08:12,000 --> 00:08:12,758
A MIDSUMMER NIGHT'S DREAM.

185
00:08:12,825 --> 00:08:15,628
WE HAVE PERFORMED
IN LONDON, PARIS

186
00:08:15,695 --> 00:08:16,596
MILAN...

187
00:08:16,662 --> 00:08:18,000
MILAN, TO SOLD OUT HOUSES.

188
00:08:18,000 --> 00:08:19,632
MILAN, TO SOLD OUT HOUSES.

189
00:08:19,699 --> 00:08:20,867
I CAN ASSURE YOU

190
00:08:20,933 --> 00:08:23,870
YOU WILL HAVE THE RENT IN FULL,
WITH A BONUS.

191
00:08:23,936 --> 00:08:24,000
OH, NO, NO, NO, NO.

192
00:08:24,000 --> 00:08:26,205
OH, NO, NO, NO, NO.

193
00:08:26,272 --> 00:08:30,000
I'VE HEARD YOU
SILVER-TONGUED
DEVILS BEFORE.

194
00:08:30,000 --> 00:08:30,576
I'VE HEARD YOU
SILVER-TONGUED
DEVILS BEFORE.

195
00:08:30,643 --> 00:08:33,279
I'LL HAVE MY RENT IN FULL
TOMORROW BY 1:00

196
00:08:33,346 --> 00:08:35,848
OR YOU'LL BE OUT PERFORMING
ON THE STREET.

197
00:08:36,983 --> 00:08:38,951
( DOOR CLOSES )

198
00:08:43,189 --> 00:08:45,625
I WOULDN'T DO THIS FOR
JUST ANYONE, MR. CLEMENS

199
00:08:45,691 --> 00:08:47,994
AND I HOPE YOU WON'T SPREAD
IT AROUND THAT I LET YOU IN.

200
00:08:48,060 --> 00:08:49,262
YOU KNOW, PEOPLE
START TALKING.

201
00:08:49,328 --> 00:08:50,763
OF COURSE NOT, JACK.

202
00:08:50,830 --> 00:08:52,531
AND I ASSURE YOU
THAT MR. DATA

203
00:08:52,598 --> 00:08:54,000
WOULD BE MOST UPSET
IF YOU DIDN'T.

204
00:08:54,000 --> 00:08:54,600
WOULD BE MOST UPSET
IF YOU DIDN'T.

205
00:08:54,667 --> 00:08:55,768
IF I CAN'T FIND

206
00:08:55,835 --> 00:08:57,937
THAT LETTER OF INTENT
THAT HE LEFT ME

207
00:08:58,004 --> 00:09:00,000
OUR MAJOR INVESTOR
IS GOING TO PULL OUT

208
00:09:00,000 --> 00:09:00,640
OUR MAJOR INVESTOR
IS GOING TO PULL OUT

209
00:09:00,706 --> 00:09:02,909
AND TAKE HIS BUSINESS
ELSEWHERE.

210
00:09:02,975 --> 00:09:04,277
IT HAS TO DO

211
00:09:04,343 --> 00:09:06,000
WITH MR. DATA'S
ENGINE, DOESN'T IT?

212
00:09:06,000 --> 00:09:06,145
WITH MR. DATA'S
ENGINE, DOESN'T IT?

213
00:09:06,212 --> 00:09:07,179
ENGINE?

214
00:09:07,246 --> 00:09:08,314
WELL, YES.

215
00:09:08,381 --> 00:09:10,316
OH, YES...

216
00:09:10,383 --> 00:09:12,000
YES.

217
00:09:12,000 --> 00:09:12,285
YES.

218
00:09:12,351 --> 00:09:15,054
THIS IS EXACTLY
WHAT IT'S ALL ABOUT.

219
00:09:15,121 --> 00:09:16,555
OW!

220
00:09:16,622 --> 00:09:17,490
YOU KNOW, MR. CLEMENS

221
00:09:17,556 --> 00:09:18,000
I'M GOING TO DO YOU
ANOTHER FAVOR TODAY.

222
00:09:18,000 --> 00:09:20,660
I'M GOING TO DO YOU
ANOTHER FAVOR TODAY.

223
00:09:20,726 --> 00:09:22,695
YOU'RE ALWAYS LOOKING
FOR GOOD STORIES, RIGHT?

224
00:09:22,762 --> 00:09:23,629
MM-HMM.

225
00:09:23,696 --> 00:09:24,000
WELL, I'VE GOT
A REAL HUMDINGER FOR YOU.

226
00:09:24,000 --> 00:09:25,932
WELL, I'VE GOT
A REAL HUMDINGER FOR YOU.

227
00:09:25,998 --> 00:09:27,166
THE, UH, STORY OF MY LIFE.

228
00:09:27,233 --> 00:09:28,668
NOW, I KNOW YOU
MAY THINK I'M YOUNG

229
00:09:28,734 --> 00:09:30,000
BUT I'VE COVERED
A LOT OF GROUND

230
00:09:30,000 --> 00:09:30,670
BUT I'VE COVERED
A LOT OF GROUND

231
00:09:30,736 --> 00:09:31,704
AND, IF I DO SAY SO MYSELF

232
00:09:31,771 --> 00:09:33,873
IT'D MAKE FOR SOME PRETTY
FASCINATING READING.

233
00:09:33,940 --> 00:09:36,000
SO, UH, WHAT DO YOU THINK?

234
00:09:36,000 --> 00:09:36,275
SO, UH, WHAT DO YOU THINK?

235
00:09:36,342 --> 00:09:38,644
ABOUT WHAT?

236
00:09:38,711 --> 00:09:40,046
ABOUT WRITING MY LIFE STORY.

237
00:09:40,112 --> 00:09:41,580
YOU AND ME--

238
00:09:41,647 --> 00:09:42,000
LITERARY PARTNERS,
OF COURSE.

239
00:09:42,000 --> 00:09:43,582
LITERARY PARTNERS,
OF COURSE.

240
00:09:43,649 --> 00:09:48,000
YOUNG MAN, I HAVE A MAXIM
THAT I HAVE ALWAYS LIVED BY.

241
00:09:48,000 --> 00:09:48,220
YOUNG MAN, I HAVE A MAXIM
THAT I HAVE ALWAYS LIVED BY.

242
00:09:48,287 --> 00:09:51,691
NO ONE IS MORE QUALIFIED
TO WRITE YOUR STORY

243
00:09:51,757 --> 00:09:52,792
THAN YOU ARE.

244
00:09:52,858 --> 00:09:54,000
ME, BE A WRITER?

245
00:09:54,000 --> 00:09:54,093
ME, BE A WRITER?

246
00:09:54,160 --> 00:09:56,028
YOU THINK I
COULD DO THAT?

247
00:09:56,095 --> 00:09:58,597
LONG AS YOU WRITE
ABOUT WHAT YOU KNOW.

248
00:09:58,664 --> 00:10:00,000
YOU GOT ANY PASSIONS, BOY?
ANY DREAMS?

249
00:10:00,000 --> 00:10:01,233
YOU GOT ANY PASSIONS, BOY?
ANY DREAMS?

250
00:10:01,300 --> 00:10:03,002
WELL, I'D LIKE TO DO
SOME TRAVELING

251
00:10:03,069 --> 00:10:04,303
MAYBE GO TO SEA...

252
00:10:04,370 --> 00:10:05,371
AND ALASKA.

253
00:10:05,438 --> 00:10:06,000
I'VE HAD THE STRANGEST NOTION
TO GO SEE ALASKA.

254
00:10:06,000 --> 00:10:07,907
I'VE HAD THE STRANGEST NOTION
TO GO SEE ALASKA.

255
00:10:07,974 --> 00:10:09,108
THAT'S A GREAT IDEA, SON.

256
00:10:09,175 --> 00:10:10,910
THAT'S EXACTLY
WHAT I WOULD DO

257
00:10:10,977 --> 00:10:12,000
IF I WERE YOUR AGE.

258
00:10:12,000 --> 00:10:12,211
IF I WERE YOUR AGE.

259
00:10:12,278 --> 00:10:14,981
ALASKA, THE KLONDIKE,
THE AURORA BOREALIS...

260
00:10:15,047 --> 00:10:16,682
THAT'S IT!

261
00:10:16,749 --> 00:10:18,000
FOLLOW YOUR DREAMS,
AND WRITE ABOUT THEM.

262
00:10:18,000 --> 00:10:19,318
FOLLOW YOUR DREAMS,
AND WRITE ABOUT THEM.

263
00:10:19,385 --> 00:10:20,987
THANK YOU, MR. CLEMENS.

264
00:10:21,053 --> 00:10:23,122
YOU KNOW, THAT IS EXACTLY
WHAT I'M GOING TO DO.

265
00:10:23,189 --> 00:10:24,000
YOU DO THAT, SON.

266
00:10:24,000 --> 00:10:24,623
YOU DO THAT, SON.

267
00:10:24,690 --> 00:10:26,025
YOU'LL SEE MY NAME
IN PRINT, TOO.

268
00:10:26,092 --> 00:10:27,126
I'M SURE I WILL.

269
00:10:27,193 --> 00:10:29,328
AND DON'T FORGET-- THE NAME'S
LONDON. JACK LONDON.

270
00:10:29,395 --> 00:10:30,000
GOOD-BYE, NOW.

271
00:10:30,000 --> 00:10:30,329
GOOD-BYE, NOW.

272
00:10:30,396 --> 00:10:31,397
BYE-BYE.

273
00:10:36,769 --> 00:10:38,137
( SIGHS DEEPLY )

274
00:10:52,451 --> 00:10:54,000
( OUTSIDE DOOR CLOSES )

275
00:10:54,000 --> 00:10:54,120
( OUTSIDE DOOR CLOSES )

276
00:10:54,186 --> 00:10:56,789
( FOOTSTEPS AND VOICES
APPROACHING )

277
00:11:03,996 --> 00:11:05,731
I FOUND THE HEAD SURVEYOR.

278
00:11:05,798 --> 00:11:06,000
I FOUND THE CAVERN.

279
00:11:06,000 --> 00:11:07,066
I FOUND THE CAVERN.

280
00:11:07,133 --> 00:11:08,968
YOU WILL NOT BE ABLE
TO GET TO IT.

281
00:11:09,035 --> 00:11:11,137
THE ENTRANCE IS IN A MINE SHAFT

282
00:11:11,203 --> 00:11:12,000
THAT IS IN THE MIDDLE
OF THE PRESIDIO

283
00:11:12,000 --> 00:11:12,138
THAT IS IN THE MIDDLE
OF THE PRESIDIO

284
00:11:12,204 --> 00:11:14,040
ON AN ARMY BASE.

285
00:11:14,106 --> 00:11:15,408
PERHAPS YOU COULD ARRANGE
FOR US TO GET IN.

286
00:11:15,474 --> 00:11:16,976
( SCOFFS ):
HOW?

287
00:11:17,043 --> 00:11:18,000
WITH PERMISSION TO DIG
FOR THE MINE SHAFT.

288
00:11:18,000 --> 00:11:19,779
WITH PERMISSION TO DIG
FOR THE MINE SHAFT.

289
00:11:19,845 --> 00:11:21,414
OH, NOW, DATA, I'VE
DONE EVERYTHING...

290
00:11:21,480 --> 00:11:23,082
I HAVE FULL CONFIDENCE

291
00:11:23,149 --> 00:11:24,000
IN YOUR PERSUASIVE
ABILITIES.

292
00:11:24,000 --> 00:11:25,985
IN YOUR PERSUASIVE
ABILITIES.

293
00:11:26,052 --> 00:11:27,219
WELL, I SUPPOSE
IT'S MORE INTERESTING

294
00:11:27,286 --> 00:11:29,388
THAN THROWING A TEA DANCE.

295
00:11:29,455 --> 00:11:30,000
STRANGE--

296
00:11:30,000 --> 00:11:31,190
STRANGE--

297
00:11:31,257 --> 00:11:33,926
THE TRANSCEIVER ASSEMBLY
HAS BEEN REMOVED.

298
00:11:33,993 --> 00:11:35,294
WITHOUT IT,
I WILL BE UNABLE

299
00:11:35,361 --> 00:11:36,000
TO TRACK THE
TIME SHIFTS.

300
00:11:36,000 --> 00:11:36,996
TO TRACK THE
TIME SHIFTS.

301
00:11:38,864 --> 00:11:39,799
TWAIN.

302
00:11:39,865 --> 00:11:41,067
CLEMENS?

303
00:11:41,133 --> 00:11:42,000
YES.

304
00:11:42,000 --> 00:11:42,001
YES.

305
00:11:42,068 --> 00:11:44,003
HE'S BEEN DRIVING ME CRAZY.

306
00:11:44,070 --> 00:11:45,104
HE WATCHES THE HOUSE.

307
00:11:45,171 --> 00:11:48,000
HE FOLLOWS ME DOWN THE STREET
ASKING ME QUESTIONS.

308
00:11:48,000 --> 00:11:48,307
HE FOLLOWS ME DOWN THE STREET
ASKING ME QUESTIONS.

309
00:11:48,374 --> 00:11:51,444
IF ANYONE TOOK THIS,
YOU CAN BELIEVE IT WAS HIM.

310
00:11:51,510 --> 00:11:53,946
IF YOU ARE CORRECT,
HE MUST BE WARNED.

311
00:11:54,013 --> 00:11:55,948
THE DEVICE HAS BEEN
MODIFIED IN SUCH A WAY

312
00:11:56,015 --> 00:11:57,850
THAT PROLONGED CONTACT
WITH HUMAN TISSUE

313
00:11:57,917 --> 00:11:58,784
WOULD BE HIGHLY TOXIC.

314
00:12:00,319 --> 00:12:01,787
( CLATTERING )

315
00:12:11,864 --> 00:12:12,000
( SHEEPISH GRUNT )

316
00:12:12,000 --> 00:12:13,099
( SHEEPISH GRUNT )

317
00:12:27,213 --> 00:12:30,000
MADAM GUINAN, MR. DATA.

318
00:12:30,000 --> 00:12:33,119
MADAM GUINAN, MR. DATA.

319
00:12:33,185 --> 00:12:35,354
SHAME ON YOU,
MR. CLEMENS. SHAME.

320
00:12:35,421 --> 00:12:36,000
SHAME, MADAM?
I THINK NOT.

321
00:12:36,000 --> 00:12:38,224
SHAME, MADAM?
I THINK NOT.

322
00:12:38,290 --> 00:12:40,126
I FIND NO SHAME IN MY EFFORTS

323
00:12:40,192 --> 00:12:41,827
TO UNCOVER YOUR PLOT.

324
00:12:41,894 --> 00:12:42,000
I KEEP TELLING YOU
THERE IS NO PLOT.

325
00:12:42,000 --> 00:12:43,429
I KEEP TELLING YOU
THERE IS NO PLOT.

326
00:12:43,496 --> 00:12:48,000
YES, YOU DO KEEP
TELLING ME THAT.

327
00:12:48,000 --> 00:12:48,200
YES, YOU DO KEEP
TELLING ME THAT.

328
00:12:48,267 --> 00:12:51,170
WHAT AN INTERESTING PAIR
YOU ARE.

329
00:12:51,237 --> 00:12:53,506
WHERE IN SWITZERLAND DID YOU
SAY YOU WERE FROM

330
00:12:53,572 --> 00:12:54,000
MR. DATA?

331
00:12:54,000 --> 00:12:55,441
MR. DATA?

332
00:12:55,508 --> 00:12:57,476
I AM FRENCH, SIR, NOT SWISS.

333
00:12:57,543 --> 00:12:59,011
OH, YES, THAT'S RIGHT.

334
00:12:59,078 --> 00:13:00,000
NOW, I REMEMBER.

335
00:13:00,000 --> 00:13:00,913
NOW, I REMEMBER.

336
00:13:00,980 --> 00:13:03,082
A FRENCHMAN

337
00:13:03,149 --> 00:13:05,484
WITH A TALENT FOR POKER,
FROM WHAT I HEAR.

338
00:13:05,551 --> 00:13:06,000
YOU KNOW, I WAS TALKING
TO A FRIEND OF MINE

339
00:13:06,000 --> 00:13:08,387
YOU KNOW, I WAS TALKING
TO A FRIEND OF MINE

340
00:13:08,454 --> 00:13:09,488
CHES WHITLEY.

341
00:13:09,555 --> 00:13:11,257
HE SAYS TO SAY HELLO

342
00:13:11,323 --> 00:13:12,000
AND WONDERS
WHEN YOU'RE COMING BACK.

343
00:13:12,000 --> 00:13:15,060
AND WONDERS
WHEN YOU'RE COMING BACK.

344
00:13:15,127 --> 00:13:17,229
I DO NOT BELIEVE
I KNOW A MR. WHITLEY.

345
00:13:17,296 --> 00:13:18,000
NO? HE WORKS IN
THE COUNTY ASSESSEOR'S OFFICE.

346
00:13:18,000 --> 00:13:21,500
NO? HE WORKS IN
THE COUNTY ASSESSEOR'S OFFICE.

347
00:13:21,567 --> 00:13:23,936
HE SAYS YOU'VE BEEN IN THERE
A NUMBER OF TIMES

348
00:13:24,003 --> 00:13:27,473
CLAIMING TO BE
A GEOLOGICAL ENGINEER

349
00:13:27,540 --> 00:13:29,308
AND WANTING INFORMATION

350
00:13:29,375 --> 00:13:30,000
ABOUT MINING OPERATIONS
DURING THE 1850S.

351
00:13:30,000 --> 00:13:33,946
ABOUT MINING OPERATIONS
DURING THE 1850S.

352
00:13:34,013 --> 00:13:35,481
DO YOU REMEMBER HIM NOW?

353
00:13:35,548 --> 00:13:36,000
I AM UNFAMILIAR
WITH THE GENTLEMAN'S NAME.

354
00:13:36,000 --> 00:13:37,483
I AM UNFAMILIAR
WITH THE GENTLEMAN'S NAME.

355
00:13:37,550 --> 00:13:39,385
I HAVE SPOKEN TO SEVERAL PEOPLE
IN THAT OFFICE.

356
00:13:39,451 --> 00:13:41,420
YES, I KNOW

357
00:13:41,487 --> 00:13:42,000
AND IN THE HALL OF RECORDS

358
00:13:42,000 --> 00:13:43,822
AND IN THE HALL OF RECORDS

359
00:13:43,889 --> 00:13:46,392
AND IN THE GEOLOGICAL SOCIETY

360
00:13:46,458 --> 00:13:48,000
AND IN A LITTLE-KNOWN
MINERAL SHOP IN CHINATOWN.

361
00:13:48,000 --> 00:13:49,828
AND IN A LITTLE-KNOWN
MINERAL SHOP IN CHINATOWN.

362
00:13:49,895 --> 00:13:52,198
YOU DO GET AROUND, DON'T YOU?

363
00:13:52,264 --> 00:13:54,000
AS APPARENTLY YOU DO,
MR. CLEMENS.

364
00:13:54,000 --> 00:13:54,233
AS APPARENTLY YOU DO,
MR. CLEMENS.

365
00:13:54,300 --> 00:14:00,000
YES. I MUST ADMIT
YOU'VE GOT ME MYSTIFIED.

366
00:14:00,000 --> 00:14:00,239
YES. I MUST ADMIT
YOU'VE GOT ME MYSTIFIED.

367
00:14:00,306 --> 00:14:03,275
THIS CONTRAPTION, FOR INSTANCE.

368
00:14:03,342 --> 00:14:05,411
IT'S VERY UNUSUAL.

369
00:14:05,477 --> 00:14:06,000
IT LOOKS QUITE FUTURISTIC.

370
00:14:06,000 --> 00:14:08,347
IT LOOKS QUITE FUTURISTIC.

371
00:14:08,414 --> 00:14:11,217
TELL ME, MIGHT IT
HAVE SOMETHING TO DO

372
00:14:11,283 --> 00:14:12,000
WITH "TIME SHIFTS"?

373
00:14:12,000 --> 00:14:13,986
WITH "TIME SHIFTS"?

374
00:14:15,221 --> 00:14:17,423
IN A SENSE.

375
00:14:17,489 --> 00:14:18,000
THE TIME SHIFT IS
A GEARING SYSTEM
I HAVE INVENTED

376
00:14:18,000 --> 00:14:20,292
THE TIME SHIFT IS
A GEARING SYSTEM
I HAVE INVENTED

377
00:14:20,359 --> 00:14:22,561
FOR THE HORSELESS
CARRIAGE.

378
00:14:22,628 --> 00:14:24,000
AH! DO NOT
INSULT ME!

379
00:14:24,000 --> 00:14:25,297
AH! DO NOT
INSULT ME!

380
00:14:25,364 --> 00:14:27,566
YOU HAVE COME HERE
TO THIS CENTURY

381
00:14:27,633 --> 00:14:30,000
AND BROUGHT YOUR INFERNAL
TECHNOLOGIES WITH YOU

382
00:14:30,000 --> 00:14:31,237
AND BROUGHT YOUR INFERNAL
TECHNOLOGIES WITH YOU

383
00:14:31,303 --> 00:14:32,972
FOR GOD ONLY KNOWS
WHAT PURPOSE

384
00:14:33,038 --> 00:14:34,240
BUT I HAVE NO DOUBT

385
00:14:34,306 --> 00:14:36,000
IT WILL BE THE PEOPLE
OF THIS CENTURY

386
00:14:36,000 --> 00:14:36,375
IT WILL BE THE PEOPLE
OF THIS CENTURY

387
00:14:36,442 --> 00:14:38,277
WHO WILL SUFFER FOR IT.

388
00:14:38,344 --> 00:14:42,000
MY DEAR MR. CLEMENS,
I DO THINK WE'VE HEARD ENOUGH.

389
00:14:42,000 --> 00:14:42,881
MY DEAR MR. CLEMENS,
I DO THINK WE'VE HEARD ENOUGH.

390
00:14:42,948 --> 00:14:44,350
MR. DATA'S BUSINESS
IS HIS OWN

391
00:14:44,416 --> 00:14:46,318
AND I WILL THANK YOU
TO LEAVE NOW.

392
00:14:46,385 --> 00:14:48,000
PARDON ME,
MADAM GUINAN

393
00:14:48,000 --> 00:14:48,187
PARDON ME,
MADAM GUINAN

394
00:14:48,254 --> 00:14:50,189
BUT IT IS MY BUSINESS, TOO.

395
00:14:50,256 --> 00:14:53,192
IT IS THE BUSINESS
OF ALL HUMANITY, I BELIEVE

396
00:14:53,259 --> 00:14:54,000
TO STOP BOTH OF YOU

397
00:14:54,000 --> 00:14:54,560
TO STOP BOTH OF YOU

398
00:14:54,627 --> 00:14:56,962
FROM WHATEVER IT IS
YOU ARE DOING HERE

399
00:14:57,029 --> 00:14:59,965
AND THAT IS
WHAT I INTEND TO DO.

400
00:15:02,134 --> 00:15:03,369
( DOOR SLAMS )

401
00:15:14,546 --> 00:15:17,149
JUST WHAT ARE YOU DOING
WITH THOSE LAMPS?

402
00:15:17,216 --> 00:15:18,000
REPLACING THE BURNERS.

403
00:15:18,000 --> 00:15:19,285
REPLACING THE BURNERS.

404
00:15:19,351 --> 00:15:21,253
CITY ORDINANCE.

405
00:15:21,320 --> 00:15:24,000
MAKES IT SAFER
IN CASE OF EARTHQUAKE.

406
00:15:24,000 --> 00:15:24,423
MAKES IT SAFER
IN CASE OF EARTHQUAKE.

407
00:15:24,490 --> 00:15:25,457
THERE HASN'T BEEN

408
00:15:25,524 --> 00:15:28,627
AN EARTHQUAKE HERE
IN 30 YEARS.

409
00:15:28,694 --> 00:15:30,000
WELL, THAT TAKES CARE
OF THIS WARD.

410
00:15:30,000 --> 00:15:32,264
WELL, THAT TAKES CARE
OF THIS WARD.

411
00:15:32,331 --> 00:15:33,532
TIME TO BE MOVING ON.

412
00:15:36,268 --> 00:15:38,537
EARTHQUAKES.

413
00:15:38,604 --> 00:15:42,000
NURSE, IF YOU CAN
HANDLE THINGS HERE

414
00:15:42,000 --> 00:15:42,608
NURSE, IF YOU CAN
HANDLE THINGS HERE

415
00:15:42,675 --> 00:15:44,443
I'VE GOT A MEETING
WITH THE BOARD OF PATRONS.

416
00:15:44,510 --> 00:15:45,544
I'LL TRY TO MANAGE.

417
00:15:45,611 --> 00:15:47,446
( PATIENTS COUGHING )

418
00:15:51,717 --> 00:15:53,485
LA FORGE:
THERE, BY THAT BED

419
00:15:53,552 --> 00:15:54,000
I CAN SEE AN AFTERIMAGE
OF TRIOLIC WAVES.

420
00:15:54,000 --> 00:15:56,522
I CAN SEE AN AFTERIMAGE
OF TRIOLIC WAVES.

421
00:15:56,588 --> 00:15:57,323
THEY'VE BEEN HERE RECENTLY.

422
00:15:57,389 --> 00:16:00,000
I'D SAY WITHIN
THE LAST 24 HOURS.

423
00:16:00,000 --> 00:16:00,025
I'D SAY WITHIN
THE LAST 24 HOURS.

424
00:16:00,092 --> 00:16:02,394
THAT'S THE BED
WHERE THE MAN
DIED LAST NIGHT.

425
00:16:02,461 --> 00:16:03,395
THIS MAN WAS
COMPLAINING

426
00:16:03,462 --> 00:16:05,331
ABOUT A STRANGE
DOCTOR AND NURSE

427
00:16:05,397 --> 00:16:06,000
WHO VISITED
THAT PATIENT.

428
00:16:06,000 --> 00:16:07,032
WHO VISITED
THAT PATIENT.

429
00:16:07,099 --> 00:16:08,967
PERHAPS THEY'RE STILL
IN THE HOSPITAL.

430
00:16:11,303 --> 00:16:12,000
( MAN COUGHING )

431
00:16:18,000 --> 00:16:19,578
( MAN COUGHING )

432
00:16:25,484 --> 00:16:26,285
HERE.

433
00:16:26,352 --> 00:16:28,454
THIS WILL MAKE YOU
MORE COMFORTABLE.

434
00:16:32,624 --> 00:16:34,693
( BEEPING QUIETLY )

435
00:16:36,328 --> 00:16:42,000
( TRICORDER ALARM SOUNDING )

436
00:16:42,000 --> 00:16:44,503
( TRICORDER ALARM SOUNDING )

437
00:16:52,678 --> 00:16:54,000
DO YOU NEED ANY
HELP, DOCTOR?

438
00:16:54,000 --> 00:16:57,716
DO YOU NEED ANY
HELP, DOCTOR?

439
00:16:57,783 --> 00:17:00,000
DR. APOLLINAIRE FELT
HE HAD ENTERED THE ALGID STATE.

440
00:17:00,000 --> 00:17:01,220
DR. APOLLINAIRE FELT
HE HAD ENTERED THE ALGID STATE.

441
00:17:01,286 --> 00:17:05,591
HE WAS CYANOTIC,
PULSE UNOBSERVABLE.

442
00:17:05,657 --> 00:17:06,000
THAT'S AN INTERESTING CANE.

443
00:17:06,000 --> 00:17:07,760
THAT'S AN INTERESTING CANE.

444
00:17:11,764 --> 00:17:12,000
DOCTOR!

445
00:17:12,000 --> 00:17:13,198
DOCTOR!

446
00:17:14,366 --> 00:17:15,100
HEY!

447
00:17:18,203 --> 00:17:19,638
( ELECTRICAL CRACKLING )

448
00:17:33,685 --> 00:17:34,787
Man:
Stand aside.
Stand aside

449
00:17:34,853 --> 00:17:36,000
LET ME IN THERE.

450
00:17:36,000 --> 00:17:36,288
LET ME IN THERE.

451
00:17:36,355 --> 00:17:37,623
PEOPLE SAID THERE
WAS GUNFIRE IN HERE.

452
00:17:37,689 --> 00:17:38,424
WHAT'S GOING ON?

453
00:17:38,490 --> 00:17:39,458
JUST A LITTLE
MISUNDERSTANDING.

454
00:17:39,525 --> 00:17:41,660
I WAS JUST CLEARING
THESE PEOPLE OUT OF HERE.

455
00:17:41,727 --> 00:17:42,000
I HAVEN'T
SEEN YOU BEFORE.

456
00:17:42,000 --> 00:17:43,695
I HAVEN'T
SEEN YOU BEFORE.

457
00:17:43,762 --> 00:17:45,330
I WAS JUST ASSIGNED
HERE THIS MORNING.

458
00:17:45,397 --> 00:17:46,799
I WAS WORKING DOWNTOWN.

459
00:17:46,865 --> 00:17:48,000
I WORKED DOWNTOWN
FOR THREE YEARS.

460
00:17:48,000 --> 00:17:48,700
I WORKED DOWNTOWN
FOR THREE YEARS.

461
00:17:48,767 --> 00:17:50,569
I DON'T REMEMBER YOU.

462
00:17:50,636 --> 00:17:51,804
Picard:
we'll be on our way.

463
00:17:51,870 --> 00:17:54,000
NO, WAIT, WAIT-- I'M
GOING TO ASK YOU ALL

464
00:17:54,000 --> 00:17:54,106
NO, WAIT, WAIT-- I'M
GOING TO ASK YOU ALL

465
00:17:54,173 --> 00:17:56,208
TO COME DOWN TO THE
STATION FOR QUESTIONING

466
00:17:56,275 --> 00:17:57,643
INCLUDING YOU.

467
00:17:59,745 --> 00:18:00,000
WHERE'D YOU
GET THAT?

468
00:18:00,000 --> 00:18:00,813
WHERE'D YOU
GET THAT?

469
00:18:00,879 --> 00:18:03,782
THAT'S
A GENTLEMAN'S CANE.

470
00:18:03,849 --> 00:18:06,000
I'VE NEVER SEEN
A CANE LIKE THIS.

471
00:18:06,000 --> 00:18:06,285
I'VE NEVER SEEN
A CANE LIKE THIS.

472
00:18:06,351 --> 00:18:09,588
I'LL HAVE TO CONFISCATE
IT FOR EVIDENCE.

473
00:18:09,655 --> 00:18:10,556
I JUST WANT YOU TO KNOW

474
00:18:10,622 --> 00:18:12,000
THAT I HAVE THE UTMOST
RESPECT FOR THE LAW.

475
00:18:12,000 --> 00:18:12,825
THAT I HAVE THE UTMOST
RESPECT FOR THE LAW.

476
00:18:14,827 --> 00:18:15,661
LET'S GO!

477
00:18:26,839 --> 00:18:28,607
DATA!

478
00:18:33,745 --> 00:18:35,447
La forge:
Boy, are we glad
to see you.

479
00:18:35,514 --> 00:18:36,000
I SUGGEST WE POSTPONE
OUR GREETINGS

480
00:18:36,000 --> 00:18:36,648
I SUGGEST WE POSTPONE
OUR GREETINGS

481
00:18:36,715 --> 00:18:38,183
FOR ANOTHER OCCASION.

482
00:18:38,250 --> 00:18:41,119
AGREED. GET US OUT OF HERE.

483
00:18:41,186 --> 00:18:42,000
( WHISTLES BLOWING LOUDLY )

484
00:18:48,000 --> 00:18:49,127
( WHISTLES BLOWING LOUDLY )

485
00:18:55,601 --> 00:18:56,502
IF WE TUNE A PHASER

486
00:18:56,568 --> 00:18:58,537
TO THE APPROXIMATE FREQUENCY
OF TRIOLIC WAVES

487
00:18:58,604 --> 00:19:00,000
AND LAY DOWN A FIELD BURST,
IT MIGHT RESPOND.

488
00:19:00,000 --> 00:19:00,572
AND LAY DOWN A FIELD BURST,
IT MIGHT RESPOND.

489
00:19:00,639 --> 00:19:02,307
MM-HMM.

490
00:19:09,615 --> 00:19:12,000
Troi:
The ophidian the
aliens were carrying.

491
00:19:12,000 --> 00:19:12,518
Troi:
The ophidian the
aliens were carrying.

492
00:19:14,219 --> 00:19:15,487
WHAT THE...?

493
00:19:17,589 --> 00:19:18,000
La Forge:
Those look like

494
00:19:18,000 --> 00:19:18,557
La Forge:
Those look like

495
00:19:18,624 --> 00:19:21,360
MINUTE DISTORTIONS
IN THE SPACE-TIME CONTINUUM

496
00:19:21,426 --> 00:19:22,828
LIKE THE ONE WE SAW
ON DEVIDIA II.

497
00:19:22,895 --> 00:19:24,000
BUT THEY WERE SO SMALL AND
THEY LASTED ONLY A SECOND.

498
00:19:24,000 --> 00:19:25,597
BUT THEY WERE SO SMALL AND
THEY LASTED ONLY A SECOND.

499
00:19:25,664 --> 00:19:28,600
THE ALIENS APPEAR TO BE
ABLE TO CONCENTRATE
THE DISTORTION

500
00:19:28,667 --> 00:19:30,000
AND DIRECT IT TO
A SPECIFIC TIME AND PLACE.

501
00:19:30,000 --> 00:19:31,670
AND DIRECT IT TO
A SPECIFIC TIME AND PLACE.

502
00:19:31,737 --> 00:19:34,840
MAYBE THEY HAVE SOMETHING--
A MECHANISM THAT FOCUSES IT.

503
00:19:34,907 --> 00:19:36,000
ANY DEVICE LIKE THAT
WOULD PRODUCE SIGNIFICANT LEVELS

504
00:19:36,000 --> 00:19:37,609
ANY DEVICE LIKE THAT
WOULD PRODUCE SIGNIFICANT LEVELS

505
00:19:37,676 --> 00:19:39,778
OF TRIOLIC WAVES,
LIKE THE ONES IN THE CAVERN

506
00:19:39,845 --> 00:19:41,313
WHERE DATA'S HEAD WAS FOUND.

507
00:19:41,380 --> 00:19:42,000
I HAVE LOCATED
THAT CAVERN.

508
00:19:42,000 --> 00:19:42,848
I HAVE LOCATED
THAT CAVERN.

509
00:19:42,915 --> 00:19:44,283
( KNOCK ON DOOR )

510
00:19:44,349 --> 00:19:46,618
Mrs. Carmichael:
Mr. Picard!

511
00:19:46,685 --> 00:19:48,000
I KNOW YOU'RE IN THERE.
OPEN THE DOOR!

512
00:19:48,000 --> 00:19:50,622
I KNOW YOU'RE IN THERE.
OPEN THE DOOR!

513
00:19:50,689 --> 00:19:52,190
Troi:
Mrs. Carmichael.

514
00:19:52,257 --> 00:19:53,625
"HOW NOW, SPIRIT.

515
00:19:53,692 --> 00:19:54,000
WHITHER WANDER YOU?"

516
00:19:54,000 --> 00:19:55,260
WHITHER WANDER YOU?"

517
00:19:55,327 --> 00:19:56,628
"OVER HILL, OVER DALE

518
00:19:56,695 --> 00:19:58,497
THROUGH BUSH,
THROUGH BRIER..."

519
00:19:58,564 --> 00:20:00,000
MRS. CARMICHAEL,
THANK GOODNESS YOU'RE HERE.

520
00:20:00,000 --> 00:20:01,466
MRS. CARMICHAEL,
THANK GOODNESS YOU'RE HERE.

521
00:20:01,533 --> 00:20:02,634
WE NEED SOMEONE
TO READ A PART.

522
00:20:02,701 --> 00:20:03,569
YOU'RE JUST IN TIME.

523
00:20:03,635 --> 00:20:06,000
MR. PICARD, I NEED
TO BE TALKING TO YOU.

524
00:20:06,000 --> 00:20:06,672
MR. PICARD, I NEED
TO BE TALKING TO YOU.

525
00:20:06,738 --> 00:20:08,507
Crusher:
"...my mistress would
that he be gone."

526
00:20:08,574 --> 00:20:11,677
"ILL-MET BY MOONLIGHT,
PROUD TITANIA."

527
00:20:11,743 --> 00:20:12,000
NOW, MRS. CARMICHAEL,
RIGHT THERE.

528
00:20:12,000 --> 00:20:13,645
NOW, MRS. CARMICHAEL,
RIGHT THERE.

529
00:20:13,712 --> 00:20:17,516
Riker:
"Ill-met by moonlight,
proud Titania."

530
00:20:20,652 --> 00:20:23,722
( WOODENLY ):
"WHAT, JEALOUS OBERON?

531
00:20:23,789 --> 00:20:24,000
"FAIRIES SKIP HENCE.

532
00:20:24,000 --> 00:20:27,593
"FAIRIES SKIP HENCE.

533
00:20:27,659 --> 00:20:30,000
I HAVE FORESWORN
HIS BED AND COMPANY."

534
00:20:30,000 --> 00:20:34,633
I HAVE FORESWORN
HIS BED AND COMPANY."

535
00:20:34,700 --> 00:20:36,000
WELL, I DON'T THINK
I NEED TO HEAR ANYMORE.

536
00:20:36,000 --> 00:20:37,336
WELL, I DON'T THINK
I NEED TO HEAR ANYMORE.

537
00:20:37,402 --> 00:20:40,973
THAT WAS TRULY UNIQUE.

538
00:20:41,039 --> 00:20:42,000
REALLY?

539
00:20:42,000 --> 00:20:42,608
REALLY?

540
00:20:42,674 --> 00:20:43,442
LADIES AND GENTLEMEN

541
00:20:43,508 --> 00:20:45,243
I THINK WE HAVE FOUND
OUR TITANIA.

542
00:20:45,310 --> 00:20:46,311
DON'T YOU AGREE?

543
00:20:48,013 --> 00:20:49,982
WELL, I...

544
00:20:50,048 --> 00:20:53,018
I DID DO A CHURCH PLAY
WHEN I WAS A LASS.

545
00:20:53,085 --> 00:20:54,000
WELL, THERE YOU ARE!

546
00:20:54,000 --> 00:20:55,354
WELL, THERE YOU ARE!

547
00:20:55,420 --> 00:20:58,624
WE START REHEARSALS
TOMORROW.

548
00:21:00,459 --> 00:21:01,560
OH...

549
00:21:07,532 --> 00:21:09,034
( DOOR OPENING )

550
00:21:09,101 --> 00:21:10,035
YOU'RE BACK.

551
00:21:10,102 --> 00:21:11,870
I HAVE WONDERFUL NEWS.

552
00:21:11,937 --> 00:21:12,000
I'VE FOUND A WAY TO GET
ONTO THE PRESIDIO

553
00:21:12,000 --> 00:21:13,372
I'VE FOUND A WAY TO GET
ONTO THE PRESIDIO

554
00:21:13,438 --> 00:21:16,274
AND INTO THE MINE SHAFT.

555
00:21:16,341 --> 00:21:17,776
DATA:
IT IS ALL RIGHT.

556
00:21:23,081 --> 00:21:24,000
DO YOU KNOW ME?

557
00:21:24,000 --> 00:21:25,784
DO YOU KNOW ME?

558
00:21:25,851 --> 00:21:27,753
VERY WELL.

559
00:21:29,554 --> 00:21:30,000
DO I KNOW YOU?

560
00:21:30,000 --> 00:21:31,657
DO I KNOW YOU?

561
00:21:31,723 --> 00:21:34,760
NOT YET, BUT YOU WILL.

562
00:21:39,965 --> 00:21:41,500
THANKS FOR YOUR HELP, OFFICER.

563
00:21:41,566 --> 00:21:42,000
NOW BE SURE TO
PUT IN THE PART

564
00:21:42,000 --> 00:21:42,434
NOW BE SURE TO
PUT IN THE PART

565
00:21:42,501 --> 00:21:44,670
ABOUT ME SPOTTING
THAT PHONY POLICEMAN.

566
00:21:44,736 --> 00:21:45,737
YES, SIR, I WILL.

567
00:21:46,938 --> 00:21:47,673
HELLO, SON.

568
00:21:47,739 --> 00:21:48,000
MR. CLEMENS, WHAT
BRINGS YOU HERE?

569
00:21:48,000 --> 00:21:50,976
MR. CLEMENS, WHAT
BRINGS YOU HERE?

570
00:21:51,043 --> 00:21:53,612
WRITER'S CURIOSITY.

571
00:21:53,679 --> 00:21:54,000
I HEARD THAT
TWO PEOPLE VANISHED

572
00:21:54,000 --> 00:21:57,516
I HEARD THAT
TWO PEOPLE VANISHED

573
00:21:57,582 --> 00:21:59,718
INTO THIN AIR
IN THIS INFIRMARY.

574
00:21:59,785 --> 00:22:00,000
ONE OF THE PATIENTS
SAID THAT, YES, SIR

575
00:22:00,000 --> 00:22:01,720
ONE OF THE PATIENTS
SAID THAT, YES, SIR

576
00:22:01,787 --> 00:22:04,022
BUT THE POLICE DENY IT.

577
00:22:04,089 --> 00:22:05,424
I'LL BET THEY DO.

578
00:22:05,490 --> 00:22:06,000
THEY SAY A BAND
OF OUTLAWS

579
00:22:06,000 --> 00:22:06,625
THEY SAY A BAND
OF OUTLAWS

580
00:22:06,692 --> 00:22:09,895
SET OFF AN EXPLOSION
IN THE HOSPITAL
AND THEN ESCAPED.

581
00:22:09,961 --> 00:22:12,000
WELL, WHAT DID THESE OUTLAWS
LOOK LIKE?

582
00:22:12,000 --> 00:22:13,031
WELL, WHAT DID THESE OUTLAWS
LOOK LIKE?

583
00:22:13,098 --> 00:22:16,635
THE CARRIAGE THEY ESCAPED
IN WAS DRIVEN BY AN ALBINO.

584
00:22:16,702 --> 00:22:18,000
OH, MR. DATA.

585
00:22:18,000 --> 00:22:18,770
OH, MR. DATA.

586
00:22:19,905 --> 00:22:20,906
YOU KNOW HIM?

587
00:22:20,972 --> 00:22:22,340
OH, YOU BET I DO.

588
00:22:22,407 --> 00:22:23,809
YOU SAY THERE WERE OTHERS
WITH HIM?

589
00:22:23,875 --> 00:22:24,000
YES, AT LEAST A DOZEN.

590
00:22:24,000 --> 00:22:26,912
YES, AT LEAST A DOZEN.

591
00:22:26,978 --> 00:22:28,447
HIS ACCOMPLICES.

592
00:22:28,513 --> 00:22:29,081
THEY'VE COME FROM THE FUTURE.

593
00:22:29,147 --> 00:22:30,000
MY GOD, IT'S AN INVASION.

594
00:22:30,000 --> 00:22:31,583
MY GOD, IT'S AN INVASION.

595
00:22:31,650 --> 00:22:32,551
( WHISTLING )

596
00:22:32,617 --> 00:22:33,919
AN INVASION
FROM THE FUTURE?

597
00:22:33,985 --> 00:22:35,854
MR. CLEMENS, WHAT CAN
YOU TELL ME ABOUT THIS?

598
00:22:35,921 --> 00:22:36,000
DO YOU HAVE ANY PROOF?

599
00:22:36,000 --> 00:22:36,788
DO YOU HAVE ANY PROOF?

600
00:22:36,855 --> 00:22:38,356
WHEN'S YOUR DEADLINE, BOY?

601
00:22:38,423 --> 00:22:39,624
5:00, SIR.

602
00:22:39,691 --> 00:22:42,000
WELL, I'LL MEET YOU
AT YOUR PAPER AT 4:30

603
00:22:42,000 --> 00:22:42,761
WELL, I'LL MEET YOU
AT YOUR PAPER AT 4:30

604
00:22:42,828 --> 00:22:44,763
WITH A STORY THAT'LL
MAKE YOUR CAREER.

605
00:22:44,830 --> 00:22:45,731
THANKS, MR. CLEMENS!

606
00:22:45,797 --> 00:22:47,499
TAKE ME TO THE
PRESIDIO, DRIVER

607
00:22:47,566 --> 00:22:48,000
AND DON'T SPARE THE WHIP!

608
00:22:48,000 --> 00:22:49,668
AND DON'T SPARE THE WHIP!

609
00:22:49,735 --> 00:22:51,603
DRIVER:
HYAH! HYAH!

610
00:22:51,670 --> 00:22:53,805
THE TRIOLIC WAVES
ARE JUST AS HIGH

611
00:22:53,872 --> 00:22:54,000
AS THEY WERE ON DEVIDIA II

612
00:22:54,000 --> 00:22:55,440
AS THEY WERE ON DEVIDIA II

613
00:22:55,507 --> 00:22:57,743
BUT THERE'S NO INDICATION
OF A CONTROL MECHANISM.

614
00:22:57,809 --> 00:22:59,111
I'M NOT SO SURE.

615
00:22:59,177 --> 00:23:00,000
MY VISOR IS PICKING UP
CRYSTALLINE FRACTURES.

616
00:23:00,000 --> 00:23:02,147
MY VISOR IS PICKING UP
CRYSTALLINE FRACTURES.

617
00:23:02,214 --> 00:23:04,483
THESE CAVERN WALLS
HAVE UNDERGONE

618
00:23:04,549 --> 00:23:06,000
SOME KIND OF SELECTIVE
MOLECULAR POLARIZATION.

619
00:23:06,000 --> 00:23:07,385
SOME KIND OF SELECTIVE
MOLECULAR POLARIZATION.

620
00:23:07,452 --> 00:23:08,787
IN FACT, IF I'M RIGHT

621
00:23:08,854 --> 00:23:10,789
THIS ENTIRE CAVERN
HAS BEEN CONFIGURED

622
00:23:10,856 --> 00:23:12,000
TO FOCUS THE SPACE-TIME
DISTORTION

623
00:23:12,000 --> 00:23:13,158
TO FOCUS THE SPACE-TIME
DISTORTION

624
00:23:13,225 --> 00:23:15,694
JUST LIKE A LENS.

625
00:23:15,761 --> 00:23:17,529
CAPTAIN.

626
00:23:19,531 --> 00:23:21,133
WE THINK WE MIGHT BE
ONTO SOMETHING.

627
00:23:21,199 --> 00:23:24,000
THE CAVERN ITSELF SEEMS TO BE
ACTING AS A FOCUSING MECHANISM.

628
00:23:24,000 --> 00:23:24,669
THE CAVERN ITSELF SEEMS TO BE
ACTING AS A FOCUSING MECHANISM.

629
00:23:24,736 --> 00:23:26,938
I'M WILLING TO BET THAT IT'S
THE SAME AT THEIR HABITAT

630
00:23:27,005 --> 00:23:27,939
BACK ON DEVIDIA II.

631
00:23:28,006 --> 00:23:30,000
IF WE CAN GET BACK THERE
AND DESTROY THAT SITE

632
00:23:30,000 --> 00:23:30,008
IF WE CAN GET BACK THERE
AND DESTROY THAT SITE

633
00:23:30,075 --> 00:23:32,010
IT MIGHT PUT AN END
TO THEIR TIME TRAVELING.

634
00:23:32,077 --> 00:23:33,678
WE HAVE THE OPHIDIAN.

635
00:23:33,745 --> 00:23:35,814
TRUTHFULLY, I DON'T KNOW
THAT WE CAN GET BACK.

636
00:23:35,881 --> 00:23:36,000
THE ALIENS USE TRIOLIC ENERGY
AS A POWER SOURCE.

637
00:23:36,000 --> 00:23:38,784
THE ALIENS USE TRIOLIC ENERGY
AS A POWER SOURCE.

638
00:23:38,850 --> 00:23:40,852
THE ENERGY THAT
OUR PHASERS GENERATE

639
00:23:40,919 --> 00:23:42,000
MIGHT NOT BE
ENTIRELY COMPATIBLE.

640
00:23:42,000 --> 00:23:42,821
MIGHT NOT BE
ENTIRELY COMPATIBLE.

641
00:23:42,888 --> 00:23:45,724
WE HAVE NO CHOICE
BUT TO TRY.

642
00:23:45,791 --> 00:23:47,993
CLEMENS:
AN EVENT I MOST CERTAINLY

643
00:23:48,059 --> 00:23:50,428
WOULD ENJOY WITNESSING.

644
00:23:50,495 --> 00:23:51,797
HOWEVER

645
00:23:51,863 --> 00:23:54,000
I WILL REGRETFULLY
WAIVE THAT OPPORTUNITY

646
00:23:54,000 --> 00:23:55,133
I WILL REGRETFULLY
WAIVE THAT OPPORTUNITY

647
00:23:55,200 --> 00:23:56,802
FOR THE PRIVILEGE

648
00:23:56,868 --> 00:23:59,671
OF TAKING YOU ALL
IN TO THE AUTHORITIES.

649
00:23:59,738 --> 00:24:00,000
MR. CLEMENS, IT IS IMPERATIVE
THAT WE CONTINUE OUR MISSION.

650
00:24:00,000 --> 00:24:03,875
MR. CLEMENS, IT IS IMPERATIVE
THAT WE CONTINUE OUR MISSION.

651
00:24:03,942 --> 00:24:06,000
MR. DATA, I HAVE LISTENED
TO YOUR STORIES AND YOUR EXCUSES

652
00:24:06,000 --> 00:24:07,846
MR. DATA, I HAVE LISTENED
TO YOUR STORIES AND YOUR EXCUSES

653
00:24:07,913 --> 00:24:10,849
AND YOUR EVASIONS
AND I WILL LISTEN NO LONGER.

654
00:24:10,916 --> 00:24:12,000
IT IS MY MORAL DUTY
TO PROTECT MANKIND

655
00:24:12,000 --> 00:24:14,019
IT IS MY MORAL DUTY
TO PROTECT MANKIND

656
00:24:14,085 --> 00:24:18,000
FROM WHATEVER DEVIOUS PLAN
YOU HAVE IN MIND.

657
00:24:18,000 --> 00:24:18,023
FROM WHATEVER DEVIOUS PLAN
YOU HAVE IN MIND.

658
00:24:18,089 --> 00:24:19,624
NOW, MOVE ALONG.

659
00:24:21,660 --> 00:24:24,000
I SUSPECT THAT
EVEN TIME TRAVELERS

660
00:24:24,000 --> 00:24:24,729
I SUSPECT THAT
EVEN TIME TRAVELERS

661
00:24:24,796 --> 00:24:27,465
ARE VULNERABLE
TO THE COLT .45.

662
00:24:27,532 --> 00:24:30,000
NOW, LET'S GO.

663
00:24:30,000 --> 00:24:30,702
NOW, LET'S GO.

664
00:24:30,769 --> 00:24:32,704
I MADE A YOUNG FELLOW
A PROMISE

665
00:24:32,771 --> 00:24:34,773
AND I DON'T WANT
TO BE LATE.

666
00:24:37,809 --> 00:24:38,677
OH!

667
00:24:42,314 --> 00:24:44,883
( ELECTRICAL CRACKLING )

668
00:24:44,950 --> 00:24:46,952
( EXPLOSION )

669
00:25:05,770 --> 00:25:06,000
FOLLOW HIM.

670
00:25:06,000 --> 00:25:06,771
FOLLOW HIM.

671
00:25:46,278 --> 00:25:47,913
OW.

672
00:25:50,916 --> 00:25:51,850
IS EVERYONE ALL RIGHT?

673
00:25:51,917 --> 00:25:52,951
I THINK SO.

674
00:25:53,018 --> 00:25:54,000
YOU?!

675
00:25:54,000 --> 00:25:54,019
YOU?!

676
00:25:56,988 --> 00:25:58,790
WHERE ARE WE?

677
00:25:58,857 --> 00:25:59,357
AND WHEN?

678
00:25:59,424 --> 00:26:00,000
THIS IS THE 24TH CENTURY

679
00:26:00,000 --> 00:26:00,926
THIS IS THE 24TH CENTURY

680
00:26:00,992 --> 00:26:02,627
WE'RE ON DEVIDIA II

681
00:26:02,694 --> 00:26:03,995
AND YOU'RE NOT SUPPOSED
TO BE HERE.

682
00:26:04,062 --> 00:26:05,630
WELL, IT SEEMS TO ME

683
00:26:05,697 --> 00:26:06,000
I HAVE AS MUCH RIGHT
TO BE IN YOUR TIME

684
00:26:06,000 --> 00:26:08,066
I HAVE AS MUCH RIGHT
TO BE IN YOUR TIME

685
00:26:08,133 --> 00:26:10,235
AS YOU HAD TO BE IN MINE.

686
00:26:10,302 --> 00:26:12,000
I WANTED TO SEE HOW YOU'VE
CONDUCTED MY FUTURE AFFAIRS.

687
00:26:12,000 --> 00:26:14,272
I WANTED TO SEE HOW YOU'VE
CONDUCTED MY FUTURE AFFAIRS.

688
00:26:14,339 --> 00:26:15,874
YOUR FUTURE
AFFAIRS?

689
00:26:15,941 --> 00:26:17,976
THE AFFAIRS
OF MANKIND.

690
00:26:18,043 --> 00:26:19,311
BUT THE DISAPPEARANCE
OF MARK TWAIN--

691
00:26:19,377 --> 00:26:20,979
ONE OF THE MOST NOTED
LITERARY FIGURES

692
00:26:21,046 --> 00:26:22,280
OF THE 19TH CENTURY...

693
00:26:22,347 --> 00:26:23,348
THANK YOU.

694
00:26:23,415 --> 00:26:24,000
...THAT'S NOT SUPPOSED
TO HAPPEN.

695
00:26:24,000 --> 00:26:24,449
...THAT'S NOT SUPPOSED
TO HAPPEN.

696
00:26:24,516 --> 00:26:28,286
I ONLY TOOK ADVANTAGE OF AN
IRRESISTIBLE OPPORTUNITY

697
00:26:28,353 --> 00:26:30,000
AS ANY GOOD WRITER WOULD.

698
00:26:30,000 --> 00:26:31,056
AS ANY GOOD WRITER WOULD.

699
00:26:31,122 --> 00:26:33,124
Worf:
Bridge to away team.
acknowledge.

700
00:26:33,191 --> 00:26:35,093
WE'RE HERE, MR. WORF.

701
00:26:35,160 --> 00:26:36,000
STAND BY TO TRANSPORT FIVE.

702
00:26:36,000 --> 00:26:37,329
STAND BY TO TRANSPORT FIVE.

703
00:26:37,395 --> 00:26:42,000
La forge:
Commander?

704
00:26:42,000 --> 00:26:47,038
La forge:
Commander?

705
00:26:47,105 --> 00:26:48,000
MR. WORF.

706
00:26:48,000 --> 00:26:48,606
MR. WORF.

707
00:26:48,673 --> 00:26:50,375
YES, COMMANDER.

708
00:26:50,442 --> 00:26:52,978
MAKE THAT SIX TO TRANSPORT.

709
00:27:01,753 --> 00:27:03,021
WHERE ARE WE NOW?

710
00:27:03,088 --> 00:27:04,923
THIS IS THE FEDERATION
STARSHIP ENTERPRISE.

711
00:27:04,990 --> 00:27:06,000
ENSIGN, CALL SECURITY.

712
00:27:06,000 --> 00:27:06,324
ENSIGN, CALL SECURITY.

713
00:27:06,391 --> 00:27:07,359
I WANT AN ESCORT
FOR THIS MAN.

714
00:27:07,425 --> 00:27:10,095
SECURITY?! WHAT FOR?

715
00:27:10,161 --> 00:27:12,000
ARE YOU AFRAID I'M GOING
TO GO AROUND STEALING THINGS?

716
00:27:12,000 --> 00:27:12,964
ARE YOU AFRAID I'M GOING
TO GO AROUND STEALING THINGS?

717
00:27:14,399 --> 00:27:16,001
A WEREWOLF!

718
00:27:18,003 --> 00:27:20,238
IT'S A LONG STORY, MR. WORF.
I'LL BRIEF YOU LATER.

719
00:27:20,305 --> 00:27:22,040
LA FORGE:
LET'S HAVE DATA'S BODY
TAKEN TO THE SCIENCE LAB.

720
00:27:22,107 --> 00:27:24,000
I'M GOING TO TRY AND
REATTACH THE HEAD WE HAVE.

721
00:27:24,000 --> 00:27:24,743
I'M GOING TO TRY AND
REATTACH THE HEAD WE HAVE.

722
00:27:24,809 --> 00:27:27,078
GEORDI, THAT HEAD
IS OVER 500 YEARS OLD.

723
00:27:27,145 --> 00:27:30,000
YEAH, BUT IT'S THE
BEST CHANCE WE'VE GOT.

724
00:27:30,000 --> 00:27:30,048
YEAH, BUT IT'S THE
BEST CHANCE WE'VE GOT.

725
00:27:30,115 --> 00:27:32,784
I WANT MR. CLEMENS KEPT
UNDER ESCORT AT ALL TIMES.

726
00:27:32,851 --> 00:27:34,386
Troi:
Commander

727
00:27:34,452 --> 00:27:36,000
PERHAPS I COULD HANDLE THAT.

728
00:27:36,000 --> 00:27:36,755
PERHAPS I COULD HANDLE THAT.

729
00:27:36,821 --> 00:27:40,058
I'D BE HAPPY TO TAKE MR. CLEMENS
TO HIS QUARTERS.

730
00:27:40,125 --> 00:27:41,359
GOOD IDEA.

731
00:27:41,426 --> 00:27:42,000
WILL YOU ACCOMPANY
THE COUNSELOR?

732
00:27:42,000 --> 00:27:42,794
WILL YOU ACCOMPANY
THE COUNSELOR?

733
00:27:42,861 --> 00:27:47,732
MADAM, I'D BE DELIGHTED.

734
00:27:47,799 --> 00:27:48,000
SO, THIS IS A SPACESHIP.

735
00:27:48,000 --> 00:27:50,802
SO, THIS IS A SPACESHIP.

736
00:27:50,869 --> 00:27:54,000
YOU EVER RUN INTO
HALLEY'S COMET?

737
00:27:54,000 --> 00:27:54,105
YOU EVER RUN INTO
HALLEY'S COMET?

738
00:28:02,947 --> 00:28:04,349
( MOANS )

739
00:28:07,252 --> 00:28:08,787
GENTLY.

740
00:28:08,853 --> 00:28:09,888
( GROANING )

741
00:28:09,954 --> 00:28:12,000
NOW, DON'T SIT UP
TOO QUICKLY.

742
00:28:12,000 --> 00:28:12,957
NOW, DON'T SIT UP
TOO QUICKLY.

743
00:28:13,024 --> 00:28:17,195
( GROANING )

744
00:28:18,763 --> 00:28:20,365
WHERE'D EVERYBODY GO?

745
00:28:20,432 --> 00:28:21,733
WELL, I HOPE THEY'RE
ALL SAFELY BACK

746
00:28:21,800 --> 00:28:24,000
ON THE ENTERPRISE
BY NOW.

747
00:28:24,000 --> 00:28:25,036
ON THE ENTERPRISE
BY NOW.

748
00:28:25,103 --> 00:28:26,204
BUT YOU'RE STILL HERE.

749
00:28:26,271 --> 00:28:27,105
YOU WERE HURT.

750
00:28:27,172 --> 00:28:30,000
I HAD TO MAKE SURE
YOU WERE ALL RIGHT.

751
00:28:30,000 --> 00:28:30,175
I HAD TO MAKE SURE
YOU WERE ALL RIGHT.

752
00:28:30,241 --> 00:28:31,910
AND SO YOU STAYED FOR THAT?

753
00:28:31,976 --> 00:28:34,379
I DIDN'T WANT ANYTHING
TO HAPPEN TO YOU.

754
00:28:34,446 --> 00:28:36,000
YOU'RE FAR TOO
IMPORTANT TO ME.

755
00:28:36,000 --> 00:28:37,982
YOU'RE FAR TOO
IMPORTANT TO ME.

756
00:28:39,150 --> 00:28:41,352
YOU KNOW AN AWFUL LOT ABOUT ME.

757
00:28:41,419 --> 00:28:42,000
WELL... BELIEVE ME,
IN THE FUTURE

758
00:28:42,000 --> 00:28:45,056
WELL... BELIEVE ME,
IN THE FUTURE

759
00:28:45,123 --> 00:28:48,000
THE TABLES
WILL BE TURNED.

760
00:28:48,000 --> 00:28:48,093
THE TABLES
WILL BE TURNED.

761
00:28:48,159 --> 00:28:49,494
DO WE BECOME FRIENDS?

762
00:28:49,561 --> 00:28:51,496
OH...

763
00:28:51,563 --> 00:28:54,000
IT GOES FAR BEYOND
FRIENDSHIP.

764
00:28:54,000 --> 00:28:55,300
IT GOES FAR BEYOND
FRIENDSHIP.

765
00:28:55,366 --> 00:28:57,202
OH, BUT...

766
00:28:57,268 --> 00:28:59,070
I'LL HAVE TO WAIT
500 YEARS...

767
00:28:59,137 --> 00:29:00,000
MM-HMM.

768
00:29:00,000 --> 00:29:00,405
MM-HMM.

769
00:29:00,472 --> 00:29:01,506
AND WHEN WE MEET

770
00:29:01,573 --> 00:29:03,875
I WON'T EVEN BE ABLE
TO TELL YOU ABOUT THIS, WILL I?

771
00:29:03,942 --> 00:29:06,000
NO, BECAUSE, FOR ME

772
00:29:06,000 --> 00:29:07,412
NO, BECAUSE, FOR ME

773
00:29:07,479 --> 00:29:09,214
NONE OF THIS WILL
HAVE HAPPENED YET.

774
00:29:09,280 --> 00:29:11,749
( GROANS )

775
00:29:11,816 --> 00:29:12,000
OHH...

776
00:29:12,000 --> 00:29:13,451
OHH...

777
00:29:15,386 --> 00:29:18,000
WHAT'S THAT?

778
00:29:18,000 --> 00:29:18,423
WHAT'S THAT?

779
00:29:18,490 --> 00:29:21,359
THAT'S HISTORY
FULFILLING ITSELF.

780
00:29:23,294 --> 00:29:24,000
OH.

781
00:29:24,000 --> 00:29:24,796
OH.

782
00:29:28,199 --> 00:29:30,000
( QUIET CONVERSATIONS )

783
00:29:30,000 --> 00:29:31,469
( QUIET CONVERSATIONS )

784
00:29:31,536 --> 00:29:33,471
HISTORY HAS TO FULFILL ITSELF.

785
00:29:33,538 --> 00:29:35,406
EVEN PICARD KNEW THAT.

786
00:29:35,473 --> 00:29:36,000
YOU WERE THERE
IN THE CAVERN.

787
00:29:36,000 --> 00:29:37,041
YOU WERE THERE
IN THE CAVERN.

788
00:29:37,108 --> 00:29:38,910
YOU KNOW WHAT HAPPENED.

789
00:29:38,977 --> 00:29:40,478
WHAT AM I
SUPPOSED TO DO?

790
00:29:42,013 --> 00:29:44,849
IF I TOLD YOU WHAT HAPPENED
IN THAT CAVERN

791
00:29:44,916 --> 00:29:48,000
IT MIGHT AFFECT ANY DECISION
YOU'D MAKE NOW.

792
00:29:48,000 --> 00:29:48,419
IT MIGHT AFFECT ANY DECISION
YOU'D MAKE NOW.

793
00:29:48,486 --> 00:29:50,555
I CAN'T DO THAT.

794
00:29:50,622 --> 00:29:53,024
I WON'T.

795
00:29:53,091 --> 00:29:54,000
NOT TELLING ME MAY
AFFECT MY DECISION.

796
00:29:54,000 --> 00:29:54,492
NOT TELLING ME MAY
AFFECT MY DECISION.

797
00:29:54,559 --> 00:29:56,461
DID YOU THINK OF THAT?

798
00:29:56,528 --> 00:29:58,796
WE'RE TALKING
ABOUT JEAN-LUC PICARD.

799
00:29:58,863 --> 00:30:00,000
I CAN'T SIT AROUND
AND HOPE IT ALL WORKS OUT.

800
00:30:00,000 --> 00:30:01,933
I CAN'T SIT AROUND
AND HOPE IT ALL WORKS OUT.

801
00:30:02,000 --> 00:30:03,368
I'VE GOT TO DO SOMETHING!

802
00:30:14,879 --> 00:30:18,000
ANY PLACE THAT
DOESN'T STOCK
A GOOD CIGAR

803
00:30:18,000 --> 00:30:18,016
ANY PLACE THAT
DOESN'T STOCK
A GOOD CIGAR

804
00:30:18,082 --> 00:30:20,218
DOESN'T RANK HIGH
IN MY BOOK.

805
00:30:20,285 --> 00:30:21,519
IF YOU MUST HAVE ONE

806
00:30:21,586 --> 00:30:23,321
I'M SURE WE CAN
REPLICATE IT FOR YOU.

807
00:30:23,388 --> 00:30:24,000
OH, IF YOU THINK
THAT ONE OF THESE...

808
00:30:24,000 --> 00:30:26,291
OH, IF YOU THINK
THAT ONE OF THESE...

809
00:30:26,357 --> 00:30:30,000
IMITATIONS CAN TAKE THE PLACE
OF A HAND-WRAPPED HAVANA...

810
00:30:30,000 --> 00:30:32,397
IMITATIONS CAN TAKE THE PLACE
OF A HAND-WRAPPED HAVANA...

811
00:30:32,463 --> 00:30:33,565
I WOULDN'T KNOW.

812
00:30:33,631 --> 00:30:36,000
WELL, THAT'S
THE PROBLEM I SEE HERE.

813
00:30:36,067 --> 00:30:38,336
ALL THIS TECHNOLOGY

814
00:30:38,403 --> 00:30:42,000
ONLY SERVES TO TAKE AWAY
LIFE'S SIMPLE PLEASURES.

815
00:30:42,000 --> 00:30:42,373
ONLY SERVES TO TAKE AWAY
LIFE'S SIMPLE PLEASURES.

816
00:30:42,440 --> 00:30:47,545
YOU DON'T EVEN LET A MAN
OPEN THE DOOR FOR A LADY.

817
00:30:47,612 --> 00:30:48,000
I THINK
WHAT WE'VE GAINED

818
00:30:48,000 --> 00:30:49,514
I THINK
WHAT WE'VE GAINED

819
00:30:49,581 --> 00:30:51,849
FAR OUTWEIGHS ANYTHING
THAT MIGHT HAVE BEEN LOST.

820
00:30:51,916 --> 00:30:52,850
OH?

821
00:30:52,917 --> 00:30:54,000
WELL, I'M NOT SO IMPRESSED
WITH THIS FUTURE--

822
00:30:54,000 --> 00:30:56,554
WELL, I'M NOT SO IMPRESSED
WITH THIS FUTURE--

823
00:30:56,621 --> 00:30:59,324
HUGE STARSHIPS AND WEAPONS

824
00:30:59,390 --> 00:31:00,000
THAT CAN NO DOUBT
DESTROY ENTIRE CITIES.

825
00:31:00,000 --> 00:31:02,427
THAT CAN NO DOUBT
DESTROY ENTIRE CITIES.

826
00:31:02,493 --> 00:31:06,000
MILITARY CONQUEST
AS A WAY OF LIFE?

827
00:31:06,000 --> 00:31:06,197
MILITARY CONQUEST
AS A WAY OF LIFE?

828
00:31:06,264 --> 00:31:07,498
IS THAT WHAT YOU SEE HERE?

829
00:31:07,565 --> 00:31:10,034
WELL, I KNOW
WHAT YOU SAY--

830
00:31:10,101 --> 00:31:12,000
THAT THIS IS A VESSEL
OF EXPLORATION

831
00:31:12,000 --> 00:31:12,270
THAT THIS IS A VESSEL
OF EXPLORATION

832
00:31:12,337 --> 00:31:16,541
AND THAT YOUR MISSION IS TO
DISCOVER NEW WORLDS, BUT...

833
00:31:16,608 --> 00:31:18,000
( CHUCKLES )

834
00:31:18,000 --> 00:31:19,544
( CHUCKLES )

835
00:31:19,611 --> 00:31:21,579
BUT THAT'S WHAT
THE SPANISH SAID...

836
00:31:21,646 --> 00:31:23,014
DECK 36.

837
00:31:23,081 --> 00:31:24,000
...AND THE DUTCH
AND THE PORTUGUESE.

838
00:31:24,000 --> 00:31:25,350
...AND THE DUTCH
AND THE PORTUGUESE.

839
00:31:25,416 --> 00:31:27,552
IT'S WHAT ALL CONQUERORS SAY.

840
00:31:27,619 --> 00:31:30,000
I'M SURE THAT'S WHAT
YOU TOLD THAT... THAT...

841
00:31:30,000 --> 00:31:30,021
I'M SURE THAT'S WHAT
YOU TOLD THAT... THAT...

842
00:31:30,088 --> 00:31:32,624
BLUE-SKINNED FELLOW I JUST SAW

843
00:31:32,690 --> 00:31:35,526
BEFORE YOU BROUGHT HIM HERE
TO SERVE YOU.

844
00:31:35,593 --> 00:31:36,000
HE'S ONE OF THE
THOUSANDS OF SPECIES

845
00:31:36,000 --> 00:31:37,629
HE'S ONE OF THE
THOUSANDS OF SPECIES

846
00:31:37,695 --> 00:31:39,530
THAT WE'VE ENCOUNTERED.

847
00:31:39,597 --> 00:31:42,000
WE LIVE IN A PEACEFUL
FEDERATION WITH MOST OF THEM.

848
00:31:42,000 --> 00:31:42,667
WE LIVE IN A PEACEFUL
FEDERATION WITH MOST OF THEM.

849
00:31:42,734 --> 00:31:45,436
THE PEOPLE YOU SEE
ARE HERE BY CHOICE.

850
00:31:45,503 --> 00:31:48,000
SO, THERE ARE A PRIVILEGED FEW
WHO SERVE ON THESE SHIPS

851
00:31:48,000 --> 00:31:49,474
SO, THERE ARE A PRIVILEGED FEW
WHO SERVE ON THESE SHIPS

852
00:31:49,540 --> 00:31:51,943
LIVING IN LUXURY
AND WANTING FOR NOTHING

853
00:31:52,010 --> 00:31:53,544
BUT WHAT ABOUT
EVERYBODY ELSE?

854
00:31:53,611 --> 00:31:54,000
WHAT ABOUT THE POOR?

855
00:31:54,000 --> 00:31:54,679
WHAT ABOUT THE POOR?

856
00:31:54,746 --> 00:31:56,481
YOU IGNORE THEM.

857
00:31:56,547 --> 00:32:00,000
POVERTY WAS ELIMINATED
ON EARTH A LONG TIME AGO

858
00:32:00,000 --> 00:32:00,685
POVERTY WAS ELIMINATED
ON EARTH A LONG TIME AGO

859
00:32:00,752 --> 00:32:03,655
AND A LOT OF OTHER THINGS
DISAPPEARED WITH IT--

860
00:32:03,721 --> 00:32:06,000
HOPELESSNESS,
DESPAIR, CRUELTY...

861
00:32:06,000 --> 00:32:06,424
HOPELESSNESS,
DESPAIR, CRUELTY...

862
00:32:06,491 --> 00:32:08,393
YOUNG LADY,
I COME FROM A TIME

863
00:32:08,459 --> 00:32:10,628
WHEN MEN ACHIEVE
POWER AND WEALTH

864
00:32:10,695 --> 00:32:12,000
BY STANDING ON THE BACKS
OF THE POOR

865
00:32:12,000 --> 00:32:12,930
BY STANDING ON THE BACKS
OF THE POOR

866
00:32:12,997 --> 00:32:15,667
WHERE PREJUDICE AND INTOLERANCE
ARE COMMONPLACE

867
00:32:15,733 --> 00:32:18,000
AND POWER IS AN END UNTO ITSELF

868
00:32:18,000 --> 00:32:18,503
AND POWER IS AN END UNTO ITSELF

869
00:32:18,569 --> 00:32:22,707
AND YOU'RE TELLING ME
THAT ISN'T HOW IT IS ANYMORE?

870
00:32:22,774 --> 00:32:24,000
THAT'S RIGHT.

871
00:32:24,000 --> 00:32:25,276
THAT'S RIGHT.

872
00:32:25,343 --> 00:32:26,644
HMM.

873
00:32:28,746 --> 00:32:30,000
HMM...

874
00:32:30,000 --> 00:32:30,481
HMM...

875
00:32:30,548 --> 00:32:33,117
MAYBE...

876
00:32:33,184 --> 00:32:36,000
...IT'S WORTH GIVING UP
CIGARS FOR AFTER ALL.

877
00:32:36,000 --> 00:32:37,121
...IT'S WORTH GIVING UP
CIGARS FOR AFTER ALL.

878
00:32:37,188 --> 00:32:39,057
( DOOR OPENS )

879
00:32:46,698 --> 00:32:47,632
ANY LUCK?

880
00:32:47,699 --> 00:32:48,000
NOT SO FAR.

881
00:32:48,000 --> 00:32:49,233
NOT SO FAR.

882
00:32:49,300 --> 00:32:51,636
HIS ACTIVATING UNITS
WON'T INITIALIZE.

883
00:32:51,703 --> 00:32:54,000
I THOUGHT THEY WOULD
HAVE BEEN PROTECTED

884
00:32:54,000 --> 00:32:54,372
I THOUGHT THEY WOULD
HAVE BEEN PROTECTED

885
00:32:54,439 --> 00:32:56,207
BY HIS BUFFERING PROGRAM

886
00:32:56,274 --> 00:32:59,177
BUT... I GUESS 500 YEARS
IS JUST TOO LONG A WAIT.

887
00:32:59,243 --> 00:33:00,000
WHAT...?

888
00:33:00,000 --> 00:33:00,178
WHAT...?

889
00:33:00,244 --> 00:33:02,180
MY WATCH!

890
00:33:02,246 --> 00:33:04,515
( CHUCKLES )

891
00:33:07,585 --> 00:33:08,586
YEAH.

892
00:33:08,653 --> 00:33:10,655
IT WAS FOUND IN THE CAVERN
WHERE DATA'S HEAD WAS.

893
00:33:10,722 --> 00:33:12,000
I GUESS AFTER 500 YEARS

894
00:33:12,000 --> 00:33:12,990
I GUESS AFTER 500 YEARS

895
00:33:13,057 --> 00:33:15,760
THAT'S NOT LIKELY
TO WORK EITHER.

896
00:33:15,827 --> 00:33:18,000
MR. DATA

897
00:33:18,000 --> 00:33:18,162
MR. DATA

898
00:33:18,229 --> 00:33:23,468
I FEAR I HAVE SADLY
MISJUDGED YOU...

899
00:33:23,534 --> 00:33:24,000
AS I HAVE MISJUDGED
MANY THINGS.

900
00:33:24,000 --> 00:33:26,704
AS I HAVE MISJUDGED
MANY THINGS.

901
00:33:29,774 --> 00:33:30,000
( MOANING )

902
00:33:30,000 --> 00:33:35,580
( MOANING )

903
00:33:37,749 --> 00:33:40,485
CAN YOU COMMUNICATE?

904
00:33:40,551 --> 00:33:41,652
MM.

905
00:33:41,719 --> 00:33:42,000
YES.

906
00:33:42,000 --> 00:33:44,288
YES.

907
00:33:44,355 --> 00:33:46,691
YOU'RE INJURED.

908
00:33:46,758 --> 00:33:48,000
WHY HAVE YOU
INTERFERED WITH US?

909
00:33:48,000 --> 00:33:49,660
WHY HAVE YOU
INTERFERED WITH US?

910
00:33:49,727 --> 00:33:50,795
YOU HUNT US.

911
00:33:50,862 --> 00:33:52,663
YOU KILL US.

912
00:33:52,730 --> 00:33:54,000
WE CANNOT ALLOW THAT.

913
00:33:54,000 --> 00:33:55,199
WE CANNOT ALLOW THAT.

914
00:33:55,266 --> 00:33:58,236
WE NEED YOUR ENERGY.

915
00:33:58,302 --> 00:34:00,000
WELL, PERHAPS WE CAN
FIND A SUBSTITUTE.

916
00:34:00,000 --> 00:34:00,304
WELL, PERHAPS WE CAN
FIND A SUBSTITUTE.

917
00:34:00,371 --> 00:34:01,706
NO.

918
00:34:01,773 --> 00:34:04,375
THERE IS NONE.

919
00:34:04,442 --> 00:34:06,000
WE MUST CONTINUE.

920
00:34:06,000 --> 00:34:07,378
WE MUST CONTINUE.

921
00:34:07,445 --> 00:34:11,282
WE KNOW HOW YOU MOVE
BACK AND FORTH THROUGH TIME.

922
00:34:11,349 --> 00:34:12,000
MY CREW HAVE RETURNED
TO THE 24TH CENTURY

923
00:34:12,000 --> 00:34:13,751
MY CREW HAVE RETURNED
TO THE 24TH CENTURY

924
00:34:13,818 --> 00:34:16,120
TO DESTROY YOUR TRANSPORT SITE

925
00:34:16,187 --> 00:34:17,455
ON DEVIDIA II.

926
00:34:17,522 --> 00:34:18,000
DESTROY IT?

927
00:34:18,000 --> 00:34:19,624
DESTROY IT?

928
00:34:21,826 --> 00:34:24,000
YOUR WEAPONS WILL ONLY
AMPLIFY THE TIME DISTORTION.

929
00:34:24,000 --> 00:34:27,198
YOUR WEAPONS WILL ONLY
AMPLIFY THE TIME DISTORTION.

930
00:34:27,265 --> 00:34:30,000
YOU WILL ANNIHILATE
YOUR OWN WORLD.

931
00:34:30,000 --> 00:34:31,269
YOU WILL ANNIHILATE
YOUR OWN WORLD.

932
00:34:42,880 --> 00:34:45,349
I'M GOING BACK
FOR CAPTAIN PICARD.

933
00:34:45,416 --> 00:34:48,000
MR. WORF, ASSEMBLE AN AWAY TEAM
TO ACCOMPANY ME TO THE SURFACE.

934
00:34:48,000 --> 00:34:48,352
MR. WORF, ASSEMBLE AN AWAY TEAM
TO ACCOMPANY ME TO THE SURFACE.

935
00:34:48,419 --> 00:34:49,320
DOCTOR, I NEED TO KNOW

936
00:34:49,387 --> 00:34:51,389
ANYTHING YOU CAN TELL ME
ABOUT THAT OPHIDIAN.

937
00:34:51,456 --> 00:34:52,557
I'VE JUST STARTED
RUNNING SOME TESTS.

938
00:34:52,623 --> 00:34:53,424
IF I CAN HAVE
A FEW HOURS...

939
00:34:53,491 --> 00:34:54,000
I CAN'T GIVE THE ALIEN
ANY MORE TIME.

940
00:34:54,000 --> 00:34:55,393
I CAN'T GIVE THE ALIEN
ANY MORE TIME.

941
00:34:55,460 --> 00:34:57,361
WILL, I HAVEN'T
BEEN ABLE TO DETERMINE

942
00:34:57,428 --> 00:35:00,000
IF OUR PHASER ENERGY
CAN GENERATE A STABLE FIELD.

943
00:35:00,000 --> 00:35:00,231
IF OUR PHASER ENERGY
CAN GENERATE A STABLE FIELD.

944
00:35:00,298 --> 00:35:00,765
THE RISK WOULD BE...

945
00:35:00,832 --> 00:35:01,566
I'LL TAKE THAT RISK!

946
00:35:01,632 --> 00:35:05,336
SIR, PERMISSION
TO SPEAK FRANKLY.

947
00:35:05,403 --> 00:35:06,000
Riker:
Go ahead.

948
00:35:06,000 --> 00:35:07,505
Riker:
Go ahead.

949
00:35:07,572 --> 00:35:10,341
OUR PRIORITY IS
TO STOP THE ALIENS

950
00:35:10,408 --> 00:35:11,275
FROM ANY MORE INCURSIONS
TO EARTH.

951
00:35:11,342 --> 00:35:12,000
ANY DELAY IS
UNACCEPTABLE.

952
00:35:12,000 --> 00:35:13,377
ANY DELAY IS
UNACCEPTABLE.

953
00:35:13,444 --> 00:35:16,414
IF I CAN SAVE CAPTAIN PICARD,
I CONSIDER THAT VERY ACCEPTABLE.

954
00:35:16,481 --> 00:35:18,000
THE CAPTAIN WOULD NOT.

955
00:35:18,000 --> 00:35:18,316
THE CAPTAIN WOULD NOT.

956
00:35:20,852 --> 00:35:23,354
I RECOMMEND WE TARGET
PHOTON TORPEDOES

957
00:35:23,421 --> 00:35:24,000
ON THE ALIEN HABITAT
AND DESTROY IT... IMMEDIATELY.

958
00:35:24,000 --> 00:35:26,724
ON THE ALIEN HABITAT
AND DESTROY IT... IMMEDIATELY.

959
00:35:29,760 --> 00:35:30,000
HE'S RIGHT, WILL.

960
00:35:30,000 --> 00:35:31,295
HE'S RIGHT, WILL.

961
00:35:35,766 --> 00:35:36,000
POWER UP THE PHOTONS, MR. WORF.

962
00:35:36,000 --> 00:35:38,536
POWER UP THE PHOTONS, MR. WORF.

963
00:35:38,603 --> 00:35:41,239
ALERT ME WHEN THEY'RE READY.

964
00:35:41,305 --> 00:35:42,000
COMPUTER...
INITIALIZE THE RELOAD CIRCUITS.

965
00:35:42,000 --> 00:35:45,676
COMPUTER...
INITIALIZE THE RELOAD CIRCUITS.

966
00:35:45,743 --> 00:35:48,000
Computer:
Reload circuits
are initializing.

967
00:35:48,000 --> 00:35:48,246
Computer:
Reload circuits
are initializing.

968
00:35:48,312 --> 00:35:49,347
OKAY.

969
00:35:51,816 --> 00:35:54,000
DATA... THIS OUGHT TO DO IT.

970
00:35:54,000 --> 00:35:56,854
DATA... THIS OUGHT TO DO IT.

971
00:36:00,525 --> 00:36:03,227
OH, I DON'T GET IT.

972
00:36:03,294 --> 00:36:06,000
I DON'T UNDERSTAND WHY
THIS ISN'T WORKING.

973
00:36:06,000 --> 00:36:08,232
I DON'T UNDERSTAND WHY
THIS ISN'T WORKING.

974
00:36:08,299 --> 00:36:09,333
( SIGHS )

975
00:36:09,400 --> 00:36:12,000
COMPUTER...

976
00:36:12,000 --> 00:36:12,169
COMPUTER...

977
00:36:12,236 --> 00:36:15,640
RUN ME A DIAGNOSTIC
ON THE INPUT POLARIZERS.

978
00:36:15,706 --> 00:36:18,000
There is intermittent contact
in the input polarizers.

979
00:36:18,000 --> 00:36:19,477
There is intermittent contact
in the input polarizers.

980
00:36:19,544 --> 00:36:20,611
INTERMITTENT?

981
00:36:29,487 --> 00:36:30,000
WHAT...?

982
00:36:30,000 --> 00:36:30,354
WHAT...?

983
00:36:45,570 --> 00:36:47,838
AN IRON FILING.

984
00:36:47,905 --> 00:36:48,000
HOW DID THAT GET IN THERE?

985
00:36:48,000 --> 00:36:49,674
HOW DID THAT GET IN THERE?

986
00:37:19,604 --> 00:37:22,373
( SIGHS )

987
00:37:44,862 --> 00:37:46,497
COMMANDER, I HAVE
SET THE PHOTONS

988
00:37:46,564 --> 00:37:47,832
TO FIRE IN
STAGGERED ROUNDS

989
00:37:47,898 --> 00:37:48,000
DETONATING IN
TEN-SECOND INTERVALS.

990
00:37:48,000 --> 00:37:50,001
DETONATING IN
TEN-SECOND INTERVALS.

991
00:37:50,067 --> 00:37:50,434
VERY WELL.

992
00:37:50,501 --> 00:37:52,370
FIRE WHEN READY.

993
00:37:52,436 --> 00:37:54,000
THE SEQUENCE WILL BE READY
TO INITIATE IN ONE MINUTE.

994
00:37:54,000 --> 00:37:56,641
THE SEQUENCE WILL BE READY
TO INITIATE IN ONE MINUTE.

995
00:37:56,707 --> 00:38:00,000
COMPUTER, RUN ANOTHER DIAGNOSTIC
ON THE INPUT POLARIZERS.

996
00:38:00,000 --> 00:38:00,845
COMPUTER, RUN ANOTHER DIAGNOSTIC
ON THE INPUT POLARIZERS.

997
00:38:00,911 --> 00:38:03,414
Polarizer circuits
are functioning.

998
00:38:03,481 --> 00:38:06,000
WELL, THEN,
THAT OUGHT TO DO IT.

999
00:38:06,000 --> 00:38:06,517
WELL, THEN,
THAT OUGHT TO DO IT.

1000
00:38:09,720 --> 00:38:11,589
( CHUCKLES )

1001
00:38:11,656 --> 00:38:12,000
OKAY, DATA, COME ON NOW.

1002
00:38:12,000 --> 00:38:15,292
OKAY, DATA, COME ON NOW.

1003
00:38:20,631 --> 00:38:21,499
TORPEDOES...

1004
00:38:23,467 --> 00:38:24,000
PHASING...

1005
00:38:24,000 --> 00:38:25,436
PHASING...

1006
00:38:25,503 --> 00:38:26,537
ALIEN...

1007
00:38:28,839 --> 00:38:30,000
( CLICKS )

1008
00:38:30,000 --> 00:38:30,608
( CLICKS )

1009
00:38:30,675 --> 00:38:32,843
I AM PROCESSING
A BINARY MESSAGE

1010
00:38:32,910 --> 00:38:35,713
ENTERED INTO MY STATIC
MEMORY BY CAPTAIN PICARD.

1011
00:38:35,780 --> 00:38:36,000
GEORDI, ARE WE
PLANNING TO FIRE

1012
00:38:36,000 --> 00:38:38,049
GEORDI, ARE WE
PLANNING TO FIRE

1013
00:38:38,115 --> 00:38:39,483
ON THE ALIEN HABITAT?

1014
00:38:39,550 --> 00:38:40,785
YEAH, BUT...

1015
00:38:40,851 --> 00:38:42,000
IT IS IMPERATIVE
THAT WE DO NOT.

1016
00:38:42,000 --> 00:38:42,653
IT IS IMPERATIVE
THAT WE DO NOT.

1017
00:38:42,720 --> 00:38:44,088
I WILL EXPLAIN LATER.

1018
00:38:44,155 --> 00:38:46,657
LA FORGE TO RIKER.
HOLD YOUR FIRE!

1019
00:38:52,563 --> 00:38:54,000
THE BINARY MESSAGE
LEFT BY THE CAPTAIN

1020
00:38:54,000 --> 00:38:54,098
THE BINARY MESSAGE
LEFT BY THE CAPTAIN

1021
00:38:54,165 --> 00:38:56,500
IS NOT ENTIRELY CLEAR.

1022
00:38:56,567 --> 00:38:58,102
HE SEEMED TO BE CONCERNED

1023
00:38:58,169 --> 00:39:00,000
ABOUT THE PHASE DIFFERENTIAL
OF OUR PHOTON TORPEDOES.

1024
00:39:00,000 --> 00:39:01,005
ABOUT THE PHASE DIFFERENTIAL
OF OUR PHOTON TORPEDOES.

1025
00:39:01,072 --> 00:39:04,408
THAT FIRING THEM MIGHT PRODUCE
CATASTROPHIC EFFECTS.

1026
00:39:04,475 --> 00:39:06,000
THEN HOW CAN
WE DESTROY
THEIR HABITAT?

1027
00:39:06,000 --> 00:39:06,510
THEN HOW CAN
WE DESTROY
THEIR HABITAT?

1028
00:39:06,577 --> 00:39:07,778
IF I AM CORRECT

1029
00:39:07,845 --> 00:39:10,915
WE MUST MODIFY OUR WEAPONS SO
THAT THE FORCE OF THE EXPLOSION

1030
00:39:10,981 --> 00:39:12,000
IS REPHASED INTO THE
ALIENS' TIME CONTINUUM.

1031
00:39:12,000 --> 00:39:13,684
IS REPHASED INTO THE
ALIENS' TIME CONTINUUM.

1032
00:39:13,751 --> 00:39:15,886
IF WE OUTFIT THE PHOTONS
WITH PHASE DISCRIMINATORS

1033
00:39:15,953 --> 00:39:17,455
WE COULD GET
THE VARIANCE WE NEED.

1034
00:39:17,521 --> 00:39:18,000
HOW LONG WILL IT TAKE YOU?

1035
00:39:18,000 --> 00:39:18,723
HOW LONG WILL IT TAKE YOU?

1036
00:39:18,789 --> 00:39:20,024
AT LEAST A COUPLE OF HOURS.

1037
00:39:20,091 --> 00:39:22,660
FINE. I'LL HAVE TIME
TO GO GET HIM.

1038
00:39:22,727 --> 00:39:23,894
SIR?

1039
00:39:23,961 --> 00:39:24,000
I'M GOING BACK
TO THE 19TH CENTURY
TO GET THE CAPTAIN.

1040
00:39:24,000 --> 00:39:25,996
I'M GOING BACK
TO THE 19TH CENTURY
TO GET THE CAPTAIN.

1041
00:39:26,063 --> 00:39:26,997
DOCTOR?

1042
00:39:27,064 --> 00:39:28,999
MY ANALYSIS OF THE PHASERS

1043
00:39:29,066 --> 00:39:30,000
SUGGESTS YOU'D BE ABLE
TO OPEN THE RIFT

1044
00:39:30,000 --> 00:39:31,602
SUGGESTS YOU'D BE ABLE
TO OPEN THE RIFT

1045
00:39:31,669 --> 00:39:32,837
BUT IT WON'T BE STABLE ENOUGH

1046
00:39:32,903 --> 00:39:35,139
TO TRANSPORT
MORE THAN ONE PERSON.

1047
00:39:35,206 --> 00:39:36,000
YOU MEAN, IF I GO BACK,
ONLY ONE OF US COULD RETURN?

1048
00:39:36,000 --> 00:39:37,675
YOU MEAN, IF I GO BACK,
ONLY ONE OF US COULD RETURN?

1049
00:39:37,742 --> 00:39:38,642
CRUSHER:
THAT'S RIGHT.

1050
00:39:38,709 --> 00:39:41,645
THEN I HAVE
THE PERFECT SOLUTION FOR YOU.

1051
00:39:41,712 --> 00:39:42,000
I'M THE ONE WHO SHOULD RETURN
TO THE 19TH CENTURY

1052
00:39:42,000 --> 00:39:44,715
I'M THE ONE WHO SHOULD RETURN
TO THE 19TH CENTURY

1053
00:39:44,782 --> 00:39:48,000
AND REMAIN THERE, SO YOUR
CAPTAIN CAN RETURN HERE.

1054
00:39:48,000 --> 00:39:48,519
AND REMAIN THERE, SO YOUR
CAPTAIN CAN RETURN HERE.

1055
00:39:48,586 --> 00:39:50,020
THERE'S A RISK.

1056
00:39:50,087 --> 00:39:51,756
WE'RE NOT SURE HOW STABLE
THE RIFT WILL BE.

1057
00:39:51,822 --> 00:39:53,991
AH, THERE'S RISK
IN EVERYTHING.

1058
00:39:54,058 --> 00:39:56,627
THE POINT IS,
IT'S THE RIGHT CHOICE.

1059
00:39:56,694 --> 00:39:58,696
I'VE GOT MORE BOOKS
TO WRITE

1060
00:39:58,763 --> 00:40:00,000
AND YOUR CAPTAIN
HAS A JOB TO DO HERE.

1061
00:40:00,000 --> 00:40:02,466
AND YOUR CAPTAIN
HAS A JOB TO DO HERE.

1062
00:40:02,533 --> 00:40:04,468
GEORDI, YOU'LL BRIEF HIM
ON WHAT HE NEEDS TO KNOW?

1063
00:40:04,535 --> 00:40:06,000
AYE, SIR.

1064
00:40:06,000 --> 00:40:06,570
AYE, SIR.

1065
00:40:06,637 --> 00:40:08,672
I'M GLAD I HAVE A CHANCE

1066
00:40:08,739 --> 00:40:10,708
TO THANK YOU.

1067
00:40:10,775 --> 00:40:11,776
FOR WHAT, SIR?

1068
00:40:11,842 --> 00:40:12,000
WHY, FOR STARTING ME OUT

1069
00:40:12,000 --> 00:40:14,145
WHY, FOR STARTING ME OUT

1070
00:40:14,211 --> 00:40:18,000
ON THE GREATEST ADVENTURE
A MAN'S EVER HAD, WHOO!

1071
00:40:18,000 --> 00:40:19,483
ON THE GREATEST ADVENTURE
A MAN'S EVER HAD, WHOO!

1072
00:40:19,550 --> 00:40:21,685
AND FOR HELPING
A BITTER OLD MAN

1073
00:40:21,752 --> 00:40:23,687
TO OPEN HIS EYES

1074
00:40:23,754 --> 00:40:24,000
AND SEE THAT THE FUTURE
TURNED OUT PRETTY WELL...

1075
00:40:24,000 --> 00:40:28,893
AND SEE THAT THE FUTURE
TURNED OUT PRETTY WELL...

1076
00:40:28,959 --> 00:40:30,000
AFTER ALL.

1077
00:40:30,000 --> 00:40:32,797
AFTER ALL.

1078
00:40:32,863 --> 00:40:34,965
I'M THIRSTY.

1079
00:40:40,771 --> 00:40:42,000
I'M GOING
TO GET HELP.

1080
00:40:42,000 --> 00:40:42,173
I'M GOING
TO GET HELP.

1081
00:40:42,239 --> 00:40:44,008
WE HAVE TO GET YOU
OUT OF HERE.

1082
00:40:44,074 --> 00:40:46,544
OH, NO, DON'T GO.

1083
00:40:46,610 --> 00:40:47,778
THEY'LL BE BACK
FOR YOU SOON.

1084
00:40:47,845 --> 00:40:48,000
NO. YOU NEED HELP.

1085
00:40:48,000 --> 00:40:49,680
NO. YOU NEED HELP.

1086
00:40:49,747 --> 00:40:51,715
( APPROACHING FOOTSTEPS )

1087
00:40:51,782 --> 00:40:54,000
THIS THING PUT ME DOWN
IN THE MIDDLE OF MARKET STREET.

1088
00:40:54,000 --> 00:40:55,186
THIS THING PUT ME DOWN
IN THE MIDDLE OF MARKET STREET.

1089
00:40:55,252 --> 00:40:56,921
TOOK FOREVER TO GET HERE.

1090
00:41:00,124 --> 00:41:01,892
COMMANDER LA FORGE
HAS JUST COMPLETED

1091
00:41:01,959 --> 00:41:06,000
THE RECONFIGURATION
OF THE PHOTON TORPEDOES.

1092
00:41:06,000 --> 00:41:06,096
THE RECONFIGURATION
OF THE PHOTON TORPEDOES.

1093
00:41:06,163 --> 00:41:07,031
IF CLEMENS GOT BACK

1094
00:41:07,097 --> 00:41:09,733
THE CAPTAIN SHOULD
HAVE BEEN HERE BY NOW.

1095
00:41:09,800 --> 00:41:11,569
WE HAVE NO WAY
OF KNOWING

1096
00:41:11,635 --> 00:41:12,000
IF MR. CLEMENS
WAS SUCCESSFUL.

1097
00:41:12,000 --> 00:41:14,004
IF MR. CLEMENS
WAS SUCCESSFUL.

1098
00:41:17,007 --> 00:41:18,000
REESTABLISH YOUR
FIRING PATTERN, MR. WORF.

1099
00:41:18,000 --> 00:41:19,743
REESTABLISH YOUR
FIRING PATTERN, MR. WORF.

1100
00:41:19,810 --> 00:41:21,245
WE'LL WAIT FIVE MORE MINUTES.

1101
00:41:21,312 --> 00:41:23,881
AYE, SIR.

1102
00:41:23,948 --> 00:41:24,000
THERE'S NO TIME
FOR CHITCHAT, SIR.

1103
00:41:24,000 --> 00:41:27,117
THERE'S NO TIME
FOR CHITCHAT, SIR.

1104
00:41:27,184 --> 00:41:28,853
ACCORDING TO MR. LA FORGE--

1105
00:41:28,919 --> 00:41:30,000
WHO DID GET YOUR MESSAGE
BY THE WAY--

1106
00:41:30,000 --> 00:41:31,655
WHO DID GET YOUR MESSAGE
BY THE WAY--

1107
00:41:31,722 --> 00:41:36,000
A FREQUENCY SETTING OF, UH...
.047 ON YOUR PHASER

1108
00:41:36,000 --> 00:41:37,061
A FREQUENCY SETTING OF, UH...
.047 ON YOUR PHASER

1109
00:41:37,127 --> 00:41:40,164
WILL CORRECTLY ACTIVATE
THIS... THIS CREATURE.

1110
00:41:40,231 --> 00:41:41,832
NOW YOU HAVE
TO GET HELP.

1111
00:41:41,899 --> 00:41:42,000
GUINAN NEEDS
MEDICAL ATTENTION.

1112
00:41:42,000 --> 00:41:42,967
GUINAN NEEDS
MEDICAL ATTENTION.

1113
00:41:43,033 --> 00:41:45,269
I PROMISE YOU, SHE
WILL BE ATTENDED TO.

1114
00:41:45,336 --> 00:41:46,103
AND THERE IS A BILL
TO BE SETTLED

1115
00:41:46,170 --> 00:41:47,838
AT MRS. CARMICHAEL'S
BOARDING HOUSE.

1116
00:41:47,905 --> 00:41:48,000
I'LL SETTLE IT.

1117
00:41:48,000 --> 00:41:48,739
I'LL SETTLE IT.

1118
00:41:48,806 --> 00:41:51,942
THANK YOU. I WISH...

1119
00:41:52,009 --> 00:41:53,878
I WISH TIME WOULD
HAVE ALLOWED ME

1120
00:41:53,944 --> 00:41:54,000
TO KNOW YOU BETTER.

1121
00:41:54,000 --> 00:41:55,746
TO KNOW YOU BETTER.

1122
00:41:55,813 --> 00:41:58,048
WELL, YOU'LL JUST HAVE
TO READ MY BOOKS.

1123
00:41:58,115 --> 00:42:00,000
WHAT I AM
IS PRETTY MUCH THERE.

1124
00:42:00,000 --> 00:42:00,117
WHAT I AM
IS PRETTY MUCH THERE.

1125
00:42:06,690 --> 00:42:10,294
I'LL SEE YOU
IN 500 YEARS, PICARD.

1126
00:42:10,361 --> 00:42:12,000
AND I'LL SEE YOU
IN A FEW MINUTES.

1127
00:42:12,000 --> 00:42:13,831
AND I'LL SEE YOU
IN A FEW MINUTES.

1128
00:42:19,937 --> 00:42:21,639
COMMANDER, I AM PICKING UP

1129
00:42:21,705 --> 00:42:24,000
MASSIVE TRIOLIC WAVE ACTIVITY
ON THE SURFACE.

1130
00:42:24,000 --> 00:42:24,642
MASSIVE TRIOLIC WAVE ACTIVITY
ON THE SURFACE.

1131
00:42:24,708 --> 00:42:26,110
IS IT THE CAPTAIN?

1132
00:42:26,176 --> 00:42:28,779
THERE ARE NO
HUMAN LIFE SIGNS.

1133
00:42:28,846 --> 00:42:30,000
NO SIGN OF TEMPORAL
DISTORTION?

1134
00:42:30,000 --> 00:42:30,547
NO SIGN OF TEMPORAL
DISTORTION?

1135
00:42:30,614 --> 00:42:33,217
NO, SIR, BUT TRIOLIC ACTIVITY
IS INCREASING.

1136
00:42:33,284 --> 00:42:35,920
THE ALIENS.

1137
00:42:35,986 --> 00:42:36,000
MR. WORF, ARE THE PHOTONS READY?

1138
00:42:36,000 --> 00:42:37,922
MR. WORF, ARE THE PHOTONS READY?

1139
00:42:37,988 --> 00:42:40,057
YES, SIR.

1140
00:42:40,124 --> 00:42:41,592
FIRE.

1141
00:42:44,361 --> 00:42:46,597
TORPEDOES AWAY, SIR.

1142
00:42:46,664 --> 00:42:48,000
SIR, I AM DETECTING A TEMPORAL
DISTORTION ON THE SURFACE...

1143
00:42:48,000 --> 00:42:50,567
SIR, I AM DETECTING A TEMPORAL
DISTORTION ON THE SURFACE...

1144
00:42:50,634 --> 00:42:52,569
AND HUMAN LIFE SIGNS.

1145
00:42:53,270 --> 00:42:54,000
( EXPLOSIONS )

1146
00:42:54,000 --> 00:42:59,310
( EXPLOSIONS )

1147
00:42:59,376 --> 00:43:00,000
O'BRIEN, GET HIM OUT OF THERE!

1148
00:43:00,000 --> 00:43:00,945
O'BRIEN, GET HIM OUT OF THERE!

1149
00:43:07,318 --> 00:43:08,585
TRANSPORTER ROOM,
HAVE YOU GOT HIM?

1150
00:43:08,652 --> 00:43:09,720
Picard:
He has indeed, Commander

1151
00:43:09,787 --> 00:43:12,000
AND BELIEVE ME,
IT'S GOOD TO BE BACK.

1152
00:43:12,000 --> 00:43:14,258
AND BELIEVE ME,
IT'S GOOD TO BE BACK.

1153
00:43:14,325 --> 00:43:16,060
Worf:
We have destroyed
the target.

1154
00:43:16,126 --> 00:43:18,000
THERE IS NO FURTHER INDICATION
OF TRIOLIC ACTIVITY.

1155
00:43:18,000 --> 00:43:20,064
THERE IS NO FURTHER INDICATION
OF TRIOLIC ACTIVITY.

1156
00:43:20,130 --> 00:43:22,066
ENSIGN, LAY IN A COURSE
FOR THE NEAREST STARBASE.

1157
00:43:22,132 --> 00:43:23,767
WARP SIX.

1158
00:43:33,978 --> 00:43:36,000
CAPTAIN'S LOG,
STARDATE 46001.3.

1159
00:43:36,000 --> 00:43:37,982
CAPTAIN'S LOG,
STARDATE 46001.3.

1160
00:43:38,048 --> 00:43:41,218
EVERYONE WHO SHOULD BE IN THE
19TH CENTURY IS SAFELY THERE

1161
00:43:41,285 --> 00:43:42,000
AND THOSE WHO SHOULD BE
IN THE 24TH ARE HERE.

1162
00:43:42,000 --> 00:43:44,621
AND THOSE WHO SHOULD BE
IN THE 24TH ARE HERE.

1163
00:43:44,688 --> 00:43:47,391
MR. DATA HAS BEEN RESTORED
TO US, HEAD AND ALL

1164
00:43:47,458 --> 00:43:48,000
AND SAMUEL CLEMENS
WILL WRITE THE BOOKS

1165
00:43:48,000 --> 00:43:49,994
AND SAMUEL CLEMENS
WILL WRITE THE BOOKS

1166
00:43:50,060 --> 00:43:52,663
HE WAS TO HAVE WRITTEN
AFTER OUR ENCOUNTER.

1167
00:43:55,699 --> 00:43:56,633
NOW, BE CAREFUL, BOYS.

1168
00:43:56,700 --> 00:43:58,402
DON'T JOSTLE HER TOO MUCH.

1169
00:43:58,469 --> 00:44:00,000
DON'T WORRY, MADAM GUINAN,
YOU'RE GOING TO BE FINE.

1170
00:44:00,000 --> 00:44:02,639
DON'T WORRY, MADAM GUINAN,
YOU'RE GOING TO BE FINE.

1171
00:44:28,499 --> 00:44:30,000
( CHUCKLES )

1172
00:44:30,000 --> 00:44:31,402
( CHUCKLES )

1173
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[Captioning sponsored by
PARAMOUNT PICTURES

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[Captioning sponsored by
PARAMOUNT PICTURES

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Captioned by
The Caption Center
WGBH Educational Foundation]